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Jim Jarmusch explores humanity through the connections of taxi drivers and riders and emulating the film history of various places on "earth", which is to say New York, LA, Paris, Rome, and Helsinki.
Friend of the show and theme song composer Jonathan Hape joins us to celebrate Spine 400! Someday we may finish this!
The plot of David Mamet's House of Games is right up our alleys, even if Pat thinks it would be more appropriate to a USA channel original program. But there are certainly problems here.
Jean-Pierre Melville adapts a novel written by fellow French director Jean Cocteau, and Melville believes Cocteau, who was on set everyday, was trying to undermine him at every turn. Melville's all but disowned the film, which makes this possibly the first time our opinion on a Melville film matches the director's.
We've talked before about how it may be impossible to truly make an anti-war war film, but in showing the human toll on both sides of the fight Andrei Tarkovsky's entry into the seminal Soviet genre of post-WWII war films may come pretty close.
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