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Rodney Linderman aka Rodney Anonymous /September 28, 2013
Joseph A. Gervasi interviews Rodney Linderman aka Rodney Anonymous of The Dead Milkmen (and many other bands and musical projects). At nearly 89-minutes, this is not the longest interview in the series. I can assure you, however, that there are more words said in this interview than in any other, and perhaps in all of them combined. Rodney loves to talk-talk-talkand he has many strong opinions-opinions-opinions — and that’s why Philadelphia loves him! A complete catalogue of what Rodney discusses in this interview would be impossible for me to detail without my fingers falling off, but here’s a bit of what you’ll hear: Rodney’s young life in a working class steel town, the early days (aka “The Fictitious Years”) of The Dead Milkmen, how the Dead Milkmen became a real band, the unlikely hit that was the song “Punk Rock Girl” and how the band sabotaged their appearance on Club MTV, the state of music criticism and the music scene in general, twee beardy bands and the undue attention paid to them, why drugs are bad, some well-known folks Rodney hates, etc. Get ready for an aural speedball!
P.S. For the record, I love the breezy ’60s harmony pop band The Association.
The Dead Milkmen website
Sean Agnew of R5 Productions/September 23, 2013
Joseph A. Gervasi interviews Sean Agnew of R5 Productions, Union Transfer, and now the Boot & Saddle bar (plus more). For those curious about how one of Philadelphia’s most significant music promoters began by presenting ska and hardcore punk shows with the help of his friends, this is an essential interview. Sean details it all, from growing up in a working class community, to taking the R5 regional rail line into Philly, to drawing inspiration from the WKDU DJs and mid-1990s DIY show promoters. In the 2000s R5 Productions put Philadelphia on the map when it came to providing well-organized, safe, and ethical shows that catered to all sorts of underground (and some decidedly overground) sounds. The national media as well as the University of Penn and L&I took notice. Now Sean’s involved with Union Transfer, the recently re-opened Boot & Saddle bar, and other venues throughout the city. We discuss how Sean attempts to keep the ethos of DIY punk alive in a projects that have grown far beyond the punk scene and how he hopes other, younger people will step up to organize and present shows in the city. Sean’s a sagacious and generous fellow; his contributions to Philadelphia are tremendous.
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