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Today’s date in 1931 marks the birthday of the first notable Native American composer of concert music. His name was Louis Ballard, and he was born in Devil's Promenade in Oklahoma. His father was Cherokee, and his mother Quapaw.
As a young boy Ballard attended – but managed not to be irreparably damaged by – one of those notorious boarding schools where Native American students were taught to forget everything about their own language and culture. Ballard somehow remained rooted in Quapaw language and traditions at the same time his interest in European classical music developed, and in 1962 became first American Indian to receive a graduate degree in music composition.
Inspired by the example of Bela Bartok, who incorporated the folk music of Eastern Europe in his works, Ballard attempted to do the same with Native American source material in concert works both large and small. He was nominated for a Pulitzer Prize in 1971 and in 1974 his orchestral piece Incident at Wounded Knee was performed at Carnegie Hall and taken on an Eastern European tour by Saint Paul Chamber Orchestra, who had commissioned the work.
This Louis Ballard chamber piece for two winds and piano is entitled “Mid-Winter Fires.”
Louis Ballard (1931-2007): Mid-Winter Fires (Amy Morris, f; Mark Serrup, ob; Mary Goetz, p.) Indande Records 52352
By American Public Media4.7
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Today’s date in 1931 marks the birthday of the first notable Native American composer of concert music. His name was Louis Ballard, and he was born in Devil's Promenade in Oklahoma. His father was Cherokee, and his mother Quapaw.
As a young boy Ballard attended – but managed not to be irreparably damaged by – one of those notorious boarding schools where Native American students were taught to forget everything about their own language and culture. Ballard somehow remained rooted in Quapaw language and traditions at the same time his interest in European classical music developed, and in 1962 became first American Indian to receive a graduate degree in music composition.
Inspired by the example of Bela Bartok, who incorporated the folk music of Eastern Europe in his works, Ballard attempted to do the same with Native American source material in concert works both large and small. He was nominated for a Pulitzer Prize in 1971 and in 1974 his orchestral piece Incident at Wounded Knee was performed at Carnegie Hall and taken on an Eastern European tour by Saint Paul Chamber Orchestra, who had commissioned the work.
This Louis Ballard chamber piece for two winds and piano is entitled “Mid-Winter Fires.”
Louis Ballard (1931-2007): Mid-Winter Fires (Amy Morris, f; Mark Serrup, ob; Mary Goetz, p.) Indande Records 52352

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