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When punk arrived in the mid 70s, its charter was to shake the establishment and give the finger to all that it stood for. Aim was also taken at bands taking months to record an album that were needlessly complex. They were seen as being part of the “machine”. In 1973, along came San Franciscan band The Tubes. They had punk attitude, but were not content to play 2 minute stripped-back punk songs. Their songs were making fun of middle America’s consumer obsessed society and its conservative values (haven’t we come a long way since then………right????) They weren’t angry, though. They were definitely laughing while pointing that finger, and doing shows that were part rock show, part theatre, all supposed to make your parents feel uncomfortable. They weren’t quite punk, they weren’t quite glam….what were they?
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Anthony Bourdain RIP.
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It's time for episode 112 of Love That Album. I've gone walkabout this month, but my great friend and music fiend Dave Blom returns to take over the show.
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Welcome to Episode 50 of Love That Album: The Compilation Edition.
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LTA: The Compilation Edition heads one episode closer to the half century.
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For episode 48 of Love That Album: The Compilation Edition, Eric has decided to talk about a pair of hyper poppy soundtracks.
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If we’re discussing an album with songs about stalking, emotional control of another human being, Carl Jung, the Loch Ness Monster appearing as a result of a suburbanite’s frustration with life and Oedipus, you’d probably surmise Love That Album podcast is focusing on the Synchronicity by The Police….and you’d be right.
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Welcome to the future, welcome to the Pepsi generation.. wait that's the wrong decade... this is welcome to the end of the world as we knew it and it felt .. fine... ?
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