
Sign up to save your podcasts
Or


For episode 29 of Love That Album, I’m joined by VK Lynne, singer, podcaster (at the List Music Podcast) and obsessive Nightwish fan.
Learn more about your ad choices. Visit megaphone.fm/adchoices
For episode 28 of Love That Album, I am joined initially by previous co-presenter John Stirrat, regular segment contributor Eric Reanimator, and later in the show by music and film enthusiast Tim Merrill to just chat about whatever music-related issues come to mind. There is no set album to discuss – we just chat about what we’ve been listening to, music snobbery, whether the predicted imminent death of the CD format is just a load of Bolshoi Ballet, Cambodian garage bands, plus a heap of other things. This show was a heap of fun, and I will definitely schedule in more of these types of specials from time to time. I truly hope you enjoy listeming to this one as much as John, Eric, Tim and I had in recording it. Get in contact with me if you feel you’d like to take part in the next one of these specials.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Learn more about your ad choices. Visit megaphone.fm/adchoices
1968 arrived and The Byrds were not the same lineup that had produced the jangly folk-pop their fans had grown to know and love. Down to Roger McGuinn and Chris Hillman, they recruited Kevin Kelley and Gram Parsons to their ranks. Parsons convinced the group to do an all country record called Sweetheart of the Rodeo, now cited as a big influence on country rock. This was not The Byrds as we’d heard them before – although they were never going to desert their Bob Dylan covers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
The late seventies saw Australian music going towards a punk style (featuring bands like the Saints) or continuing with a more bluesy-country style as typified by the Adelaide band, Stars (not to be confused with the band from Canada of the same name). Featuring impeccable musicianship and wonderful songwriting courtesy of guitarists, Andy Durant and Mal Eastick, they crafted two wonderful studio albums which, while having American roots influences, told very Australian stories.
Learn more about your ad choices. Visit megaphone.fm/adchoices
On episode 24 of Love That Album podcast, Thomas Deja of the “Better In The Dark”podcast and myself delve into the dark album that is Ben Folds’ “Songs For Silverman”. He credits his wife of the time with being a source of inspiration for him on the album’s liner notes, and yet, this is most definitely a breakup album – it just happened to be released before the breakup took place. Among the songs of marital discordance, there are songs about death, fatherhood (from the perspective of a father and a son), and mortality. This is a long way from “One Angry Dwarf” and “Underground”. Yet, Folds has never shied away from dark material. This album is as melodically beautiful as it is heartbreaking – it’s his “Seachange”. Thomas and I had a great conversation and I hope you enjoy.
Learn more about your ad choices. Visit megaphone.fm/adchoices
On Episode 23 of Love That Album podcast, Mondo Film podcast presenter Justin Bozung and I discuss the sheer wonderfulness that is Big Star’s “#1 Record”.
Learn more about your ad choices. Visit megaphone.fm/adchoices
For episode 22 of Love That Album, we’re doing something a little different. Michael Pursche (from the Sitting In A Bar In Adelaide podcast) and I decided to go all List Music Podcast on you (apologies to Ricardo, Jenny, VK and Juan for theft of your idea – but it’s only one episode). We’re going through each of our top 10 all-instrumental albums – that is, no vocals. They’re in no particular order, but all of our chosen albums are ones we’ve listened to countless times and really love. Rather than us speaking at length about any one album we speak for a few minutes about each of our combined 20 choices (plus it must be said quite a number of honourable mentions that might have made the list if we’d compiled them the next day). What did we pick? Tune in and find out.
Learn more about your ad choices. Visit megaphone.fm/adchoices
The Doors. Rock fans either revere or revile them….and by them, I mean Jim Morrison, the public face of the band. While it’s true that the lead singer is often the member the general public remember more than, say, the keyboard player, few bands take this to the extreme like The Doors. It seems to me that people forget The Doors were a BAND, not Jim Morrison’s pseudonym.
Learn more about your ad choices. Visit megaphone.fm/adchoices
The Gaslight Anthem have in the last few years attracted a dedicated following with their cross of modern punk and Springsteen influences. Songwriter Brian Fallon has put together a side project called The Horrible Crowes for material that would not necessarily work in the context of his main band. If you’ve listened to previous episodes of Love That Album with Geoff Smith as my fellow commentator, you’d know of his love for both of these bands.
Learn more about your ad choices. Visit megaphone.fm/adchoices
From the publisher's feed