MacBreak Studio

In this week’s episode of MacBreak Studio, Mark shows Steve from Ripple Training how quickly you can build a graphic in Motion and start to animate it.

This week on MacBreak Studio, Mark shows Steve yet another reason for using Camera Archives for backing up your media in Final Cut Pro X.

This week on MacBreak Studio, Mark shows Steve yet another reason for using Camera Archives for backing up your media in Final Cut Pro X.

This week on MacBreak Studio, Steve Martin has some crucial information about working with backups. This episode will be of particular interest for anyone who has watched our Final Cut Pro 10.1 In-Depth tutorial.

This week on MacBreak Studio, Steve Martin from Ripple Training shows us some very cool and useful ways to use the Auditions feature in Final Cut Pro X.

Should you optimize your 4K media? Should you make proxies? How many streams of 4K can you expect to be able to play back? 

In this 4th and final episode of their 4-part series exploring a high-end Final Cut Pro X editing system, Steve Martin and Mark Spencer from Ripple Training demonstrate 4K multi-camera editing on Final Cut Pro X using a new Mac Pro and a Pegasus2 R8 RAID.

This week MacBreak Studio covers part 3 of our 4-part series examining a high-performance Final Cut Pro X editing system including the new Mac Pro and the Pegasus2 R8 RAID. In this week’s episode, we look at importing, transcoding, playback, and exporting speeds under a variety of workflow examples.

This week on MacBreak Studio is part 2 of a 4- part series on building a high-capacity Final Cut Pro X editing system, including the new Mac Pro, Pegasus2 RAID, and the Sharp 32-inch 4K display. This week, Steve and Mark discuss the benefits of Thunderbolt 2, RAID5, and 4K monitoring.

The Apple support article they refer to can be found here:

http://support.apple.com/kb/HT5918.

This week on MacBreak Studio, Steve and Mark assemble a Final Cut Pro X 4K editing solution based on brand-new gear including the new Mac Pro, Pegasus2 RAID, and the Sharp 32-inch 4K display. This is the first of a 4-part series exploring hardware options for FCP X editing.

What happens if you move a clip from one event to another in Final Cut Pro 10.1? What if you move it to different library? This week on MacBreak Studio, Steve Martin explains it all.