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This week, we’re stripping it all back (literally) with a look at two very different takes on invisibility, male ego, and coercion: Paul Verhoeven’s Hollow Man and Leigh Whannell’s The Invisible Man, both reimagining H.G.Wells' classic tale of a mad scientist who discovers invisibility and then comes to regret it. Joining a very sick Anna is friend of the show Ruby McGuigan.
New episode every Friday.
Follow us on Letterboxd to see what films we're covering.
Produced and presented by Anna Bogutskaya
Research Assistant: Frankie Wakefield
***
Music: "Neon Alley" by Karl Casey @ White Bat Audio
***
The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.
→ Support us on Patreon for bonus content.
→ Find out more about our projects here: thefinalgirls.co.uk
→ Follow us on Twitter and Instagram.
→ Read Feeding the Monster
By Anna Bogutskaya4.7
138138 ratings
This week, we’re stripping it all back (literally) with a look at two very different takes on invisibility, male ego, and coercion: Paul Verhoeven’s Hollow Man and Leigh Whannell’s The Invisible Man, both reimagining H.G.Wells' classic tale of a mad scientist who discovers invisibility and then comes to regret it. Joining a very sick Anna is friend of the show Ruby McGuigan.
New episode every Friday.
Follow us on Letterboxd to see what films we're covering.
Produced and presented by Anna Bogutskaya
Research Assistant: Frankie Wakefield
***
Music: "Neon Alley" by Karl Casey @ White Bat Audio
***
The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.
→ Support us on Patreon for bonus content.
→ Find out more about our projects here: thefinalgirls.co.uk
→ Follow us on Twitter and Instagram.
→ Read Feeding the Monster

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