The story continues. In 2007 I started giving names to my sets, inspired by some situation, trip or anything that inspired me at the moment of recording. This became a beautiful tradition that gave an additional layer of emotion, artistry and meaning to each recording.
The story continues. In 2007 I started giving names to my sets, inspired by some situation, trip or anything that inspired me at the moment of recording. This became a beautiful tradition that gave an additional layer of emotion, artistry and meaning to each recording.
The story continues. In 2007 I started giving names to my sets, inspired by some situation, trip or anything that inspired me at the moment of recording. This became a beautiful tradition that gave an additional layer of emotion, artistry and meaning to each recording.
The story continues. In 2007 I started giving names to my sets, inspired by some situation, trip or anything that inspired me at the moment of recording. This became a beautiful tradition that gave an additional layer of emotion, artistry and meaning to each recording.
The story continues. In 2007 I started giving names to my sets, inspired by some situation, trip or anything that inspired me at the moment of recording. This became a beautiful tradition that gave an additional layer of emotion, artistry and meaning to each recording.
The story continues. In 2007 I started giving names to my sets, inspired by some situation, trip or anything that inspired me at the moment of recording. This became a beautiful tradition that gave an additional layer of emotion, artistry and meaning to each recording.
The story continues. In 2007 I started giving names to my sets, inspired by some situation, trip or anything that inspired me at the moment of recording. This became a beautiful tradition that gave an additional layer of emotion, artistry and meaning to each recording.
The story continues. In 2007 I started giving names to my sets, inspired by some situation, trip or anything that inspired me at the moment of recording. This became a beautiful tradition that gave an additional layer of emotion, artistry and meaning to each recording.
Some of the wildest and most formative years of my life, while staying "low profile" and focusing in my passions for sailing, kiteboarding, dancing and DJing.
These are the sets that I recorded over that year.
Some of the wildest and most formative years of my life, while staying "low profile" and focusing in my passions for sailing, kiteboarding, dancing and DJing.
These are the sets that I recorded over that year.
1 hr 14 min
About Madden sessions
From the publisher's feed
Jorge Madden is a true artist and music connoisseur. He grew up practicing watersports and creating music in the Canary Islands (Spain), exposed to a rich melting pot of rhythms from salsa to UK garage, happy hardcore, trance, 80s and 90s pop, and eurohouse.
While pursuing a career as a professional athlete and dancer, he grew his reputation producing radio jingles, music for fitness competitions, and mixing music sessions for world-renowned presenters like Carmen Diaz.
His talent and uniqueness mixing records earned him residencies at legendary clubs in Spain like Catedral (Sevilla), Shoko (Barcelona), and Pacha (Barcelona and Ibiza). He is also well-known among the Burningman community for spinning exquisite 10+ hour-long marathon storytelling sets.
Madden is a prolific music producer with over 20 releases of diverse genres from tech house to melodic techno. His personal style is melodic, groovy, with a head-turning element of surprise. He also curates content for the Todobien record label.