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On today’s date in 1895, Gustav Mahler conducted the Berlin Philharmonic in the first complete performance of his own Symphony No. 2.
Mahler’s Symphony No. 2 is often called the Resurrection Symphony, as the work includes a choral setting of the Resurrection Ode by 18th-century German poet Klopstock, but Mahler himself gave his symphony no such title. In a letter to his wife, Mahler confided that his Symphony No. 2 “was so much all of a piece that it can no more be explained than the world itself.”
And like the world, music is often full of surprising transitions!
American composer Paul Schoenfield quoted a dramatic passage of Mahler’s Symphony No. 2 in his concerto for piccolo trumpet and orchestra, Vaudeville.
In live performances, the sudden juxtaposition of Mahler and the Brazilian tune Tico-Tico always gets a laugh — which is just what Schoenfield intended.
“I often suffer from depression, and once, when I was feeling pretty low, a friend of mind suggested I try writing something happy and upbeat to see if that would help. Vaudeville was the result. I don’t know if it helped me, but people say when they hear it, it makes them feel better. The music of other composers I respect has that effect on me, and I’m glad if Vaudeville has that effect on others,” Schoenfield said.
Gustav Mahler (1860-1911): Symphony No. 2 (Resurrection); London Symphony; Gilbert Kaplan, conductor; Conifer 51337
Paul Schoenfield (1947-2024): Vaudeville; New World Symphony; John Nelson, conductor; Argo 440 212
By American Public Media4.7
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On today’s date in 1895, Gustav Mahler conducted the Berlin Philharmonic in the first complete performance of his own Symphony No. 2.
Mahler’s Symphony No. 2 is often called the Resurrection Symphony, as the work includes a choral setting of the Resurrection Ode by 18th-century German poet Klopstock, but Mahler himself gave his symphony no such title. In a letter to his wife, Mahler confided that his Symphony No. 2 “was so much all of a piece that it can no more be explained than the world itself.”
And like the world, music is often full of surprising transitions!
American composer Paul Schoenfield quoted a dramatic passage of Mahler’s Symphony No. 2 in his concerto for piccolo trumpet and orchestra, Vaudeville.
In live performances, the sudden juxtaposition of Mahler and the Brazilian tune Tico-Tico always gets a laugh — which is just what Schoenfield intended.
“I often suffer from depression, and once, when I was feeling pretty low, a friend of mind suggested I try writing something happy and upbeat to see if that would help. Vaudeville was the result. I don’t know if it helped me, but people say when they hear it, it makes them feel better. The music of other composers I respect has that effect on me, and I’m glad if Vaudeville has that effect on others,” Schoenfield said.
Gustav Mahler (1860-1911): Symphony No. 2 (Resurrection); London Symphony; Gilbert Kaplan, conductor; Conifer 51337
Paul Schoenfield (1947-2024): Vaudeville; New World Symphony; John Nelson, conductor; Argo 440 212

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