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Making A (da:ns) Scene: The Flesh Made Word
In this episode, dancer and dance writer Chan Sze-Wei speaks with ballet-trained New York Times dance writer Roslyn Sulcas about the function of cultural criticism, and how their experiences as performers shape the way they approach writing about dance.
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By Esplanade OffstageIn this episode, dancer and dance writer Chan Sze-Wei speaks with ballet-trained New York Times dance writer Roslyn Sulcas about the function of cultural criticism, and how their experiences as performers shape the way they approach writing about dance.