In this Halloween "spooky season" episode of Parallax Views w/ J.G. Michael, we delve into the unsettling world of true crime cinema with Chuck Parello, a filmmaker renowned for his work on notorious serial killer films. Parello began as the publicist for John McNaughton’s groundbreaking and controversial Henry: Portrait of a Serial Killer, which faced a grueling battle with the MPAA that refused to grant it an R-rating despite extensive cuts. J.G. and Chuck discuss the haunting power of Henry, the terrifyingly quiet portrayal of the titular character by Michael Rooker, and how the film isn’t a straightforward biopic of infamous killers Henry Lee Lucas, who came to be known as "The Confessions Killer" for fabricating many of his claims in exchange for special privileges, or Otis Toole but rather a unique examination of monstrous characters. Chuck then details his own sequel, Henry: Portrait of a Serial Killer, Part II, where Henry is drawn into the world of arsonists, shedding light on the creative origins of that choice.
The conversation continues with Chuck’s film Ed Gein, which diverges from fictionalized films inspired by the Butcher of Plainfield—such as Psycho, The Texas Chainsaw Massacre, and Silence of the Lambs—and instead stays grounded in the actual life and psyche of Ed Gein. Featuring Steve Railsback, known for his unnerving performance as Charles Manson in the 1970s TV miniseries Helter Skelter, Railsback’s portrayal of Gein is both unsettling and oddly tragic, showcasing a different side of the infamous killer. Chuck and J.G. also discuss The Hillside Strangler, a disturbing portrayal of Kenneth Bianchi and Angelo Buono's deadly partnership, in which C. Thomas Howell and Nicholas Turturro take on chilling roles as the murderous cousins whose combined force drove them to escalate their crimes in late 1970s Los Angeles.
Further, Chuck shares insights on his upcoming project on the Sunset Strip Killers/The Sunset Slayers (Doug Clark and Carol Bundy) and how he was originally was slated to direct the 2002 Ted Bundy biopic before Oingo Boingo’s Matthew Bright ended up with the job. They tackle ethical questions surrounding the portrayal of real-life killers, the potential for exploitation, and the cultural obsession with true crime, shedding light on the complex responsibilities of filmmakers in this genre. This episode is a must-listen for fans of horror, crime thrillers, and serial killer cinema, as it examines the artistry and ethics of bringing these haunting real-life tales to the screen.
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By J.G.
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In this Halloween "spooky season" episode of Parallax Views w/ J.G. Michael, we delve into the unsettling world of true crime cinema with Chuck Parello, a filmmaker renowned for his work on notorious serial killer films. Parello began as the publicist for John McNaughton’s groundbreaking and controversial Henry: Portrait of a Serial Killer, which faced a grueling battle with the MPAA that refused to grant it an R-rating despite extensive cuts. J.G. and Chuck discuss the haunting power of Henry, the terrifyingly quiet portrayal of the titular character by Michael Rooker, and how the film isn’t a straightforward biopic of infamous killers Henry Lee Lucas, who came to be known as "The Confessions Killer" for fabricating many of his claims in exchange for special privileges, or Otis Toole but rather a unique examination of monstrous characters. Chuck then details his own sequel, Henry: Portrait of a Serial Killer, Part II, where Henry is drawn into the world of arsonists, shedding light on the creative origins of that choice.
The conversation continues with Chuck’s film Ed Gein, which diverges from fictionalized films inspired by the Butcher of Plainfield—such as Psycho, The Texas Chainsaw Massacre, and Silence of the Lambs—and instead stays grounded in the actual life and psyche of Ed Gein. Featuring Steve Railsback, known for his unnerving performance as Charles Manson in the 1970s TV miniseries Helter Skelter, Railsback’s portrayal of Gein is both unsettling and oddly tragic, showcasing a different side of the infamous killer. Chuck and J.G. also discuss The Hillside Strangler, a disturbing portrayal of Kenneth Bianchi and Angelo Buono's deadly partnership, in which C. Thomas Howell and Nicholas Turturro take on chilling roles as the murderous cousins whose combined force drove them to escalate their crimes in late 1970s Los Angeles.
Further, Chuck shares insights on his upcoming project on the Sunset Strip Killers/The Sunset Slayers (Doug Clark and Carol Bundy) and how he was originally was slated to direct the 2002 Ted Bundy biopic before Oingo Boingo’s Matthew Bright ended up with the job. They tackle ethical questions surrounding the portrayal of real-life killers, the potential for exploitation, and the cultural obsession with true crime, shedding light on the complex responsibilities of filmmakers in this genre. This episode is a must-listen for fans of horror, crime thrillers, and serial killer cinema, as it examines the artistry and ethics of bringing these haunting real-life tales to the screen.
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