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by Dan Robinson
With a transmitter power listed as 100 kilowatts, Malawi should have been one of the easiest African stations to hear during the “golden” years of tropical shortwave broadcasting. But that was not always the case as the 3,380 khz frequency in the 90 meter band was often plagued by interference from Latin American stations that were being heard at the time.
The 1978 WRTH listed Malawi as using 3,380 khz, 5,995 and 7,130 khz. Best time to attempt to hear Malawi was in the evening in eastern North America just before its 0300 UTC sign on. When conditions were good for central Africa, other stations could be heard, such as Rhodesia, as well as Indian Ocean signals from Zanzibar and Reunion and Comoros.
In 1974 I had the opportunity of living in Swaziland as an exchange student, and brought with me my Drake SPR-4 receiver for which I erected a 75 foot longwire antenna on a hill near Mbabane, Swaziland. This recording of MBC in Blantyre was made there, from actual air and is not a studio recording.
By The Shortwave Radio Audio Archive4.9
3535 ratings
by Dan Robinson
With a transmitter power listed as 100 kilowatts, Malawi should have been one of the easiest African stations to hear during the “golden” years of tropical shortwave broadcasting. But that was not always the case as the 3,380 khz frequency in the 90 meter band was often plagued by interference from Latin American stations that were being heard at the time.
The 1978 WRTH listed Malawi as using 3,380 khz, 5,995 and 7,130 khz. Best time to attempt to hear Malawi was in the evening in eastern North America just before its 0300 UTC sign on. When conditions were good for central Africa, other stations could be heard, such as Rhodesia, as well as Indian Ocean signals from Zanzibar and Reunion and Comoros.
In 1974 I had the opportunity of living in Swaziland as an exchange student, and brought with me my Drake SPR-4 receiver for which I erected a 75 foot longwire antenna on a hill near Mbabane, Swaziland. This recording of MBC in Blantyre was made there, from actual air and is not a studio recording.

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