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John 12 1-8, tells us of how Mary of Bethany anointed Jesus. I love this intense and beautiful moment in the Gospels, The God of the Cosmos enters as a vulnerable man into all the particular fragility of our human friendships and intimacy. I love the way Jesus responds to Mary’s beautiful, useless gesture and recognises it as something that is always worth while, something that will live forever, for all the carping and criticism of Judas, then and now.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA. The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I’m grateful to Lancia Smith for the image above. As always you can hear the poem by clicking on the title or the ‘play’ button
Come close with Mary, Martha , Lazarus
The whole room richly fills to feast the senses
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When Solomon dedicated the Temple he rightly declared that not even the Heaven of Heavens could contain almighty God, much less this temple made with hands, yet God himself still came into the temple. He came as a baby, the essence of all light and purity in human flesh, he came as a young boy full of questions, seeking to know his father’s will, and today he came in righteous anger to clear away the blasphemous barriers that human power-games try to throw up between God and the world he loves. Then finally, by his death on the cross he took away the last barrier in the Temple, and in our hearts, the veil that stood between us and the Holy of Holies, the very presence of God, in us and beyond us.
But these outward events are also inward ones. We cannot go out to the outer edifice of church or cathedral this week, but we can certainly invite Christ to come in to us, and that is what I do in this sonnet, with its fourfold cry for Christ to come into the temple of my heart.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA . The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
I’m grateful to Lancia Smith for the image.
Come to your Temple here with liberation
And overturn these tables of exchange
Restore in me my lost imagination
Begin in me for good, the pure change.
Come as you came, an infant with your mother,
That innocence may cleanse and claim this ground
Come as you came, a boy who sought his father
With questions asked and certain answers found,
Come as you came this day, a man in anger
Unleash the lash that drives a pathway through
Face down for me the fear the shame the danger
Teach me again to whom my love is due.
Break down in me the barricades of death
And tear the veil in two with your last breath.
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As we contemplate Jesus weeping over Jerusalem, we contemplate weeping itself, the Rerum Lachrymae, as Virgil says, the tears of things : tears of frustration, tears of lament, and for so many who have been cruelly bereaved, tears of grief. It’s hard to see through tears, but sometimes its the only way to see. Tears may be the turning point, the springs of renewal, and to know you have been wept for is to know that you are loved. ‘Jesus Wept’ is the shortest, sharpest, and most moving sentence in Scripture.
I have a God who weeps for me, weeps with me, understands to the depths and from the inside the rerum lachrymae, the tears of things.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA The book is now also out on Kindle. Please feel free to make use of these sonnets in church services and to copy and share them. If you can mention the book from which they are taken that would be great.
Thanks to Lancia Smith for the image. as always you can hear the poem by clicking on the title or on the ‘play’ button if it appears.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/03/jesus-weeps.mp3
Jesus weeps
Jesus comes near and he beholds the city
And looks on us with tears in his eyes,
And wells of mercy, streams of love and pity
Flow from the fountain whence all things arise.
He loved us into life and longs to gather
And meet with his beloved face to face
How often has he called, a careful mother,
And wept for our refusals of his grace,
Wept for a world that, weary with its weeping,
Benumbed and stumbling, turns the other way,
Fatigued compassion is already sleeping
Whilst her worst nightmares stalk the light of day.
But we might waken yet, and face those fears,
If we could see ourselves through Jesus’ tears.
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We come now, on Palm Sunday, to the beginning of Holy Week: a strange Palm Sunday, a strange Holy Week, in which we cannot make the outward and visible journeys and gestures, exchanges and gatherings that have always bodied forth the inner meaning of this week; the procession of palm crosses, the choral singing of hosannah, all those things that echo the events of the first Palm Sunday.
But the inner journey is more necessary than ever, and in the sonnets that follow I have explored the truth that what was happening ‘out there’ and ‘back then’ as Christ entered Jerusalem is also happening ‘in here’ and ‘right now’. There is a Jerusalem of the heart. Our inner life also has its temple and palaces, its places of corruption, its gardens of rest, its seat of judgement.
In the sequence of sonnets which begins today I invite you to walk with Christ, and let him walk with you on both an outer and an inner journey that leads to the cross and beyond.
This sonnet, and the others I will be posting for Holy Week are all drawn from my collection Sounding the Seasons, published by Canterbury Press here in England. The book is now back in stock on both Amazon UK and USA. It is also out on Kindle.
Do feel free to reproduce these poems for any Church services in which you may wish to use them, just include a line to say “From Sounding the Seasons, by Malcolm Guite, CanterburyPress 2012”
As before I am grateful to Lancia Smith and Margot Krebs Neale for the evocative images that accompany these poems. Of the image at the beginning of this post she writes:
– Who stands in the eye of the camera? behind that gate?
and for the image below she says: ‘this wax the child is melting could symbolise this resistance which becomes the source, the stock of the light that comes from us.’
As always you can hear the poem by clicking on the ‘play’ button below or on the title of the poem
Now to the gate of my Jerusalem,
The seething holy city of my heart,
The saviour comes. But will I welcome him?
Oh crowds of easy feelings make a start;
They raise their hands, get caught up in the singing,
And think the battle won. Too soon they’ll find
The challenge, the reversal he is bringing
Changes their tune. I know what lies behind
The surface flourish that so quickly fades;
Self-interest, and fearful guardedness,
The hardness of the heart, its barricades,
And at the core, the dreadful emptiness
Of a perverted temple. Jesus come
Break my resistance and make me your home.
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On March the 25th many churches across the world, Catholic, Orthodox and Anglican, keep the feast of the Annunciation, and though we can no longer keep the feast outwardly and visibly in our churches, I would like to keep it inwardly and spiritually here with you.
The Annunciation, the visit of Gabriel to the blessed virgin Mary, is that mysterious moment of awareness, assent and transformation in which eternity touches time. In my own small take on this mystery I have thought about vision, about what we allow ourselves to be aware of, and also about freedom, the way all things turn on our discernment and freedom.
The scripture that says of Mary that “All generations’ will call her “blessed”, It is true that some Christians have disagreed with one another bitterly about her, but equally, in every age and every church she has been, for many Christians, a sign of hope, an example of prayer, devotion and service, and an inspiration.
In a strange way, which I will write about one day, she was a sign of hope to me even before I was a Christian, and it was something numinous and beautiful in the paintings and poetry she has inspired that helped lead me to her Son.
I thought for this feast day, I would offer a quintet of sonnets in her honour, gathering together the four sonnets about her which are part of my wider collection ‘Sounding the Seasons’. and then adding a fifth, based on the antiphon O Virgo Virginum. The first four take us, from the Annunciation and her ‘yes’ to the angel, through the Visitation, with its beautiful magnificat, to the birth of Jesus, and then to her presence with him on the via dolorosa and at the foot of the cross. The final sonnet invokes her prayer and aid for the many women exploited and betrayed in our own age.
As always you can hear the poems by clicking the ‘play’ button if it appears, or clicking on the title.
We see so little, stayed on surfaces,
We calculate the outsides of all things,
Preoccupied with our own purposes
We miss the shimmer of the angels’ wings,
They coruscate around us in their joy
A swirl of wheels and eyes and wings unfurled,
They guard the good we purpose to destroy,
A hidden blaze of glory in God’s world.
But on this day a young girl stopped to see
With open eyes and heart. She heard the voice;
The promise of His glory yet to be,
As time stood still for her to make a choice;
Gabriel knelt and not a feather stirred,
The Word himself was waiting on her word.
https://malcolmguite.wordpress.com/wp-content/uploads/2021/03/visitation.mp3
Here is a meeting made of hidden joys
Of lightenings cloistered in a narrow place
From quiet hearts the sudden flame of praise
And in the womb the quickening kick of grace.
Two women on the very edge of things
Unnoticed and unknown to men of power
But in their flesh the hidden Spirit sings
And in their lives the buds of blessing flower.
And Mary stands with all we call ‘too young’,
Elizabeth with all called ‘past their prime’
They sing today for all the great unsung
Women who turned eternity to time
Favoured of heaven, outcast on the earth
Prophets who bring the best in us to birth.
Theotokos
You bore for me the One who came to bless
And bear for all and make the broken whole.
You heard His call and in your open ‘yes’
You spoke aloud for every living soul.
Oh gracious Lady, child of your own child,
Whose mother-love still calls the child in me,
Call me again, for I am lost, and wild
Waves suround me now. On this dark sea
Shine as a star and call me to the shore.
Open the door that all my sins would close
And hold me in your garden. Let me share
The prayer that folds the petals of the Rose.
Enfold me too in Love’s last mystery
And bring me to the One you bore for me.
Jesus meets His Mother
This darker path into the heart of pain
O Virgo Virginum
O Virgin of virgins, how shall this be?
For neither before thee was any like thee, nor shall there be after.
Daughters of Jerusalem, why marvel ye at me?
The thing which ye behold is a divine mystery.
Who are the daughters of Jerusalem,
Who glimpse you still as you transform their seeing?
Whom have you called to this mysterium,
And bathed in the blithe fountain of your being?
Daughters of sorrow, daughters of despair,
The cast-aside, the overlooked, the spurned
The broken girls who scarcely breathe a prayer
The ones whose love has never been returned.
O Maid amongst the maidens, turn your face,
For when we glimpse you we are not alone,
O look us out of grief and into grace,
Lift us in love made stronger than our own,
Summon the spring in our worst wilderness,
And make us fruitful in your fruitfulness.
O Virgo virginum, quomodo fiet istud?
Quia nec primam similem visa es nec habere sequentem.
Filiae Jerusalem, quid me admiramini?
Divinum est mysterium hoc quod cernitis.
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Here is my usual Sunday posting resuming our pilgrimage together through Lent, using my book The Word in the Wilderness I am once again posting recordings of me reading all of this week’s poems together with the texts of the poems themselves.
The image above is once again kindly provided by Lancia Smith
Now, in Passiontide, Christ becomes all the more visibly, our companion. We walk with him and see him face and overcome our own worst fears, we see him take on, in us and for us, the pain the frailty, the fear the failure, and the death itself that haunt and shadow our life. We stay with him through his Good Friday as he stays with us through ours, so that when Easter dawns we also share with him, and he bestows abundantly on us, the new life and light which death can never overcome and swallow for it, indeed has overcome and swallowed up death. In this section we will pay particular attention to Gethsemane and the agony in the garden, through a sequence of four linked poems, starting with Herbert’s poem ‘The Agony’, and moving then to Rowan Williams’ poem ‘Gethsemane’ which has the same setting and draws on Herbert’s poem. This is followed by two Hopkins’ poems that also seem to be in close contact with the Rowan Williams poem. All four poems turn on the press and pressure, of Gethsemane understood as an oil press, releasing God’s mercy into the world.
But we begin, on Sunday with Edwin Muir’s beautiful poem The Incarnate One
The Incarnate One Edwin Muir
The windless northern surge, the sea-gull’s scream,
And Calvin’s kirk crowning the barren brae.
I think of Giotto the Tuscan shepherd’s dream,
Christ, man and creature in their inner day.
How could our race betray
The Image, and the Incarnate One unmake
Who chose this form and fashion for our sake?
The Word made flesh here is made word again
A word made word in flourish and arrogant crook.
See there King Calvin with his iron pen,
And God three angry letters in a book,
And there the logical hook
On which the Mystery is impaled and bent
Into an ideological argument.
There’s better gospel in man’s natural tongue,
And truer sight was theirs outside the Law
Who saw the far side of the Cross among
The archaic peoples in their ancient awe,
In ignorant wonder saw
The wooden cross-tree on the bare hillside,
Not knowing that there a God suffered and died.
The fleshless word, growing, will bring us down,
Pagan and Christian man alike will fall,
The auguries say, the white and black and brown,
The merry and the sad, theorist, lover, all
Invisibly will fall:
Abstract calamity, save for those who can
Build their cold empire on the abstract man.
A soft breeze stirs and all my thoughts are blown
Far out to sea and lost. Yet I know well
The bloodless word will battle for its own
Invisibly in brain and nerve and cell.
The generations tell
Their personal tale: the One has far to go
Past the mirages and the murdering snow.
MONDAY
Golgotha John Heath-Stubbs
https://audioboom.com/boos/4296436-golgotha.mp3
In the middle of the world, in the centre
Of the polluted heart of man, a midden;
A stake stemmed in the rubbish
From lipless jaws, Adam’s skull
Gasped up through the garbage:
‘I lie in the discarded dross of history,
Ground down again to the red dust,
The obliterated image. Create me.’
From lips cracked with thirst, the voice
That sounded once over the billows of chaos
When the royal banners advanced,
replied through the smother of dark:
‘All is accomplished, all is made new, and look-
All things, once more, are good.’
Then, with a loud cry, exhaled His spirit.
TUESDAY
The Agony George Herbert
https://audioboom.com/boos/4296440-the-agony.mp3
Philosophers have measur’d mountains,
Fathom’d the depths of seas, of states and kings;
Walk’d with a staff to heav’n and traced fountains:
But there are two vast, spacious thins,
The which to measure it doth more behove;
Yet few there are that sound them, ‒ Sin and Love.
Who would know Sin, let him repair
Unto Mount Olivet; there shall he see
A Man so wrung with pains, that all His hair,
His skin, His garments bloody be.
Sin is that press and vice, which forceth pain
To hunt his cruel food through ev’ry vein.
Who knows not Love, let him assay
And taste that juice which, on the cross, a pike
Did set again abroach; then let him say
If ever he did taste the like,
Love is that liquor sweet and most divine,
Which my God feels as blood, but I as wine.
WEDNESDAY
Gethsemane Rowan Williams
Who said that trees grow easily
Across the valley are the other witnesses
THURSDAY
I wake and feel the fell of dark, not day G. M. Hopkins
I wake and feel the fell of dark, not day,
What hours, O what black hours we have spent
This night! what sights you, heart, saw; ways you went!
And more must, in yet longer light’s delay.
With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives alas! away.
I am gall, I am heartburn. God’s most deep decree
Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.
Selfyeast of spirit a dull dough sours. I see
The lost are like this, and their scourge to be
As I am mine, their sweating selves; but worse.
FRIDAY
God’s Grandeur G. M. Hopkins
The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man’s smudge and shares man’s smell: the soil
Is bare now, nor can foot feel, being shod.
And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs ‒
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.
SATURDAY
Love’s as warm as tears C. S. Lewis
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Here is my sonnet for St. Patrick’s Day
While Patrick is of course primarily associated with Ireland where he flourished as a missionary in the second half of the fifth century, he was not Irish to begin with. He seems to have been a shepherd on the mainland of Great Britain and was in fact captured there, at the age of sixteen, by raiding pirates and taken across the sea to Ireland where he was sold as a slave. He was six years in captivity before he finally made his escape and returned to Britain. And this is where the story takes a truly extraordinary turn. While he was enslaved in Ireland, working as a shepherd for his masters, Patrick became a Christian and when, having made good his escape, he returned home he had a vision in which a man gave him a letter headed ‘The Voice of Ireland’, a letter urging him to go back to the very place from which he had escaped and bring the Gospel to his former captors! That Patrick obeyed such a vision seems to me a greater miracle than any of the others subsequently attributed to him, and it is on this return that my sonnet turns. That capacity to return, face and forgive former oppressors or enemies seems a particularly vital gift for Ireland’s patron to bestow. As well as alluding briefly to ‘St. Patrick’s Breastplate’, my sonnet also touches on the story that wherever Patrick planted his staff to pray, it blossomed.
As always you can hear the sonnets by clicking on the title or the play button
https://malcolmguite.wordpress.com/wp-content/uploads/2022/03/st-patrick-a-sonnet.mp3
Six years a slave, and then you slipped the yoke,
Till Christ recalled you, through your captors cries!
Patrick, you had the courage to turn back,
With open love to your old enemies,
Serving them now in Christ, not in their chains,
Bringing the freedom He gave you to share.
You heard the voice of Ireland, in your veins
Her passion and compassion burned like fire.
Now you rejoice amidst the three-in-one,
Refreshed in love and blessing all you knew,
Look back on us and bless us, Ireland’s son,
And plant the staff of prayer in all we do:
A gospel seed that flowers in belief,
A greening glory, coming into leaf.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee (or maybe, as it’s St, Patrick’s day, a Guiness! Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
Mothering Sunday can be both a joyful and a painfully poignant day. For many it is a day to grieve the loss of a mother, for others a time to yearn for absent children. Nevertheless we can love and be thankful and remember that our very existence in the world is testimony to the love and labour of our mothers. So once more I post my poem of thanksgiving for all parents, especialy for those who bore the fruitful pain of labour.And more particularly in this poem I have singled out for praise those heroic single parents who, for whatever reason, have found themselves bearing alone the burdens, and sharing with no-one the joys of their parenthood.
This poem is from my book Sounding the Seasons published by Canterbury Press and it is available on Amazon Here
I am grateful to Oliver Neale for his thought-provoking work as a photographer, and, as always, you can hear the poem by clicking on the ‘play’ button, or on the title
Mothering Sunday
At last, in spite of all, a recognition,
For those who loved and laboured for so long,
Who brought us, through that labour, to fruition
To flourish in the place where we belong.
A thanks to those who stayed and did the raising,
Who buckled down and did the work of two,
Whom governments have mocked instead of praising,
Who hid their heart-break and still struggled through,
The single mothers forced onto the edge
Whose work the world has overlooked, neglected,
Invisible to wealth and privilege,
But in whose lives the kingdom is reflected.
Now into Christ our mother church we bring them,
Who shares with them the birth-pangs of His Kingdom.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
As we continue our pilgrimage together through Lent, using my book The Word in the Wilderness I am once again posting recordings of me reading all of this week’s poems together with the texts of the poems themselves.
The image above is once again kindly provided by Lancia Smith
Last week we walked with Dante, and I want to develop this sense of our ‘companioned journey’ this week by drawing alongside two other poets who may help us with our reflections on the way. In particular I want to share with you some gems from their longer poems which, precisely because they occur in the midst of long poems, are very rarely anthologized, but which have a great deal to offer us. The twin themes which I hope these poets will open for us are self-questioning on the one hand and self-knowledge on the other. Anyone who has taken a long pilgrimage, or even just a long walk, such as we are doing through Lent, will know that there comes a time when, as other concerns subside, the big questions arise: Who am I? How much do I really know myself? What can I really know about God? How can I trust that knowledge? The passage from John Davies on what it is to be human seems especially powerful in this present crisis!
but first we start with our Sunday poem, this time for Mothering Sunday, as always with all these poems you can hear the poem by clicking on the title or the play button
Mothering Sunday Malcolm Guite
At last, in spite of all, a recognition,
For those who loved and laboured for so long,
Who brought us, through that labour, to fruition
To flourish in the place where we belong.
A thanks to those who stayed and did the raising,
Who buckled down and did the work of two,
Whom governments have mocked instead of praising,
Who hid their heart-break and still struggled through,
The single mothers forced onto the edge
Whose work the world has overlooked, neglected,
Invisible to wealth and privilege,
But in whose lives the kingdom is reflected.
Now into Christ our mother church we bring them,
Who shares with them the birth-pangs of His Kingdom.
Monday
Why did my parents send me to the schools? John Davies
Why did my parents send me to the Schools,
That I with knowledge might enrich my mind?
Since the desire to know first made men fools,
And did corrupt the root of all mankind:
Even so by tasting of that fruit forbid,
Where they sought knowledge, they did error find;
Ill they desir’d to know, and ill they did;
And to give Passion eyes, made Reason blind.
For then their minds did first in Passion see
Those wretched shapes of misery and woe,
Of nakedness, of shame, of poverty,
Which then their own experience made them know.
But then grew Reason dark, that she no more,
Could the faire forms of Good and Truth discern;
Bats they became, that eagles were before:
And this they got by their desire to learn.
All things without, which round about we see,
We seek to know, and how therewith to do:
But that whereby we reason, live and be,
Within our selves, we strangers are thereto.
We seek to know the moving of each sphere,
And the strange cause of th’ebs and floods of Nile;
But of that clock within our breasts we bear,
The subtle motions we forget the while.
We that acquaint our selves with every Zone
And pass both Tropics and behold the Poles
When we come home, are to our selves unknown,
And unacquainted still with our own souls.
We study Speech but others we persuade;
We leech-craft learn, but others cure with it;
We interpret laws, which other men have made,
But read not those which in our hearts are writ.
Is it because the mind is like the eye,
Through which it gathers knowledge by degrees −
Whose rays reflect not, but spread outwardly:
Not seeing itself when other things it sees?
No, doubtless; for the mind can backward cast
Upon her self her understanding light;
But she is so corrupt, and so defac’t,
As her own image doth her self affright.
TUESDAY
What It Is To Be HumanJohn Davies
She within lists my ranging mind hath brought,
That now beyond my self I list not go;
My self am centre of my circling thought,
Only my self I study, learn, and know.
I know my body’s of so frail a kind,
As force without, fevers within can kill:
I know the heavenly nature of my mind,
But ‘tis corrupted both in wit and will:
I know my soul hath power to know all things,
Yet is she blind and ignorant in all;
I know I am one of nature’s little kings,
Yet to the least and vilest things am thrall.
I know my life’s a pain and but a span,
I know my Sense is mockt with every thing:
And to conclude, I know my self a man,
Which is a proud, and yet a wretched thing.
WEDNESDAY
The Light which makes the light which makes the day John Davies
That Power which gave me eyes the World to view,
To see my self infused an inward light,
Whereby my soul, as by a mirror true,
Of her own form may take a perfect sight,
But as the sharpest eye discerneth nought,
Except the sun-beams in the air doe shine:
So the best soul with her reflecting thought,
Sees not her self without some light divine.
To judge her self she must her self transcend,
As greater circles comprehend the less;
But she wants power, her own powers to extend,
As fettered men can not their strength express.
O Light which mak’st the light, which makes the day!
Which set’st the eye without, and mind within;
‘Lighten my spirit with one clear heavenly ray,
Which now to view it self doth first begin.
But Thou which didst man’s soul of nothing make,
And when to nothing it was fallen again,
To make it new the form of man didst take,
And God with God, becam’st a Man with men.
Thou, that hast fashioned twice this soul of ours,
So that she is by double title Thine,
Thou only knowest her nature and her pow’rs,
Her subtle form Thou only canst define…
But Thou bright Morning Star, Thou rising Sun,
Which in these later times hast brought to light
Those mysteries, that since the world begun,
Lay hid in darkness and eternal night;
Thou (like the sun) dost with indifferent ray,
Into the palace and the cottage shine,
And shew’st the soul both to the clerk and lay,
By the clear lamp of Thy Oracle divine.
THURSDAY
Death as Birth Sir John Davies
The first life, in the mother’s womb is spent,
Where she her nursing power doth only use;
Where, when she finds defect of nourishment,
She expels her body, and this world she views.
This we call Birth; but if the child could speak,
He Death would call it; and of Nature plain,
That she would thrust him out naked and weak,
And in his passage pinch him with such pain.
Yet, out he comes, and in this world is placed
Where all his Senses in perfection bee:
Where he finds flowers to smell, and fruits to taste;
And sounds to hear, and sundry forms to see.
When he hath past some time upon this stage,
His Reason then a little seems to wake;
Which, though the spring, when sense doth fade with age,
Yet can she here no perfect practise make.
Then doth th’aspiring Soul the body leave,
Which we call Death; but were it known to all,
What life our souls do by this death receive,
Men would it birth or gaol delivery call.
In this third life, Reason will be so bright,
As that her spark will like the sun-beams shine,
And shall of God enioy the real sight.
Being still increased by influence divine.
Acclamation
O ignorant poor man! what dost thou bear
Locked up within the casket of thy breast?
What jewels, and what riches hast thou there!
What heavenly treasure in so weak a chest!
Look in thy soul, and thou shalt beauties find,
Like those which drowned Narcissus in the flood:
Honour and Pleasure both are in thy mind,
And all that in the world is counted Good.
And when thou think’st of her eternity,
Think not that Death against her nature is;
Think it a birth: and when thou goest to die,
Sing like a swan, as if thou went’st to bliss.
FRIDAY
Faith in Honest Doubt Alfred Tennyson
You tell me, doubt is Devil-born.
I know not: one indeed I knew
In many a subtle question versed,
Who touch’d a jarring lyre at first,
But ever strove to make it true:
Perplext in faith, but pure in deeds,
At last he beat his music out.
There lives more faith in honest doubt,
Believe me, than in half the creeds.
He fought his doubts and gather’d strength,
He would not make his judgment blind,
He faced the spectres of the mind
And laid them: thus he came at length
To find a stronger faith his own;
And Power was with him in the night,
Which makes the darkness and the light,
And dwells not in the light alone,
But in the darkness and the cloud,
As over Siniai’s peaks of old,
While Israel made their gods of gold,
Altho’ the trumpet blew so loud.
Saturday
Strong Son of God, Immortal Love Alfred Tennyson
https://audioboom.com/boos/4265631-tennyson-2.mp3
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
…
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before …
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As usual, on each Sunday in Lent I am posting a week’s worth of recordings from from my book The Word in the Wilderness, for those who are following that this Lent.I am providing the texts of the poems and you can find my commentaries on those poems in the book itself. I am also taking the opportunity to correct one or two errors which crept into the printed book, in transcribing passages from Robin Kirkpatrick’s beautiful translation of Dante, which is used here with permission. The wonderful pilgrim image above is once again kindly provided by Lancia Smith and was taken by her on a recent visit to share in the life the church in South Africa.
As always you can hear me read the poems by clicking on the title or on the ‘play’ button
SUNDAY
Late Ripeness Czeslaw Milosz (1911–2004)
Not soon, as late as the approach of my ninetieth year
I felt a door opening in me and I entered
the clarity of early morning.
One after another my former lives were departing,
like ships, together with their sorrow.
And the countries, cities, gardens, the bays of seas
assigned to my brush came closer,
ready now to be described better than they were before.
I was not separated from people, grief and pity joined us.
We forget ‒ I kept saying ‒ that we are children of the King.
From where we come there is no division
into Yes and No, into is, was and will be.
Moments from yesterday and from centuries ago ‒
a sword blow, the painting of eyelashes before a mirror
of polished metal, a lethal musket shot, a caravel
staving its hull against a reef ‒ they dwell in us,
waiting for a fulfilment.
I knew, always, that I would be a worker in the vineyard,
as are all men and women living at the same time,
whether they are aware of it or not.
MONDAY
Meeting Virgil
‘There is another road’ Dante
As I went, ruined, rushing to that low,
there had, before my eyes, been offered one
who seemed -long silent- to be faint and dry.
Seeing him near in that great wilderness,
to him I screamed my ‘miserere’: ‘Save me,
whatever – shadow or truly man – you be.’
His answer came to me: ‘No man; a man
I was in times long gone. Of Lombard stock,
my parents both by patria and Mantuan.
And I was born, though late, sub Iulio.
I lived at Rome in good Augustus’ day,
in times when all the gods were lying cheats.
I was a poet then. I sang in praise
of all the virtues of Anchises’ son. From Troy
he came ‒ proud Ilion razed in flame.
But you turn back. Why seek such grief and harm?
Why climb no higher up at lovely hill?
The cause and origin of joy shines there.’
‘So, could it be’, I answered him, (my brow,
in shy respect bent low), ‘you are that Virgil,
whose words flow wide, a river running full?
You are the light and glory of all poets.
May this serve me: my ceaseless care, the love
so great, that made me search your writings through!
You are my teacher. You, my lord and law.
From you alone I took the fine-tuned style
that has, already, brought me so much honour.
See there? That beast! I turned because of that.
Help me ‒ your wisdom’s known ‒ escape from her.
To every pulsing vein, she brings the tremor.
Seeing my tears, he answered me: ‘There is
another road. And that, if you intend
to quit this wilderness, you’re bound to take.’
(The Divine Comedy, I Inferno, lines 61−93)
TUESDAY
Through the Gate Malcolm Guite
Begin the song exactly where you are,
For where you are contains where you have been
And holds the vision of your final sphere.
And do not fear the memory of sin;
There is a light that heals, and, where it falls,
Transfigures and redeems the darkest stain
Into translucent colour. Loose the veils
And draw the curtains back, unbar the doors,
Of that dread threshold where your spirit fails,
The hopeless gate that holds in all the fears
That haunt your shadowed city, fling it wide
And open to the light that finds, and fares
Through the dark pathways where you run and hide,
Through all the alleys of your riddled heart,
As pierced and open as his wounded side.
Open the map to Him and make a start,
And down the dizzy spirals, through the dark,
His light will go before you. Let him chart
And name and heal. Expose the hidden ache
To him, the stinging fires and smoke that blind
Your judgement, carry you away, the mirk
And muted gloom in which you cannot find
The love that you once thought worth dying for.
Call him to all you cannot call to mind.
He comes to harrow Hell and now to your
Well-guarded fortress let his love descend.
The icy ego at your frozen core
Can hear his call at last. Will you respond?
WEDNESDAY
Towards A Shining World Dante
Dante and Virgil emerge from hell and begin the ascent of mount purgatory
So now we entered on that hidden Path,
my Lord and I, to move once more towards
a shining world. We did not care to rest.
We climbed, he going first and I behind,
until through some small aperture I saw
the lovely things the skies above us bear.
Now we came out, and once more saw the stars.
…
To race now over better waves, my ship
of mind -alive again- hoists sail, and leaves
behind its little keel the gulf that proved so cruel.
And I’ll sing, now, about the second realm
where human spirits purge themselves from stain,
becoming worthy to ascend to Heaven.
Here, too, dead poetry will rise again.
for now, you secret Muses, I am yours…
…
Dawn was defeating now the last hours sung
by night, which fled before it. And far away
I recognised the tremblings of the sea.
Alone, we walked along the open plain,
as though, returning to a path we’d lost,
our steps, until we came to that, were vain.
Then, at a place in shadow where the dew
still fought against the sun and, cooled by breeze,
had scarcely yet been sent out into vapour,
my master placed the palms of both his hands,
spread wide, lighty and gently on the tender grass.
And I, aware of what his purpose was,
offered my tear-stained cheeks to meet his touch.
At which, he made once more entirely clean
the colour that the dark of Hell had hidden.
(The Divine Comedy, I Inferno,canto34 lines 133−end, and II Purgatorio,Canto 1 lines 1−8 and 115−29)
THURSDAY
De Magistro Malcolm Guite
I thank my God I have emerged at last,
Blinking from Hell, to see these quiet stars,
Bewildered by the shadows that I cast.
You set me on this stair, in those rich hours
Pacing your study, chanting poetry.
The Word in you revealed his quickening powers,
Removed the daily veil, and let me see,
As sunlight played along your book-lined walls,
That words are windows onto mystery.
From Eden, whence the living fountain falls
In music, from the tower of ivory,
And from the hidden heart, he calls
In the language of Adam, creating memory
Of unfallen speech. He sets creation
Free from the carapace of history.
His image in us is imagination,
His Spirit is a sacrifice of breath
Upon the letters of his revelation.
In mid-most of the word-wood is a path
That leads back to the springs of truth in speech.
You showed it to me, kneeling on your hearth,
You showed me how my halting words might reach
To the mind’s maker, to the source of Love,
And so you taught me what it means to teach.
Teaching, I have my ardours now to prove,
Climbing with joy the steps of Purgatory.
Teacher and pupil, both are on the move,
As fellow pilgrims on a needful journey
FRIDAY
The Refining Fire Dante
Over my suppliant hands entwined, I leaned
just staring at the fire, imagining
bodies of human beings I’d seen burn.
And both my trusted guides now turned to me.
And Virgil spoke, to say: ‘My dearest son,
here may be agony but never death.
Remember this! Remember! And if I
led you to safety on Geryon’s back,
what will I do when now so close to God?
Believe this. And be sure. Were you to stay
a thousand years or more wombed in this fire,
you’d not been made the balder by one hair.
And if, perhaps, you think I’m tricking you,
approach the fire and reassure yourself,
trying with your own hands your garments hem.
Have done, I say, have done with fearfulness.
Turn this way. Come and enter safely in!’
But I, against all conscience, stood stock still.
And when he saw me stiff and obstinate,
he said, a little troubled: ‘Look my son,
between Beatrice and you there ‘s just this wall….’
Ahead of me, he went to meet the fire,
and begged that Statius, who had walked the road
so long between us, now take up the rear.
And, once within, I could have flung myself ‒
The heat that fire produced was measureless ‒
For coolness, in a vat of boiling glass.
To strengthen me, my sweetest father spoke,
as on he went, of Beatrice always,
saying, it seems I see her eyes already.’
and, guiding us, a voice sang from beyond.
So we, attending only to that voice,
came out and saw where now we could ascend.
‘Venite, benedicti Patris mei!’
sounded within what little light there was.
This overcame me and I could not look.
(The Divine Comedy, II Purgatorio, Canto 27 lines 16−32 and 46−60)
SATURDAY
Dancing Through the Fire Malcolm Guite
Then stir my love in idleness to flame
To find at last the free refining fire
That guards the hidden garden whence I came.
O do not kill, but quicken my desire,
Better to spur me on than leave me cold.
Not maimed I come to you, I come entire,
Lit by the loves that warm, the lusts that scald,
That you may prove the one, reprove the other,
Though both have been the strength by which I scaled
The steps so far to come where poets gather
And sing such songs as love gives them to sing.
I thank God for the ones who brought me hither
And taught me by example how to bring
The slow growth of a poem to fruition
And let it be itself, a living thing,
Taught me to trust the gifts of intuition
And still to try the tautness of each line,
Taught me to taste the grace of transformation
And trace in dust the face of the divine,
Taught me the truth, as poet and as Christian,
That drawing water turns it into wine.
Now I am drawn through their imagination
To dare to dance with them into the fire,
Harder than any grand renunciation,
To bring to Christ the heart of my desire
Just as it is in every imperfection,
Surrendered to his bright refiner’s fire
That love might have its death and resurrection.
If you would like to encourage and support this blog, you might like, on occasion, (not every time of course!) to pop in and buy me a cup of coffee. Clicking on this banner will take you to a page where you can do so, if you wish. But please do not feel any obligation!
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