Man on the Sofa from Eleventy8

Eleventy8 endures the second Roger Moore James Bond Movie, The Man With The Golden Gun. Released in 1974 and the final movie directed by Guy Hamilton.

Still experimenting with the format to make it more entertaining. Please let us know what you think in the comments!

The Man with the Golden Gun is a 1974 spy film and the ninth in the James Bond series produced by Eon Productions, and the second to star Roger Moore as the fictional MI6 agent James Bond. A loose adaptation of Ian Fleming's posthumously published 1965 novel of the same name, the film has Bond sent after the Solex Agitator, a breakthrough technological solution to contemporary energy shortages, while facing the assassin Francisco Scaramanga, the "Man with the Golden Gun". The action culminates in a duel between them that settles the fate of the Solex.

The Man with the Golden Gun was the fourth and final film in the series directed by Guy Hamilton. The script was written by Richard Maibaum and Tom Mankiewicz. The film was set in the face of the 1973 energy crisis, a dominant theme in the script. Britain had still not yet fully overcome the crisis when the film was released in December 1974. The film also reflects the then-popular martial arts film craze, with several kung fu scenes and a predominantly Asian location, being set and shot in Thailand, Hong Kong, and Macau. Part of the film is also set in Beirut, Lebanon, but it was not shot there.

The film was met with mixed reviews, and some critics described it as the lowest point in the canon up to that time. Christopher Lee's portrayal of Scaramanga as a villain of similar skill and ability to Bond was praised, but reviewers criticised the film as a whole, particularly its comedic approach and the performances of Moore and Britt Ekland. Whilst profitable, the film is the fourth lowest-grossing in the series, and its relatively modest returns by comparison with those of Live and Let Die (1973) reportedly placed the continuation of the franchise in jeopardy. It was the last Bond film to be co-produced by Albert R. Broccoli and Harry Saltzman, with Saltzman selling his 50% stake in Danjaq, LLC, the parent company of Eon Productions, after the release of the film.

Eleventy8 comes back to Bond with the 1967 release, You Only Live Twice.

The last of the Sean Connery 60s Bond movies. Justin brings the criticism, Paul keeps the momentum, and Samir is his usual encyclopaedic self. Connery plays the part slightly more moody this time around, and in this review we learn why.

You Only Live Twice is a 1967 spy film and the fifth in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. It is the first Bond film to be directed by Lewis Gilbert, who later directed the 1977 film The Spy Who Loved Me and the 1979 film Moonraker, both starring Roger Moore. The screenplay of You Only Live Twice was written by Roald Dahl, and loosely based on Ian Fleming's 1964 novel of the same name. It is the first James Bond film to discard most of Fleming's plot, using only a few characters and locations from the book as the background for an entirely new story.

In the film, Bond is dispatched to Japan after American and Soviet crewed spacecraft disappear mysteriously in orbit, each nation blaming the other amidst the Cold War. Bond travels secretly to a remote Japanese island to find the perpetrators, and comes face-to-face with Ernst Stavro Blofeld, the head of SPECTRE. The film reveals the appearance of Blofeld, who was previously a partially unseen character. SPECTRE is working for the government of an unnamed Asian power, implied to be the People's Republic of China, to provoke war between the superpowers.

During the filming in Japan, it was announced that Sean Connery would retire from the role of Bond, but after one film's absence, he returned in 1971's Diamonds Are Forever and later 1983's non-Eon Bond film Never Say Never Again. You Only Live Twice was a great success, receiving positive reviews and grossing over $111 million in worldwide box office. However, the film was the first in the series to have a decline in box-office revenue owing to the over-saturation of the spy movie genre contributed to by the franchise's imitators, including the recent and poorly received competing licensed James Bond film, Casino Royale, from Columbia Pictures that was released previously in the same year.

Well… something new this time around. Eleventy8 talks about Austin Powers: International Man of Mystery. Keeping with the spy/bond genre we felt it was time to mix things up a bit and add a little humour to the mix so Justin, Paul, and Samir discuss!

Justin reveals his experience with posh women, Samir laments about how he's changed since the '90s, and Paul forgets how to pronounce words whilst wearing a Serie A winning Sampdoria shirt.

Austin Powers: International Man of Mystery (or simply Austin Powers) is a 1997 American spy action comedy film directed by Jay Roach. It is the first instalment in the Austin Powers series. It stars franchise co-producer and writer Mike Myers, playing the roles of Austin Powers and Dr. Evil, Powers' arch-enemy. Supporting roles are played by Elizabeth Hurley, Robert Wagner, Seth Green, and Michael York. The film is a parody of the James Bond films and other popular culture from the 1960s.

The film, which cost US$16.5 million, opened on May 2, 1997, grossing US$53 million from its North American release and over $67 million worldwide. The film spawned two sequels, Austin Powers: The Spy Who Shagged Me (1999) and Austin Powers in Goldmember (2002).

It's your favourites… Justin, Paul and Samir, talking about another James Bond movie, Thunderball.

We take a deep dive into Thunderball to ask pertinent questions like, what happened to Bond's fedora hat? Where did the nuclear scientist go? And just how many divers were launched from planes?!

Paul has spent so many hours editing this video that he has memorised the audio waveform shapes of 'Ummm', 'Ya know' and 'Basically'.

Thunderball is a 1965 spy film and the fourth in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. It is an adaptation of the 1961 novel of the same name by Ian Fleming, which in turn was based on an original story by Kevin McClory, Jack Whittingham, and Fleming, and an original screenplay by Jack Whittingham. It was the third and final Bond film to be directed by Terence Young, with its screenplay by Richard Maibaum and John Hopkins. The movie would have been the first of the Bond series if not for legal disputes over copyright.

The film follows Bond's mission to find two NATO atomic bombs stolen by SPECTRE, which holds the world for ransom of £100 million in diamonds under its threat to destroy an unspecified metropolis in either the United Kingdom or the United States (later revealed to be Miami). The search leads Bond to the Bahamas, where he encounters Emilio Largo, the card-playing, eye patch-wearing SPECTRE Number Two. Backed by CIA agent Felix Leiter and Largo's mistress, Domino Derval, Bond's search culminates in an underwater battle with Largo's henchmen. The film's complex production comprised four different units, and about a quarter of the film comprised underwater scenes. Thunderball was the first Bond film shot in widescreen Panavision and the first to have a running time of over two hours.

Thunderball was associated with a legal dispute in 1961 when former Ian Fleming collaborators McClory and Whittingham sued him shortly after the 1961 publication of the novel, claiming he based it upon the screenplay the trio had written for a cinematic translation of James Bond. The lawsuit was settled out of court and Bond film series producers Albert R. Broccoli and Harry Saltzman, fearing a rival McClory film, allowed him to retain certain screen rights to the novel's story, plot, and characters, and for McClory to receive sole producer credit on this film; Broccoli and Saltzman instead served as executive producers.

The film was exceptionally successful: its worldwide box office receipts of $141.2 million exceeded not only that of every one of its predecessors, but that of every one of the five Bond films that followed it. Thunderball is the most financially successful film of the series in North America when adjusted for ticket price inflation. In 1966, John Stears won the Academy Award for Best Visual Effects and BAFTA nominated production designer Ken Adam for an award. Some critics and viewers praised the film and branded it a welcome addition to the series, while others found the aquatic action repetitious and the film's length excessive. In 1983, Warner Bros. released a second film adaptation of the novel under the title Never Say Never Again, with McClory as executive producer.

It's your favourites... Justin 'Dr. Ya Know', Paul 'Dirtyfinger' and Samir 'Smarmy Agent' talking crap again for over an hour about the 1964 movie, Goldfinger!

We ponder and pontificate over such deep questions, such as was the Gold Bullion made out of polystyrene? Was there any truth behind the NAZI gold found in the lake? and could gas from low flying aircraft knock out an entire military complex?!

Watch to find out amazing truths and general misleading claims about skin suffocation.

Goldfinger is a 1964 spy film and the third instalment in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. It is based on the 1959 novel of the same name by Ian Fleming. The film also stars Honor Blackman as Bond girl Pussy Galore and Gert Fröbe as the title character Auric Goldfinger, along with Shirley Eaton as the iconic Bond girl Jill Masterson. Goldfinger was produced by Albert R. Broccoli and Harry Saltzman and was the first of four Bond films directed by Guy Hamilton.

The film's plot has Bond investigating gold smuggling by gold magnate Auric Goldfinger and eventually uncovering Goldfinger's plans to contaminate the United States Bullion Depository at Fort Knox. Goldfinger was the first Bond blockbuster, with a budget equal to that of the two preceding films combined. Principal photography took place from January to July 1964 in the United Kingdom, Switzerland and the United States.

Goldfinger was heralded as the film in the franchise where James Bond "comes into focus". Its release led to a number of promotional licensed tie-in items, including a toy Aston Martin DB5 car from Corgi Toys which became the biggest selling toy of 1964. The promotion also included an image of gold-painted Eaton on the cover of Life.

Many of the elements introduced in the film appeared in many of the later James Bond films, such as the extensive use of technology and gadgets by Bond, an extensive pre-credits sequence that stood largely alone from the main storyline, multiple foreign locales and tongue-in-cheek humour. Goldfinger was the first Bond film to win an Oscar (for Best Sound Editing) and opened to largely favourable critical reception. The film was a financial success, recouping its budget in two weeks and grossing over $120 million worldwide.

In 1999, it was ranked No. 70 on the BFI Top 100 British films list compiled by the British Film Institute.

The second in the James Bond Series, Eleventy8 talks about From Russia With Love.

Justin, Paul and Samir discuss the second James Bond movie, From Russia With Love. Released in 1963 and starring Sean Connery and Robert Shaw.

We start off with an official trailer and then get right into it. In this movie reaction we talk through scenes, ask questions, bring facts and knowledge.

From Russia with Love is a 1963 British spy film and the second in the James Bond series produced by Eon Productions, as well as Sean Connery's second role as MI6 agent James Bond. It was directed by Terence Young, produced by Albert R. Broccoli and Harry Saltzman, and written by Richard Maibaum and Johanna Harwood, based on Ian Fleming's 1957 novel of the same name. In the film, Bond is sent to assist in the defection of Soviet consulate clerk Tatiana Romanova in Turkey, where SPECTRE plans to avenge Bond's killing of Dr. No.

Following the success of Dr. No, United Artists greenlit a sequel and doubled the budget available for the producers. In addition to filming on location in Turkey, the action scenes were shot at Pinewood Studios, Buckinghamshire, and in Scotland. Production ran over budget and schedule, and was rushed to finish by its scheduled October 1963 release date.

From Russia with Love was a critical and commercial success. It took in more than $78 million in worldwide box-office receipts, far more than its $2 million budget and more than its predecessor Dr. No, thereby becoming a blockbuster in 1960s cinema.

A first for the Eleventy8 Channel, Justin, Paul, and Samir discuss the first James Bond movie, Dr. No. Released in 1962 and starring Sean Connery.

We start off with a Dr. No trailer created by YouTuber 007Trailers. In this movie reaction we talk through scenes, ask questions, brings facts and knowledge.

Dr. No is a 1962 spy film directed by Terence Young. It is based on the 1958 novel of the same name by Ian Fleming. Starring Sean Connery, Ursula Andress, Joseph Wiseman, and Jack Lord, it is the first film in the James Bond series, and was adapted by Richard Maibaum, Johanna Harwood, and Berkely Mather. The film was produced by Harry Saltzman and Albert R. Broccoli, a partnership that continued until 1975.

In the film, James Bond is sent to Jamaica to investigate the disappearance of a fellow British agent. The trail leads him to the underground base of Dr. No, who is plotting to disrupt an early American space launch from Cape Canaveral with a radio beam weapon. Although it was the first of the Bond books to be made into a film, Dr. No was not the first of Fleming's novels. Casino Royale was the debut for the character; however, the film makes a few references to threads from earlier books. This film makes reference to later books in the series as well, such as the criminal organisation SPECTRE, which was not introduced until the 1961 novel Thunderball.

Produced on a low budget, Dr. No was a financial success. While the film received a mixed critical reaction upon release, it has gained a reputation over time as one of the series' best instalments. Dr. No also launched a genre of "secret agent" films that flourished in the 1960s. The film also spawned a comic book adaptation and soundtrack album as part of its promotion and marketing.

Many aspects of a typical James Bond film were established in Dr. No: the film begins with an introduction to the character through the view of a gun barrel and a highly stylised main title sequence, both of which were created by Maurice Binder. It also established the iconic "James Bond" theme music. Production designer Ken Adam established an elaborate visual style that is one of the hallmarks of the film series.

We're in the Roger Moore era! We leave Sean Connery behind and embrace the new 70s style.

Paul goes off on one about the opening Bond theme, Justin criticises the film a little less, and Samir gives little titbits of knowledge (even if we didn't ask for it).

Live and Let Die is a 1973 spy film. It was the eighth film in the James Bond series produced by Eon Productions, and the first to star Roger Moore as the fictional MI6 agent James Bond. It was directed by Guy Hamilton and produced by Albert R. Broccoli and Harry Saltzman, while Tom Mankiewicz wrote the script. Although the producers had approached Sean Connery to return after his role in the previous Bond film Diamonds Are Forever, he declined, sparking a search for a new actor to play Bond; Moore was signed for the lead role.

The film is based on Ian Fleming's 1954 novel of the same name. The storyline involves a Harlem drug lord known as Mr. Big who plans to distribute two tons of heroin for free to put rival drug barons out of business and then become a monopoly supplier. Mr. Big is revealed to be the alter ego of Dr. Kananga, a corrupt Caribbean dictator, who rules San Monique, a fictional island where opium poppies are secretly farmed. Bond is investigating the deaths of three British agents, leading him to Kananga, and he is soon trapped in a world of gangsters and voodoo as he fights to put a stop to the drug baron's scheme.

Live and Let Die was released during the height of the blaxploitation era, and many blaxploitation archetypes and clichés are depicted in the film, including derogatory racial epithets ("honky"), black gangsters, and pimpmobiles. It departs from the former plots of the James Bond films about megalomaniac super-villains, and instead focuses on drug trafficking, a common theme of blaxploitation films of the period. It is set in African-American cultural centres such as Harlem and New Orleans, as well as the Caribbean Islands. It was also the first James Bond film featuring an African-American Bond girl romantically involved with 007, Rosie Carver, who was played by Gloria Hendry. The film was a box-office success and received generally positive reviews from critics. Its title song, written by Paul and Linda McCartney and performed by their band Wings, was also nominated for the Academy Award for Best Original Song.

Umm… this one goes a little off the rails. We talk about Johnny English from 2003, and two of us at least made the time to watch the movie.

Eleventy8 agrees that this movie is made for Rowan Atkinson. It's obvious that he played a huge part in the character creation, so much so that the character Johnny English was created as early as the 90s with thanks to Barclays Bank!

Samir confesses his crush on Natalie Imbruglia and reveals his private stash of magazines.

Join us as we try to hold it together and actually review this movie.

Music created by and used with permission from Lucas of Robots With Rayguns.

Starring Rowan Atkinson in the title role, Natalie Imbruglia, Ben Miller and John Malkovich, it is the first installment of the Johnny English film series and serves as a parody and homage to the spy genre, mainly the James Bond film series, as well as Atkinson's Mr. Bean character. The character is also related to Atkinson's bumbling spy character from a series of adverts in the United Kingdom for Barclaycard in the 1990s.

Released theatrically in the United States on 18 July 2003, the film met with mixed reviews from critics but was commercially successful and grossed $160 million worldwide against a budget of $40 million. The film was released in the United Kingdom on 11 April 2003 and topped the country's box office for the next three weekends, before being overtaken by X2. It was followed by two sequels, Johnny English Reborn (2011) and Johnny English Strikes Again (2018).

RIGHT! Eleventy8 endures arguably the worse James Bond movie ever made… Diamonds are Forever.

The team really goes off on this one. Why were Kidd & Wint not utilised more? Who started the self hugging and kissing trick? Did Bond decide to keep a pet rat?

Join Eleventy8 for another Bond movie review.

Diamonds Are Forever is a 1971 spy film, the seventh in the James Bond series produced by Eon Productions. It is the sixth and final Eon film to star Sean Connery, who returned to the role as the fictional MI6 agent James Bond, having declined to reprise the role in On Her Majesty's Secret Service (1969).

The film is based on Ian Fleming's 1956 novel of the same name and is the second of four James Bond films directed by Guy Hamilton. The story has Bond impersonating a diamond smuggler to infiltrate a smuggling ring and soon uncovering a plot by his old enemy Ernst Stavro Blofeld to use the diamonds to build a space-based laser weapon. Bond has to battle his enemy for one last time to stop the smuggling and stall Blofeld's plan of destroying Washington, D.C. and extorting the world with nuclear supremacy.

After George Lazenby left the series, producers Harry Saltzman and Albert R. Broccoli tested other actors, but studio United Artists wanted Sean Connery back, paying a then-record $1.25 million salary for him to return. The producers were inspired by Goldfinger; as with that film, Guy Hamilton was hired to direct, and Shirley Bassey performed vocals on the title theme song. Locations included Las Vegas, California, and Amsterdam. Diamonds Are Forever was a commercial success and received generally positive reviews initially, but retrospective reviews criticized it for its humorous camp tone. It was nominated for the Academy Award for Best Sound.