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Joe takes on the ultimate challenge: blind ranking 10 songs by The 1975 without knowing what’s coming next. Each song is given a spot from 1 to 10 as it appears, but once it’s placed, there’s no moving it. Can he pull off a decent ranking, or will it all fall apart by the end?
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We take a look at the recent issues surrounding Catfish and the Bottlemen, including last-minute tour cancellations, lack of communication from the band, and questions about their current lineup.
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In this video, we break down the biggest issues with gigs and festivals in 2025. From people treating the front row like their personal space, blocking others from passing through, to loud chatting near the stage and a sea of phones ruining the view. We also look at the rise of aggressive barging and the fading sense of crowd courtesy that used to make live shows so special.Follow us!Linktree - https://linktr.ee/ManOverboardPodcast
Are lyrics just an afterthought until the melody hooks you? Or do they matter from the very beginning?
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In this video, we take a hard look at Spotify, the world's biggest streaming platform and its impact on the music industry. While it’s made music more accessible than ever, many argue that it’s hurting artists, encouraging quantity over quality, and favouring algorithms over artistry.
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Little Simz is back with her 6th studio album Lotus. We go through each track and share our thoughts on the project as a whole.
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Turnstile returns with their new album Never Enough. We dive into each track and give our take on the project as a whole.
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California was Blink-182’s comeback album with a new lineup, marking a major shift in the band’s sound. It received a mix of praise and criticism when it was first released, but how does it hold up in 2025?
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Some artists get a lot of hate. Sometimes for their music, sometimes for their image, and sometimes for reasons that don’t seem to make much sense.
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The UK rap scene has delivered countless classics over the years, so we decided to break down our favourite UK rap and hip-hop albums of all time.
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