Manhattan Edit Workshop

Go inside the editing room of HBO's Euphoria with the acclaimed editorial team behind the groundbreaking series. In this episode of Sight, Sound & Story, moderator Josh Apter sits down with editors Julio C. Perez IV, ACE, Aaron I. Butler, ACE, Aleshka Ferrero, and Nikola Boyanov for an in-depth discussion about the creative editing process that helped define one of the most visually innovative and emotionally powerful television dramas of the modern era.

From intimate character-driven scenes to dreamlike visual sequences, the editors reveal how editorial decisions shape the show's unique style, pacing, and emotional impact. The conversation explores collaboration with creator Sam Levinson, working with music, performance, cinematography, and visual storytelling techniques that bring Euphoria's unforgettable moments to life.

Learn how the editorial team balances experimentation with narrative clarity, crafts emotional character arcs, and develops the rhythm and tone that have made Euphoria one of the most talked-about series in television. The panel also discusses scene construction, performance shaping, music integration, and the collaborative process between editors, directors, cinematographers, and producers.

Whether you're an aspiring editor, filmmaker, film student, television professional, or fan of Euphoria, this episode provides a rare behind-the-scenes look at the art and craft of television editing.

Moderator: Josh Apter (Founder & Owner, Manhattan Edit Workshop)

Panelists:

Julio C. Perez IV, ACE (Euphoria, American Made, It Follows)

Aaron I. Butler, ACE (Euphoria, Cries From Syria)

Aleshka Ferrero (The Morning Show, The Idol)

Nikola Boyanov (Euphoria, Under the Silver Lake)

Topics Covered

Editing HBO's Euphoria

Television editing techniques

Building emotional storytelling through editing

Working with music and performance

Scene structure and pacing

Collaboration with directors and cinematographers

Visual storytelling and experimental editing

Character-driven editing workflows

Post-production process for prestige television

Behind-the-scenes insights from Euphoria

Go behind the scenes of Prime Video's hit superhero series The Boys in this exclusive Sight, Sound & Story conversation featuring Cinematographer Dylan MacLeod, CSC, and Editor David Kaldor. Moderated by Chad Anderson, this in-depth discussion explores the creative collaboration between cinematography and editing that helps make The Boys one of television's most visually dynamic and narratively ambitious series.

As The Boys heads into its highly anticipated final season, MacLeod and Kaldor break down the artistic and technical decisions behind the show's distinctive visual style, from designing cinematic imagery and shooting large-scale action sequences to crafting suspense, pacing, and emotional impact in the edit. The conversation offers a unique look at how camera work and editorial choices work together to shape the tone, energy, and storytelling that have made the series a global phenomenon.

The panel also explores the challenges of bringing the final season to life, balancing spectacle with character-driven storytelling, and delivering a satisfying conclusion to one of television's most acclaimed and unpredictable series. Through behind-the-scenes insights, scene breakdowns, and production stories, attendees gain a deeper understanding of the filmmaking process behind The Boys.

Whether you're a filmmaker, editor, cinematographer, film student, or fan of the series, this episode offers valuable insights into the art and craft of modern television production.

Moderator: Chad Anderson (Manhattan Edit Workshop & Brookdale Community College)

Panelists:

Dylan MacLeod, CSC (The Boys, From, Locke & Key)

David Kaldor (The Boys, Suits, Lost in Space)

Topics Covered

The cinematography of The Boys

Editing action and visual effects sequences

Collaboration between cinematography and editing

Visual storytelling in television

Creating tone, tension, and pacing

Shooting large-scale action scenes

Behind-the-scenes of the final season

Post-production workflows for television

Character-driven storytelling and spectacle

The creative process behind The Boys

Go behind the lens of HBO Max's The Pitt with cinematographer Johanna Coelho in this exclusive episode from Sight, Sound & Story. Moderated by Manhattan Edit Workshop founder Josh Apter, this in-depth conversation explores how Coelho's innovative cinematography is redefining visual storytelling for contemporary television.

As the sole cinematographer on The Pitt, Coelho developed an unobtrusive, documentary-inspired camera style that immerses viewers in the emotional intensity and urgency of a real-time emergency room. She discusses designing long, choreographed camera moves, working inside fully immersive 360-degree sets, and maintaining visual continuity across an entire season while preserving the authenticity and tension that define the series.

Johanna also shares insights into memorable scenes from Season Two, breaking down the creative decisions behind their execution and discussing collaboration with directors, actors, and the production team. From lens choices and lighting techniques to camera movement and storytelling philosophy, this episode provides a rare look inside one of television's most visually distinctive productions.

Presented as part of the Sight, Sound & Story series, this conversation is essential listening for cinematographers, filmmakers, editors, directors, film students, and fans of The Pitt interested in the art and craft behind modern television production.

Host: Josh Apter (Founder, Manhattan Edit Workshop)

Guest: Johanna Coelho (The Pitt, The Rookie)

Topics Covered

The cinematography of The Pitt

Creating an "invisible" camera style

Shooting inside 360-degree sets

Long takes and choreographed camera movement

Visual continuity across an entire television season

Collaboration between cinematography, directing, and editing

Favorite scenes from Season Two

Modern television cinematography techniques

Storytelling through camera movement and composition

Behind the scenes of The Pitt

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events.

Explore the editing and cinematography behind "The American Revolution" documentary series with editor Maya Muma, ACE, and cinematographer Buddy Squires, ASC. They discuss the collaborative process, the importance of risk-taking, and the dedication required to bring historical narratives to life. Discover insights into "radio edits," visual storytelling, and the challenges of recreating authentic historical moments.

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

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https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822

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https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events.

In Episode 37 of "Talking MEWShop," Cinematographer Adolfo Veloso, ABC, AIP, shares insights into his craft, discussing his work on "Train Dreams" and "Queen at Sea." He elaborates on the challenges and creative decisions behind using natural light, particularly fire, for a film's nocturnal scenes. Veloso also touches upon the collaborative process with directors and the artistic choices made to visually translate abstract concepts like memory and dreams into cinematic language.

Brazilian-born cinematographer Adolpho Veloso, ABC, AIP, lensed the widely acclaimed and beloved film "Train Dreams" (2025), directed and written by Clint Bentley and released by Netflix.

Following "Train Dreams," Veloso served as cinematographer on M. Night Shyamalan’s "Remain" (scheduled for release in 2026) and on Lance Hammer’s "Queen at Sea" (2026), which premiered in competition at the 76th Berlin International Film Festival and helped earn the film the Silver Bear Jury Prize and acting honors for Tom Courtenay and Anna Calder-Marshall.

Veloso previously earned widespread recognition for his cinematography on "Jockey" (2021), also directed by Clint Bentley and starring Clifton Collins Jr., which received a Spotlight Award nomination from the American Society of Cinematographers (ASC).

He is a member of the Brazilian Cinematography Association (ABC) and the Portuguese Society of Cinematography (AIP). He is represented by CAA in the United States, Lux in Europe, and Aura in Latin America.

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Follow, like and share Manhattan Edit Workshop on Social Media

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https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822

#ManhattanEditWorkshop #MEWShop #Mewtube #ClintBentley #Cinematography #TrainDreams #FilmMaking #LightingDesign #AdolfoVeloso #jockey #queenatsea #juliettebinoche #talkingmewshop #joeledgerton #cinematographer #BrazilianCinematographyAssociation #AssociationofPortugueseImage

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events.

Moderator: Sean Weiner (Film producer, Non-profit arts leader & Artist community builder)

Panelists: Kelley Dixon, ACE, ("Black Panther: Wakanda Forever'', "The Falcon and the Winter Soldier", "Breaking Bad"), Shannon Baker Davis, ACE, ("Kindred", "American Crime Story", "Queen Sugar"), and Bradinn French, ACE ("A Black Lady Sketch Show", "American Horror Story" "Ferguson Rises").

Inside Episode XXX: Step into the world of episodic television editing with our panel of distinguished editors, Kelley Dixon, ACE, Shannon Baker Davis, ACE, and Bradinn French, ACE. "Editing TV Series" offers an exclusive glimpse into the creative process that shapes the narrative and visual rhythm of your favorite TV shows. Through anecdotes and behind-the-scenes insights, the panelists will offer an overview of their collaborations with directors, writers, and fellow crew members. Explore how the editing landscape evolves alongside streaming platforms, binge-watching culture, and the demand for unparalleled content. Expertly moderated by Sean Weiner will explore with the panelists the ever-changing dynamics of editing the TV Series.

When: Wednesday, November 15, 2023

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic, and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process, and the only "silly" question is the one that isn't asked.

#ManhattanEditWorkshop #MEWShop #sightsoundandstory #sightsoundandstorylive #ssslive #aja #Mewtube #editingtvseries #filmmakeru #kelleydixon #amerciancinemaeditors #ace #filmediting #videoediting #shannonbakerdavis #BradinnFrench #blackladysketchshow #breakingbad #americancrimestory

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events.

In Episode 35 of "Talking MEWShop," Editor Barry Alexander Brown, ACE, discusses his experiences in filmmaking alongside Director Spike Lee, focusing on the industry's evolution and the importance of African American stories. He covers collaboration, personal growth, and the creative process, including character development and improvisation. Barry also talks about his recent project, "Highest to Lowest," and the editing process behind it.

Spike Lee and Barry Alexander Brown have had friendship and working relationship that goes back to the early eighties. Barry worked on Spike’s first feature, "She’s Gotta Have It," as the editor of a single scene as well as sound editing the movie. He was the editor of Spike’s next film, "School Daze" and then the following, "Do The Right Thing." He was the editor and the 2nd Unit Director on "Malcom X." Over the last thirty years, Barry has been Spike’s editor on "Crooklyn," "He Got Game," "Summer of Sam," ""25th Hour," "Inside Man," "Bad 25," "Miracle at St. Anna," "Blackkklansman" and now, "Highest 2 Lowest."

Barry has also worked with renowned Indian director, Mira Nair. For Mira, he edited "Salaam Bombay," "The Laughing Club of India" and "Queen of Katwe.

Barry" is also a writer and director. As a director, he was nominated for his first feature length documentary, "The War At Home." In 2020, he wrote and directed the feature length movie, "Son of the South." As a writer, his first novel, "Wind," has just been reeased in France to critical acclaim. It will be published this summer in America.

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Follow, like and share Manhattan Edit Workshop on Social Media

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https://twitter.com/MEWShop

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https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822

#ManhattanEditWorkshop #MEWShop #Mewtube #DenzelWashington #ASAPRocky #Filmmaking #Storytelling #AfricanAmericanCinema #barryalexanderbrown #talkingmewshop #highestttolowest #acting #joshapter #postproduction #wind #americancinemaeditors #spikelee

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events.

In episode 36 of "Talking MEWShop," we are joined by Rob Murray, the Director of Business Development at Slipstream Music. Rob discusses how innovation and evolution drive the industry forward, requiring continuous adaptation to AI and copyright challenges. Rob also talks about the history of Jingle Punks and its acquisition by Slipstream Music, alongside the importance of copyright education and music rights management. He touches on the process of music licensing and clarifies copyright claims.

You can find out more about Slipstream Music here: https://slipstreammusic.com

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Follow, like and share Manhattan Edit Workshop on Social Media

https://youtube.com/@mewshop

https://www.linkedin.com/school/manhattan-edit-workshop/

https://www.facebook.com/ManhattanEditWorkshop/

https://www.instagram.com/mewshop/

https://twitter.com/MEWShop

https://vimeo.com/mewshop

https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ

https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8

https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822

#ManhattanEditWorkshop #MEWShop #Mewtube #slipstreammusic #robmurray #royaltyfreemusic #musicinvideo #musiconyoutubevideos #Innovation #Copyright #MusicRights #Licensing #Education #jinglepunks #AIinmusic #AIroyaltyfreemusic #talkingmewshop #jasonbanke

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events.

Cinematographer Nicole Hirsch Whitaker, ASC, shares insights into her work on the visually striking film "Dust Bunny." She details the creative process, from realizing the director's unique vision to employing inventive, practical, and CGI techniques for seamless scene transitions. Whitaker also discusses the challenges of budget constraints and how they fostered innovative solutions, particularly in lighting and set design.

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Follow, like and share Manhattan Edit Workshop on Social Media

https://youtube.com/@mewshop

https://www.linkedin.com/school/manhattan-edit-workshop/

https://www.facebook.com/ManhattanEditWorkshop/

https://www.instagram.com/mewshop/

https://twitter.com/MEWShop

https://vimeo.com/mewshop

https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ

https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8

https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822

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https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events.

This episode of 'Sight, Sound, and Story' delves into the evolving landscape of producing and directing documentaries. Featuring insights from acclaimed filmmakers Jeremy Workman, Jill Campbell, and Nicholas Bruckman, the discussion highlights the challenges of securing funding, the importance of access and trust, and the necessity of a strong marketing presence. Viewers can learn how to navigate the competitive streaming market and discover non-traditional funding avenues to bring their impactful stories to life.

Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications.

Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Follow, like and share Manhattan Edit Workshop on Social Media

https://youtube.com/@mewshop

https://www.linkedin.com/school/manhattan-edit-workshop/

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https://www.instagram.com/mewshop/

https://twitter.com/MEWShop

https://vimeo.com/mewshop

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https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8

https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822

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