Filmmaker DAN LAM joins the show to share his reactions to the Museum of the Moving Image's rep film series WELCOME TO THE MACHINE which acts as a companion to David Levine's holographic film DISSOLUTION that was on display at the museum for the last several months.

Credits: Produced by Alec Rodriguez, original artwork by Cristina Montes, and original music by Jeremy Bullen.

Joining the show this week are SONIA EPSTEIN and DAVID LEVINE, the programmers behind ⁠Welcome to the Machine⁠ — the rep film series presented by ⁠Science on Screen⁠ at the ⁠Museum of the Moving Image⁠.  Welcome to the Machine features a selection of films that depict digital devices entrapping humans, and it coincides with the exhibition of artist David Levine's DISSOLUTION. Sonia is the Curator of Science and Technology at MoMI, and the Executive Editor at Sloan Science & Film. David's installation ⁠DISSOLUTION⁠ is a 20-minute holographic film currently on view at MoMI. 

🎞️Film in this series include:

Plan your visit to MoMI and listen to this episode in the meantime!

Marquee Mixtape will return with Part 2 of our coverage of this film series in early March!  

✨Follow Sonia on ⁠Instagram⁠, ⁠Twitter⁠, and her ⁠website⁠.  

✨Follow David on ⁠Instagram⁠ and his ⁠website⁠. 

Support Marquee Mixtape by subscribing and rating on your podcaster of choice. Follow Marquee Mixtape on ⁠Instagram⁠, ⁠Substack⁠, and ⁠BlueSky⁠.

Credits: Produced by Alec Rodriguez, original artwork by ⁠Cristina Montes⁠, and original music by ⁠Jeremy Bullen⁠.

This week joining the show is Nitehawk Cinema's Director of Programming, CRISTINA CACIOPPO! We're talking about the Robert De Niro deep cuts she programmed for the $10 Late Round series Bobby B-Sides in conjunction with the Bobby's World rep film series that screened all through January 2024. We also learn about Cristina's 20+ years of programming in NYC, a closer look into acquiring celluloid film prints, the types of films she loves to excavate (pre-code, underground films about women, and over the top bombastic cinema), and so much more!

Credits: Produced by Alec Rodriguez, original artwork by Cristina Montes, and original music by Jeremy Bullen.

In this episode of Marquee Mixtape we are pleased to welcome to the show the Repertory Film Programmer at Nitehawk Cinema, DESMOND THORNE! We get into Desmond's career story as a film programmer from NewFest to Nitehawk, the challenges and rewards of repertory programming for Brooklyn audiences, and we preview his January 2024 film series, Bobby's World: The Selected Works of Robert De Niro. 

🎞️The film series includes:

Marquee Mixtape will return with Part 2 of our coverage of this film series later in January 2024. 

Credits: Produced by Alec Rodriguez, original artwork by Cristina Montes, and original music by Jeremy Bullen.

We wrap up our coverage of the Taisho Roman film series at Japan Society with a reaction episode featuring Jeremy Bullen, the man behind the original music for this show! In Part 1 of our coverage of Taisho Roman, the film programmer behind that series, Alexander Fee, was a guest on the show. Jeremy and Host Alec Rodriguez visited Japan Society to watch an imported 35mm print of Dogra Magra (1988) and are on this episode to discuss the overall experience they had.

Support Marquee Mixtape by subscribing and rating on your podcaster of choice. Follow Marquee Mixtape on Instagram, Substack, and BlueSky.

Credits: Produced by Alec Rodriguez, original artwork by Cristina Montes, and original music by Jeremy Bullen.

DEDE LOVELACE is a skater and DJ working in TV. She also recently made her debut as a live score accompaniment artist as part of a duo with Larry Love. The two DJs scored Special Agent X-7 (1966) from the projection booth at Film at Lincoln Center for the September film series Korean Cinema's Golden Decade: The 1960's. That film series was co-presented and organized by the folks at Subway Cinema.

Credits: Produced by Alec Rodriguez, original artwork by Cristina Montes, and original music by Jeremy Bullen.

CLAUDIA FRANCOIS is the theater manager at Film Forum. She's also their designated hype person, brimming with excitement and love for everything the cinema offers to its audiences. In this episode, we chat about what makes Film Forum so unique as a non-profit cinema with the devoted customers they attract. Claudia also shares her experience as a theater manager at Film Forum for the past 5+ years and why she loves it so much.

Credits: Produced by Alec Rodriguez, original artwork by Cristina Montes, and original music by Jeremy Bullen.

Japan Society's very own Film Programmer, ALEXANDER FEE joins Host Alec Rodriguez in a chat about his upcoming repertory film series Taisho Roman: Fever Dreams of the Great Rectitude opening on Dec 9.

The film series includes:

They also discuss how Alexander started out as a Repertory Programmer and Celluloid Projectionist at Doc Films in Chicago, and more.

Support Marquee Mixtape by subscribing and rating on your podcaster of choice. Follow Marquee Mixtape on Instagram, Substack, and BlueSky.

Credits: Produced by Alec Rodriguez, original artwork by Cristina Montes, and original music by Jeremy Bullen.

Catherine Cramer and Robert Kennedy — the duo behind THE FLUSHING REMONSTRANCE — sit down with Host Alec Rodriguez to discuss the art of live scoring in cinemas and other venues in NYC including their recent live score accompaniment to A PAGE OF MADNESS (1926) at the Brooklyn Horror Film Festival last month.

Credits: Produced by Alec Rodriguez, original artwork by Cristina Montes, and original music by Jeremy Bullen.

Co-Founder and Director of Programming at CineCina Film Festival, FRANK YAN joins Alec in a conversation about the life of a Programmer, reacting to the 4K restoration of FAREWELL MY CONCUBINE, creating NYC's first and only Chinese film festival, and fighting to keep physical media alive with the distribution of Steelbook Blu-rays, vinyl and CDs from his companies Soundtrack Magazine and Crescendo House.