It has gone largely unnoticed by musicologists and historians that the British composer, conductor, and music entrepreneur John Rutter has become a leading figure in popular music since the 1980s. Successful on the global music market, popular in the English-speaking world, and regularly topping the classical music charts with his Christmas carol compositions, Rutter embodies the opposite of commercial pop culture. He is the antitype of a pop star: he succeeds with sacred music, he addresses the middle class, and he personifies family values, community spirit, and the preservation of tradition. Using the example of Rutter, the lecture will demonstrate the importance of conservative pop cultures for the emergence and development of transnational conservatism in Europe and North America since the 1970s.