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On today’s date in 1885, the Paris Opera gave the first performance of Le Cid, the 11th opera written by the French composer Jules Massenet.
Le Cid is set in medieval Spain and tells the story of Rodrigo Diaz de Vivar, a legendary hero who defended his country against the Moors. The same story inspired a 1961 movie, El Cid, starring — who else? — Charlton Heston.
But back in 1890, the New Orleans Opera introduced Massenet’s opera to American audiences and reached New York City in 1897, serving as a vocal showcase for turn-of-the-century superstars of the early Metropolitan Opera. Enrico Caruso made a famous recording of the opera’s most famous excerpt — Rodrigo’s Act III aria, “O souverain, O Juge, O Pere,” which translates as “Oh Lord, Oh Judge, Oh Father.”
Unlikely as it may seem, this aria inspired a pop hit in 1981, when composer and performance artist Laurie Anderson translated its opening line as “O Superman, O Judge, O Mom and Dad.” As a credit to the French composer, O Superman is even subtitled For Massenet.
Trained as a classical violinist with the Chicago Youth Symphony, Anderson soon shifted to a variety of electronically-altered fiddles, and one of her albums is titled, appropriately, Life on a String.
Jules Massenet (1842-1912): O Souverain, O Juge, O Pere; from Le Cid; Ben Heppner, tenor; Munich Radio Orchestra; Roberto Abbado, conductor; RCA/BMG 62504
By American Public Media4.7
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On today’s date in 1885, the Paris Opera gave the first performance of Le Cid, the 11th opera written by the French composer Jules Massenet.
Le Cid is set in medieval Spain and tells the story of Rodrigo Diaz de Vivar, a legendary hero who defended his country against the Moors. The same story inspired a 1961 movie, El Cid, starring — who else? — Charlton Heston.
But back in 1890, the New Orleans Opera introduced Massenet’s opera to American audiences and reached New York City in 1897, serving as a vocal showcase for turn-of-the-century superstars of the early Metropolitan Opera. Enrico Caruso made a famous recording of the opera’s most famous excerpt — Rodrigo’s Act III aria, “O souverain, O Juge, O Pere,” which translates as “Oh Lord, Oh Judge, Oh Father.”
Unlikely as it may seem, this aria inspired a pop hit in 1981, when composer and performance artist Laurie Anderson translated its opening line as “O Superman, O Judge, O Mom and Dad.” As a credit to the French composer, O Superman is even subtitled For Massenet.
Trained as a classical violinist with the Chicago Youth Symphony, Anderson soon shifted to a variety of electronically-altered fiddles, and one of her albums is titled, appropriately, Life on a String.
Jules Massenet (1842-1912): O Souverain, O Juge, O Pere; from Le Cid; Ben Heppner, tenor; Munich Radio Orchestra; Roberto Abbado, conductor; RCA/BMG 62504

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