It is hard just keep creating content when you are starting out with little to know audience. Keep creating anyway. Your message matter.

The focus of Mastering Your Message is changing with the times. The focus in now on helping content creators get better at their messaging and processing. This episode is an explanation of why and how.

Inspired 1986 hit single "Rumors" from Timex Social Club, we compare the spread of rumors meant to tear down with grass roots moments meant to build up, and how the tactics used in both should be in your storytelling toolbox.

You don't have doubts about your message, but about you being an effective message of that particular message. It (mostly) doesn’t matter who you are and how much knowledge and experience you have, as long as you are presenting from the right point of view.

Tales of great fishermen and sales pitches from diamond level account execs are both just stories being told to hopefully willing listeners. You can help all listeners get into your stories with the right hook to reel them in.

I played an inspirational message from a thought leader I follow on YouTube. Ten minutes later, I stubbled upon anther video and watched another person deliver a near identical message of inspiration. They said the same thing in words, but did I actually hear the same thing from both speakers?

As you begin your journey of spreading your message, you will probably not be so lucky to have a solid mechanism for promoting yourself. This episode offers some advice on how to make that work.

When you are starting out and do not have much of an audience, you may think it is a time to be down. But it is actually one of the best times of your career, as you have the ability to test just about everting about yourself, your style, and your message.

Due to the restrictions of travel and gathering at the time of this recording, doing events ‘virtually’ is the only way to get in front of people to deliver your message. But the process is different than showing up to a live venue and walking on a stage to talk.

If you are given the chance to speak on stage, but you’ve got to pay a fee for the spot, is that spot worth paying for. It just might be.