A visual, kinesthetic, embodied experience 𔸠A fish-eye lens and a magnifying glass 𔸠The little clicker wheel 𔸠Nurturing a plot of woodland 𔸠Becoming the space, unstuck in time 𔸠Freed up to play
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Transcript
What is the right question?
āStage fiveā is a concept in adult developmental stage theory. That isāor used to beāa branch of academic psychological research. I think it may be very important. But stage five is somewhat mysterious. Itās not clear what it is.
Before asking āwhat is stage five?ā, thereās several other questions one ought to ask. Starting with: āIS stage five?ā I mean, is this even a thing? Or is it just some sort of psychobabble woo? Why should we believe in this?
And then, what sort of thing is stage five, if itās a thing at all? What is a stage, actually? How do we know whether something is a stage or not? How many are there? Which are they?
These are skeptical questions one ought to ask if youāre interested in adult developmental stage theory. Especially if you use it, or are considering using it.
Iām not going to address them at all now! Thatās because the academic literature on this sucks. The answers available are vague, and theyāre not well supported by empirical research. So Iām setting all this aside for nowāalthough I plan to come back to it.
An exciting interdisciplinary scene
Instead, Iām going to give several answers to āwhat is stage five?ā, as if this was a clearly meaningful question. Iām going to give several because different theorists describe it in different ways.
Thatās because they came to adult developmental stage theory with different intellectual frameworks, from different disciplines. In the 1970s and '80s, there was a really exciting scene, mainly at Harvard, in which researchers from different fields and departments were trading ideas about this.
Their different ideas seemed similar in important ways, but they also had major disagreements, reflecting their different lenses.
So, were they all actually talking about the same thing, like the blind men and the elephant? Or were they actually describing quite different things, all of which they called āstage fiveā for inadequate reasons? Unfortunately, academic research in this area ended almost completely around 1990, probably for political reasons. āAnd that means that at about the time that they were starting to do really good scientific tests of whose ideas were valid, if anyoneās, the whole thing just ended.
So we donāt know.
Iām mostly going describe my own understanding of stage five. Itās is generally consonant with that of many researchers in the field, but also somewhat eccentrically different. Thatās because I came to the scene with different background knowledge than anyone else.
Everyone in the field starts from cognitive developmental psychology, and particularly Jean Piagetās four-stage theory of childrenās cognitive development. His fourth and final stage he called āformal operations.ā He thought the essence of that was the use of propositional logic, a simple mathematical system.
Later researchers extended Piagetās stage four to systematic rational thinking in general.
Piaget explicitly denied that there could be any stage five, because he somehow thought propositional logic was the highest form of cognition.
Starting in the early 1970s, researchers found that here are further, more powerful forms of cognition. They exceed not only propositional logic, but systematic rationality in general. Or, so the researchers thought; and I agree; and thatās what we call āstage five.ā
I come to this with backgrounds also in cybernetics, ethnomethodology, existential phenomenology, and Vajrayana Buddhism. And those have shapedāmaybe distortedāthe way I understand stage five.
* From cybernetics, I understand developmental stages as patterns of interaction of an organism and its environment. The typical framing of cognitive psychology is in terms of representations held in an individual mind; Iām skeptical of those.
* From ethnomethodology, I am skeptical that we even have āindividual minds.ā Or, at least, I think this is a misleading way of understanding ourselves. Our patterns of interaction are manifestations of our culture and our local social environment. They are not primarily personal.
* From existential phenomenology, I am moved to investigate what being in a stage is like. āBeingā is the existential part, and āwhat is it likeā is the phenomenological part. Iām influenced particular by work of Maurice Merleau-Ponty, who emphasized the role of the body, and of active perception, in experience.
* And from Vajrayana Buddhism, I take the habit of seeing all phenomena in terms of the interplay of nebulosity and patterning. Nothing is either entirely definite or entirely arbitrary. We are nebulous and patterned; everything we interact with is nebulous and patterned; the interactions themselves are nebulous and patterned.
Unfortunately, the insights each of these four disciplines are notoriously difficult to express in plain language. Cybernetics communicates in mathematics; ethnomethodology and existential phenomenology use long made-up words and abnormal sentence structures; Vajrayana is transmitted in ritual and poetry, not prose.
Iām going to try to describe stage five as an experienced interaction, as a way of perceiving and acting, rather than theorizing about supposed mental structures, as cognitive psychologists do. āIām going to do my best to speak plainly, but describing the texture of experience is going make me come out, Iām afraid, sounding like a stoned hippie!
After I babble a bit, Iāll summarize briefly some descriptions of stage five from academic cognitive scientists. They may be talking nonsense, but at least they sound sober.
What stage five is like
So what Iām going talk about is a visual, kinesthetic, embodied experience, and thatās especially difficult to talk about. Itās easy to talk about thinking, because thatās already largely in words. And I think a distinctive feature of stage five is that it is not so much about thinking in words.
What Iām going to describe is not a mystical experience, not hallucinating, not a special state of consciousness. Itās really difficult to express what kind of thing it is. What Iām hoping is that you may recognize some of it, remember having been that way. āI think these are experiences that anyone can have, āatā any stage, if thatās even a meaningful thing to say. āWhat may be distinctive about stage five is that they become more common, and that you gain more skill in being in these ways.
So the first aspect of what I want to talk about is what I call āthe open field of activity.ā Imagine that you are in front of, looking out on, a plane; a landscape. And thereās all this stuff happening on this landscape. Like, things are emerging out of the plane, theyāre popping out of the ground, and they dance around. They maybe change color, they bump into each other, and then they subside back into the field. These are the āhappening things.ā
In this quasi-metaphorical description Iām giving, these are not generally physical objects. They are matters that call for care, or that impinge as relevant to your concerns.
Sometimes these seem to be coming at you from all directions, tasks, interruptions, people emoting, public events, and you may feel embattled, and this can be overwhelming. āI think this is an experience that everyone has had, this feeling of stuff coming at you, metaphorically. And that can give a sense of what sort of description Iām trying to give.
In a more characteristically stage five experience, you have panoramic vision over the whole field of activity. Your view is from outside, and above. At the same time you can see accurately extremely fine details of these emerging phenomena. Itās like youāre looking through a fish-eye lens and a magnifying glass at the same time. So you see the forest and you see the trees. And you see the leaves on the trees, and the caterpillars walking on the leaves on the trees! So you donāt get lost in the details, and you donāt get lost in space.
Another aspect of this is that you are not detached, youāre engaged. The experience of stage four can be like looking at the world through a heads-up display. So thereās a transparent piece of glass that has projected on it engineering diagrams, or an org chart, that is telling you what you are seeing, and categorizing it and representing it. This is the experience of stage four.
At stage five, you can still do that when itās useful; but more typically, youāre actually looking directly at the world, youāre perceiving without an interposed representation. You can still, when itās useful, turn the heads-up display on, and use some kind of rational system, some systematic ontology, for perceiving, conceptualizing the world. That can often be very useful; and stage five can do everything that stage four can do.
But you also have, like, a little clicker wheel, so you can choose different heads up displays, different representations of the world in different conceptual schemas. You can use different frameworks for perception, and you can actually look with multiple ones simultaneously. This is a very characteristic aspect of stage five.
In stage five, caring about lessens; caring for increases. You are intimately involved in the details of the field of activity, because you care for them. Itās more like tending a garden than like building and operating a machine, which is the experience of stage four. āāItās more nurturing, less controlling. At stage four, you relate to everything in terms of āWhat does this mean to me? What do you mean to me? What can I do with this thing?ā
Although, a garden is still pretty top down; like, you decide where to put which rose bush, and you put some tulips over here. Maybe a better metaphor would be taking responsibility for a plot of woodland that you nurture. So you make sure that thereās adequate water in a drought. You clear out diseased trees. You build brush piles to provide habitat for small mammals. Foresters do this. They pile up dead branches, and rabbits or weasels, or I donāt know what, live in there.
This metaphor of ānurturingā might sound nice. And thatās not really the point. Part of caring for a plot of woodland is uprooting invasive plant species. Itās setting traps for pest animal species. Itās building a fence around the plot to keep out wild dogs. If 30 to 50 feral hogs break through the fence, a semi-automatic rifle might be called for.
The next aspect of stage five Iād like to talk about is what I call ābecoming the space.ā āAnd this is a sense that your self, your awareness, becomes fused with the field of activity, the space within which everything happens. So in some sense, you feel like you are doing everything that occurs in the field of activity, because you are the space. And at the same time, youāre not doing anything, because you are just the space. You are not any longer an isolated individual in your head who is doing the thing: one thing, and then the next thing. Itās a continuous flow of activity, that is interaction across all of the participating entities, human, and material, and information technology, or whatever.
This sense of extending through spaceāyou also feel decentered in time, and like you extend through time. So you become aware of your place in history, and that you are in the middle of a lineage of people doing things, thinking and feeling and being, in ways that are shaping you now. This can extend centuries into the past, centuries into the future; but also just years, or any period of time.
And just as with the spatial metaphorāwhere youāre seeing all the details, youāre getting this really close-in look, and youāre seeing the whole pictureā With time, youāre both⦠Youāre much more present, in the now. In stage four, your time is structured. It is scheduled. You have deadlines, youāre doing this, and then youāre doing this and you know whatās going to happen next. The stage five experience of time is of being here now without the structure. Itās also the experience of being across centuries, because youāre not separate from those who have gone before. They are being you, and you are being the future; all of the people who come after you.
Thereās a quote from Abraham Maslow that I find really moving. He said:
I had a vision once, at Brandeis University. It was at commencement. I had ducked commencement for years, but this one I couldnāt duck; I was corralled. And I felt there was something kind of stupid about these processions and idiotic medieval caps and gowns. This time, as the faculty stood waiting for the procession to begin, for some reason there was suddenly this vision. It wasnāt a hallucination. It was as if I could imagine very vividly a long academic procession.
(This makes me cry, actually.)
It went way the hell into the future, into some kind of misty, cloudy thing. The procession contained all my past colleagues, all the people I like, you know, Erasmus, Socrates. And then the procession extended into a dim cloud in which were all sorts of people not yet born. And these were also my colleagues. I felt very brotherly toward them, these future ones. Itās the transcending of time and space, which becomes quite normal.
Robert Kegan, whoās one of the foremost theorists in this area, says that in his data set, he finds that nobody really gets to stage five until age forty. You have to have had decades of experience in order to begin to get this sense of oneās extension in time, of being the past and being the future at the same time. And maybe itās not until you get to forty that that really sinks in and shapes you.
This sense of the diffusion of oneself, of being extended, being the space, leads you to experience āmeā as being one of the things that happens within the space of activity. So āmeā is just one object among all these other happening things. Itās not that you stop having a self, itās that the selfing is an activity that happens within the space that you are. And lots of different kinds of selfing activity may arise from the field, and dance around, and then submerge again.
And this is very funny! It leads to a sense of humor about oneself. You canāt take yourself seriously if youāre just this little dancing puppet. So youāre much less bothered by peopleās negative opinions about you, because the āmeā is not an especially significant thing in there.
So youāre freed up to play. Itās serious play, because you do care for the whole field, but youāre not identified with outcomes. You are aware of risks; you take sensible actions. You may be unhappy when things go badly, but itās not saying something about you so much anymore.
Within the field of activity, because you are seeing through multiple lenses, thereās a lot of scope for paradox, for contradiction, that youāre seeing in different ways simultaneously. And this is really funny, and enjoyable, because contradiction is no longer a problem. You can integrate both sides of a contradiction, without needing to resolve it in favor of one side or the other; because these are both valid ways of looking at things.
So that was me sounding like Iām on drugs.
Academic accounts
Iām going to now briefly talk about a series of academic characterizations of stage five. It may actually be helpful to see how each of these descriptions is incomplete or inaccurate; so one can understand what stage five is in terms of what it isnāt, quite. Similarly, a lot of the standard explanations of stage five are in terms of what it isnāt; namely, stage four.
As youāve heard, itās really difficult to describe stage five in its own terms. And as you move toward a new stage, or are not yet firmly embedded in it, itās actually a lot easier to look back at the previous stage, and say ānot that,ā than to look forward, or down or around, and say, okay, this is where I am now, and this is how it is. This is on top of the problem that stage five, unlike stage four, is mostly not about explicit representations, which are easy to verbalize.
The term āstage fiveā itself is really a āwhat it isnātā description: namely, it isnāt stage four; itās something else. Itās good as a term, and I use it a lot, because itās basically meaningless. It doesnāt try to tell you what stage five is, and so that leaves it as an open space of possibility; where a bunch of these other academic terms are trying to nail it down, in a way that doesnāt seem to be all that helpful.
Calling it āstage fiveā does drag in Piagetās stage theory, which is definitely questionable. āIs there actually such a thing as a stage?ā This is a question! And using the term āstage fiveā prejudges that; so I actually also like to use other terms, which donāt prejudge that.
I use the term āfluid.ā This is good primarily by contrast with stage four, which is really marked by its rigidity, its dualism. Stage four is about āthis, not thatā: sharp distinctions, logic. Thereās a couple of problems with the term āfluid.ā One is that it could describe stage three, which is also non-rigid. Another is that a fluid is homogeneous and undifferentiated, and stage five isnāt that. So the term āfluidā might point toward what I call āmonism,ā the āAll Is Oneā idea; that is definitely not what stage five is about! Stage five, we saw, is intensely attuned to details and differences, as well as the big picture.
The first term for stage five was āpost-formal.ā That is defining it in terms of what Piaget had said stage four was, namely formal. Thereās a quote here, from a review article:
Various theories arose, which were based on the assumption. The distinctive characteristic was the acceptance and integration of various, at times incompatible, truths; which were highly dependent upon context, and upon the way in which the subject perceives them; without the subject needing, as in stage four, to look for and find a single truth. Such theories provoked great enthusiasm in the scientific community.
I think that is a relatively accurate description of an important aspect of stage five. āPost-formalā points to a rejection of propositional logic, which goes all the way back to Aristotle. Itās the logic of the Law of the Excluded Middle; that every statement is either absolutely true or absolutely false; and thatās something that stage five critically rejects.
This is not a new idea. So, one of the first terms applied to stage five, in the 1970s, was ādialecticalā; and this is going back to Hegel, who is not my favorite person. But we do have to admit that Hegel had a bunch of ideas that were wrong in detail, but in general trend turned out to be really important and correct in some ways; and one was his rejection of Aristotelian true/false logic. And thatās what ādialecticā is supposed to be about. Itās taking multiple frameworks and aiming for a synthesis, or at least working with the contradiction, without trying to resolve it.
Another early term besides ādialecticalā that was applied to stage five was āreflective.ā This is good because it describes the way that stage five stands apart from systems and can take this view from above and around; not being locked into a system, but looking outside on top of it; and being able to intervene in systems from outside.
This isnāt, however, really unique to stage five. Kegan says that each stage is in some sense a theory of the previous stage. So stage four is a theory of stage three. Relationships are the substance, or a critical part of the substance, of stage three, and theyāre not thematized. You are in relationships. Stage four is a theory of relationships. It structures relationships, and you have to reflect on relationships. So reflectiveness is not actually a distinctive feature of stage five. āOne develops into stage four by conceptualizing the limitations and failure modes of stage three.
Thereās another problem with the term āreflection,ā which is it is typically taken to be a cognitive operation. Itās thinking about, and this is actually deemphasized in stage five. I mean, certainly, in stage five, you do all kinds of difficult thinking; but thatās not the distinctive substance of it.
Other terms that are applied to stage five in the literature are ārelativisticā and ācontextual.ā This could also describe stage three, which is similar to stage five in some ways. Thereās a stage three attitude of āeverybodyās opinion is equally valid, because everybody has their own experienceā; and that could be understood as relative and contextual. Stage five is relativistic and contextual, again, relative to stage four.
āMeta-systematicā is a term that I use, and that other theorists in the field use. It is, again, a way of talking about this ability to see things in multiple ways simultaneously. But as a term itās problematic, because it suggests thatās all youāre doing, and it centers systems. Stage five is not primarily about systems, in the way that stage four is. Stage five uses systems, sometimes, when theyāre useful. But thatās not, again, its substance.
Thereās another problem here, which is that " meta-systematic" suggests a system of systems. This is a very common misunderstanding. Stage five is not itself a system; is not a system of systems. Understanding how a superordinate system can subsume and incorporate another system within itself: that just gives you another system. This is a stage four recursive operation. Itās not stage five. What one subsumes systems within, at stage five, is the space, the field of activity. Systems appear as entities that pop out of the ground, they spin around, and they go āflomp!ā, back into the ground.
The term āinter-individualā is used in Keganās book The Evolving Self as the term for stage five. It points towards this decentering of oneās self. But it again leaves intact the idea that there are distinct selves; that stage five is again about how selves relate to each other. And in stage five they interpenetrate in a way that they donāt at stage four; and they are structured in a way that they arenāt at stage three. But, at stage five, selves are not the thing; and this is I think, a limitation in Keganās understanding.
In his later book, In Over Our Heads, he used the term āself-transforming.ā Again, this centers āselfā as the key thing. It also has the problem that each stage represents a fundamental transformation of selfing, a very different mode of āselfā occurring, than the previous one. So transformation is an aspect of every stage; or every transition, at least. I think heās pointing to the fact that at stage five, transformation continues, and itās a deliberate act; and that is actually true and important. But again, the self is not the key thing, I think.
At stage five, because the self is no longer an entity, there isnāt a coherent thing that could act to transform itself. Rather the delocalized patterns of activity, which we think of as selfing, continue to transform, not through the action of the self on itself, but through interaction with everything in the context, the situation, the field, the space of activity. Thatās what accomplishes the transformation.
Iām sounding like a stoned hippie again.
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