Dune VFX Supervisor Paul Lambert—winner of his fourth Oscar for Dune: Part Two—shares his approach to the sequel, collaboration workflows, and more.

'Conclave' Director Edward Berger speaks on recreating the Vatican, editing, VFX and much more.

Kelly Lyon won an Emmy for cutting 'John Mulaney Presents Everybody's in LA.’ Here she talks about working in Portland, collaborating with comics, and offers up some best practices.

In addition to executive producing this Netflix show, Ted Humphrey directed Episode 10 of Season 3. 

After starting making car videos at an early age, Bleyer knew that creating and editing would be his path. These days he can be found in a variety of precarious positions in order to get the right shot.

This Marvel Animation series revisits the iconic ’90s show with a retro-fresh look and more tales of this band of mutants who use their special gifts to protect a world that hates and fears them.

We talk about his workflow on the Netflix series as well as his involvement in mentoring other editors.

This editor and producer on the Hulu docuseries walks us through his workflow - telling the 40-year story of the band.

Listen to our chat with frequent Alexander Payne collaborator, editor Kevin Tent, about his Oscar-nominated work on 'The Holdovers' as well as his role as president of the American Cinema Editors (ACE).

This veteran colorist, a regular collaborator of Clint Eastwood and many others, talks about her path to the color suite, the blend of technology and creative and what inspires her.