Living Dialogues

Michael Meade – Part 2: The Art and Evolutionary Necessity of Dialogic Mythmaking


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Appreciation: “I’m Michael Meade, the author of The Water of Life and The World Behind the World, and I can say this about Living Dialogues with Duncan Campbell: It is one of the few places in this country where you can hear an intelligent, poetic conversation that brings together myth, genuine imagination, the extemporaneous poetic thought natural to people, and the practical issues of the environment and politics – a mixture that is necessary for the re-imagination of this culture. Thank you Duncan for the invitation and the delightful conversation.”
In Part 1 of this ongoing dialogue, Michael Meade and I shared stories and perspectives on the nature and role of myth throughout the human experience, and in so doing demonstrated how we enact and give voice to a fresh contemporary story, together with you, the deep listening audience evoking the new story, as part of our larger mythic interconnectedness. The great challenge and necessity calling each of us is to go beyond our either-or modern polarization and mythless argument culture into artful co-creative dialogue, to realize ourselves as bards and storytellers in our lives, embodying the personal transformational stories which together can weave the next evolutionary Great Story of unification in diversity so needed in our time.
In this Part 2, we share how stories -- telling them, listening attentively to them, learning thereby to see the individual story of our own lives as embodying and resonating with the purpose and mythic meaning illustrated in a Great Story – how all these aspects of story give us knowledge, healing, inspiration, and initiation into a higher life-enchancing and embracing consciousness. We share certain ancient and modern great stories in illustration of this, including the meeting by the well of the 13th century world poet Rumi and his dialogue inspiration Shams Tabriz (see Program 3 with Coleman Barks on The Soul of Rumi below on this site), the Divine Dialogue between the big Self Krishna and the aspirant Arjuna of the Vedic Bhagavad Gita, the Song of God, from thousands of years ago, the prophetic poetry of William Butler Years (The Second Coming) in the early 20th century, and the anonymous pre-Christian poet(s) who gave us the biblical Book of Job (in the superb translation by Stephen Mitchell – see Programs 13 and 14 below on this site).
As I say at the beginning of this Part 2: “The power in storytelling is the power in helping people to understand how to situate themselves in a world that, at times for many people anywhere, can seem chaotic and without meaning when we experience ourselves as powerless to change the great course of events that affects us all.” Michael describes the challenge we then address in this dialogue as follows: “On the national and on the global stage, it seems to me, things have become more and more literal, less and less imaginal or mythic. Therefore, more and more rigidly polarized people tend to cling now to ideas that don’t hold water and people tend to cling to beliefs that no longer transfer the living breath of the living waters of the divine or the eternal. So while holding on to these almost empty institutions and empty thought patterns, people then use them as weapons and attack each other.”
Our response to this challenge is an expression of what I term “The Art and Evolutionary Necessity of Dialogic Mythmaking”.
Be sure to listen to the other Parts of this Dialogue, listed separately on this site in sequence -- and to both explore and make possible further interesting material by clicking on the Episode Detail button at the top left of this program description column, and by taking 5 minutes to click on and fill out the Listener Survey there (or click on the Listener Survey icon to the left of this column).
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The best way to reach me is throughmy website: www.livingdialogues.com. Many thanks again for your attentive deep listening in helping co-create this program. All the best, Duncan
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Living DialoguesBy Duncan Campbell