In the novelization, Laurie listens for the Shape's sounds downstairs; in the film, she gets the kids ready to make a run for it; and the bogeyman arrives to foil those plans.

Loomis' evil radar isn't working, Brackett is useless, but oh, is that music setting the mood.

Laurie is in her head in the novelization as she waits for Michael to strike. He strikes, she strikes back. He falls to the floor.

From flying geraniums to flightless astronauts, matching phones to mismatched houses, as a teenage girl's mind is broken when she realizes the phone doesn't work.

Front yards, back yards, duplicate doors, falling down, picking yourself back up, and screaming for help, only to lose your keys. Don't be Laurie Strode if you can help it.

The Shape gets his arm stuck, Laurie can't get out of the Wallace house, and when she does, she goes the wrong way.

In the novelization, the bodies are more damaged, and Laurie fights back a little more, but the film has two iconic visuals inside one minute.

Laurie approaches the master bedroom in the Wallace house, punctuated by some great Carpenter score, and she finds... well, we all know who and what she finds there.

Another slow walk, as Laurie approaches and starts up the stairs in the Wallace house, with some wonderful John Carpenter music scoring the tension.

Nitpicking the whole "filmed in Pasadena" thing, talking about unlikable characters, and Laurie can't seem to find her friends in the Wallace house.