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And so we find ourselves together once again. Tangoing in the moonlight and sipping obscene cocktails as the sun rises. Well to be fair if you're planning on doing that then maybe this podcast isn't for you, or maybe it is?
Show 12 sees us scrutinising the standards of early the early 90s National Health Service in Paper Mask before winging it to Taiwan for a slice of melon and some bottle top searching in The Wayward Cloud. We then cross the pond and flit between the Indochina nightmares and Staten Island hallucinations of Combat Shock.
In addition to the reviews we have; feedback, competition time and more details about The A-Z of Film through Midnight Video.
So, Glastonbury festival is under way and as people wallow in the mud watching the likes of Bono and his backing band or B'ouncy all the clever people are in the comfort of their homes either watching films, wondering what films to watch or downloading Midnight Video 11.
The show heads east first of all for a Slovakian interpretation of a Brothers Grimm tale with Perinbaba, then we go due south and drop in on a Turkish museum in Topkapi before we do a 180 and go north to Edinburgh where two horror titans face each other for a final time in The Body Snatcher.
It's Friday, so unwrap your Crunchie bar and ingest some of that 'end of the week' feeling. We thought it would be a little treat to have the show out a little bit early for those who are homeward bound (or already at home). So why not wrap your ears round the first double figure show of Midnight Video.
The depraved upper classes of this green and pleasant land feature in Mumsy, Nanny, Sonny and Girly whilst imaginary worlds are drawn into our existence in Memories before a bank robber meets his match in The Silent Partner.
The weekend has landed and so has another instalment of Midnight Video. Time is of the essence.
The squeaky halls and whispering school yards of the 80s are explored as we try to avoid a beating in Three O' Clock High before donning our armour and shining our soliloquies for Chimes at Midnight. And then we take to the high seas and try not to blubber in Orca: Killer Whale.
Going shopping this weekend? Kicking back at the manor with a drink or two perhaps? Or maybe just going on a very, very long walk?
Well, Midnight Video is more than happy to accompany you with our eighth show.
We try to avoid the psychotic sentinels at the Chopping Mall, join in the revelry with Sir Henry at Rawlinson End and round off with a snowy hike over the mountains in Cut-Throats Nine.
Well folks, it's that time of the week again when you can inundate your ears and grey matter with our floundering filmic shenanigans.
A lesson in the black arts from The Priest as we polish our pentacles for Haxan: Witchcraft Through the Ages (1968 version), then we're left on a gurney to be satirically probed in Britannia Hospital before we round off with a trip to 70s Harlem where Uncle Remus meets Mario Puzo in Coonskin.
Just in time for the weekend. Another slice of film review pie to go with your 'black as the sky on a moonless night' coffee.
This week we don our cowls and dust off our Esperanto phrase books for Incubus before heading to The Atomic Cafe for a mid 20th century nuclear snack, and then we fast forward to the 21st century for the 2000ADesque Split Second.
We're back again with another spanking shiny episode of Midnight Video, so rip open the virtual cellophane sit back and listen to our (not so) dulcet tones.
Episode 5 sees us praying and flagellating with Flavia the Heretic, absorbing and pondering over The Man from London before we cross dimensions and tumble into the realm of Gor.
Here's another cinematic syringe in the arm for all of you film junkies out there on the interweb; Midnight Video 4 is primed and ready for absorption.
Show 4 sees us puzzling over the Lament Configuration in Hellraiser: Bloodline, then listing, cross checking, and double copying Peter Greenaway's The Falls before we round off with a healthy dose of hairspray, opulence and egotism with Sgt. Pepper's Lonely Hearts Club Band.
In this latest edition we fluff our feathers and back comb our hair for Howard the Duck, revel in the mistakes of injection moulding with Static and weigh up the pros and cons of possibly spending two thousand years in suspended animation in The Humanoid.
From the publisher's feed
An archive of two chaps, a laptop and a mic attempting to unearth the lost, forgotten and overlooked in cinema.
“Movies are so rarely great art that if we cannot appreciate great trash we have very little reason to be interested in them.” - Pauline Kael