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This week, we watch the second film from the director of The Witch. This movie drips style and stinks of old seaweed. Dafoe and Pattinson give career best performances, as do a few seagulls. The Lighthouse (2019), directed by Robert Eggers.
This week, we want the most infamous and possibly influential horror movie of all time. 50 years later and this film still provides shocking imagery and performances that have yet to be equaled. Centering itself as a character drama, the seemingly lengthy two and a half hours creep by in the best way. The Exorcist (1973), directed by Willam Friedkin.
This week, we are watching a classic from over 80 years ago. This may be the most modern feeling pre-1960's film we have watch so far in our hundreds of episodes. While it might be a staple in film school classes, it doesn't need any explanation from a stuffy teacher to see how well made and entertaining this classic remains. Casablanca (1942), directed by Michael Curtiz.
Part 2
This week, we watch love in space. This time hopping journey through the great unknown is filled with hard sci-fi science and amazing special effects. It is also filled with expository dialogue and some less than stellar ideas about how love travels through space and time. Interstellar (2014), directed by Christopher Nolan.
This week, we watch love in space. This time hopping journey through the great unknown is filled with hard sci-fi science and amazing special effects. It is also filled with expository dialogue and some less than stellar ideas about how love travels through space and time. Interstellar (2014), directed by Christopher Nolan.
This week, we start October early. This Australian horror film take approximately 2 minutes to hook you into the story with an amazing introduction sequence, and the rest of the movie follows up with plenty of scares and amazing practical effects. Talk to Me (2022), directed by Danny and Michael Philippou.
Part 2
This week, we watch the highest rated Hitchcock film, and what is considered widely to be the film that modernized horror. Come for the shower stabbing, stay for the controversial use of a toilet, a woman in a bra, and the utterance of the word "transvestite". Psycho (1960), directed by Alfred Hitchcock.
This week, we watch the highest rated Hitchcock film, and what is considered widely to be the film that modernized horror. Come for the shower stabbing, stay for the controversial use of a toilet, a woman in a bra, and the utterance of the word "transvestite". Psycho (1960), directed by Alfred Hitchcock.
This week, we Barbie'd the Heimer. The most unexpected one-two box office knockout's better (pink) half is breaking records left and right. Top Hollywood creative talent somehow managed to take corporate greed and product recognition to bring older and younger generators together with huge laughs throughout. Barbie (2023), directed by Greta Gerwig.
This week, we watch the film that is taking the box office by storm (with the help of a specific other pink-ish film). Christopher Nolan takes on the massive story of Oppenheimer and the people around him during the Manhattan Project and the race to develop a bomb that could end us all. Oppenheimer (2023), directed by Christopher Nolan.
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