Mission 250 Podcast

This week, we watch the second installment in the Man-With-No-Name Trilogy (sandwiched between A Fist Full of Dollars and The Good, The Bad, and The Ugly). This film helped Clint Eastwood further catapult himself into stardom, launch a fully fledged international film industry in Italy, and push the boundary of allowable violence in film a few years ahead all across the world, as evidence by it being X rated even with multiple scenes cut and edited down. For a Few Dollars More (1965), directed by Sergio Leone.

This week, we watch the controversial Netflix best picture hopeful that reunites De Niro and Scorsese, De Niro and Pacino, De Niro and Pesci, De Niro and Keitel… you might want to call it a 3.5 hour reunion tour from Scorsese, but the emotional retrospective weight of the characters makes this one of the most impactful of all his films. The Irishman (2019), directed by Martin Scorsese.

This week, we watch the film that broke Japanese cinema onto the worlds stage. Revolutionary for its time, its non-linear story telling has influenced not only film, but criminal psychology as well, as lawyers and academics alike have referenced the theories presented here for the past 70 years. Rashomon (1950), directed by Akira Kurosawa.

This week, we watch a pushover accountant let his work superiors use his apartment to sleep with their mistresses. He is also falling for the elevator girl, who is sleeping with his new boss. Jack Lemmon and Shirley MacLaine are fantastic as the leads, and they guide the story from comedy to drama and back again flawlessly. The Apartment (1960), directed by Billy Wilder.

This week, we celebrate watching 150 films on this podcast with a very special episode! We take a look back at the last 50 films we've watched, and rank our 5 favorite films and 3 least favorite films. Special categories included!

This week, we watch the story of Tony Montana, a cuban refugee who builds an empire from blood and cocaine. Al Pacino's performance is memorable, lastingly quotable, and somewhat off the rails. He also sacrificed his nostrils health by snorting large amounts of powdered milk. Scarface (1983), directed by Brian De Palma.

This week, we watch the third film in the iconic franchise created by George Lucas and Steven Spielberg. Harrison Ford embodies the adventurous archaeologist, defeating armies of artifact hungry Nazis with only a leather whip, a pistol, and his trusty hat. Sean Connery cast as Indiana's father is the best individual decision of the franchise, and John Williams score is as great as the rest of the movie. Indiana Jones and the Last Crusade (1989), directed by Steven Spielberg.

This week, we watch the highest grossing Iranian film ever, and also the first Iranian film to be awarded with an Oscar for the best foreign picture of the year. Realistic tension is the mood sought here, and the actors do an outstanding job realizing this, making for an uncomfortable yet engaging watch throughout. A Separation (2011), directed by Asghar Farhadi.

This week, we watch the highest grossing Indian film ever made. Currently sitting in the top 100 movies of all time, we keep the Aamir Khan train going (star of 3 Idiots and Lagaan) with this epic true-ish story of a father who teaches wrestling to his daughters, and how they made history for women in India. Dangal (2016), directed by Nitesh Tiwari.

This week, we watch the first full length science-fiction film ever made. Its influence is seen in almost every sci-fi movie in the past 100 years, and it is still being restored to its original version to this day. It's easy to see where Star Wars, Blade Runner, and hundreds of other classics got their ideas from. Metropolis (1927), directed by Fritz Lang.