Missouri State Magazine

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  • Bears’ dessert business makes neighborhood near campus sweeter

    Autumn and Kyle Davis opened Buttermilk, an ice cream and dessert spot, just a few blocks from where they both once attended classes.

    The pair splits responsibilities.

    “We joke about it and say that I’m the CEO and he’s the creative director,” Autumn Davis said.

    Kyle is a pastry chef with previous roles at local restaurants like The Order and Progress. He also competed on season one of Food Network’s “Summer Baking Championship.”

    Now, he brings his scratch-made pastry expertise to ice creams, sorbets and baked goods — like his signature milk and honey dessert — available in Springfield’s Rountree neighborhood.

    Buttermilk rotates the flavors and menu items every few weeks. Kyle estimates that at least one item on every menu features locally grown herbs and seasonal fruit.

    “We like to travel a lot and eat when we travel. There are so many good restaurateurs and chefs out there. That’s a main inspiration for Buttermilk,” Kyle Davis said. “We want this to be a place with quality items made by real people who care.”

    Autumn earned a bachelor’s in general business in 2021, and now manages the operations side of Buttermilk. That includes the finances, marketing and long-term strategy.

    “Sometimes you have the creative passion in a business, but there’s no financial or business side. That can be really difficult,” Autumn said. “Lucky for us, we have both. We have opposite talents we are able to bring together.”

    They play to their strengths, Kyle said: “There’s that partnership in almost everything we do.”

    Their daughters, Cali and Charlotte, also help out by running the walk-up window.

    “When we opened the shop, we honestly couldn’t have done it without them. We want them to feel a sense of ownership in this; this is our family’s business,” Autumn said. “They take a lot of pride in that, and it’s really cool to see.”

    So, why Buttermilk? The name comes from their tangy, sweet best-selling flavor.

    “Buttermilk was an ice cream flavor I’d made for a few years and would surprise people with,” Kyle said. “People hear ‘buttermilk’ and have bad memories of grandma and grandpa drinking it. It was really fun to make it into an ice cream and have people blown away that they actually liked it.”

    Buttermilk owners Autumn and Kyle Davis on Aug. 5, 2026. Creative Services/Missouri State University

    Kyle was a Bear as a fine arts major with an emphasis in photography and minor in art history. He enjoys finding ways to apply concepts of fine art to the culinary arts.

    “I really fell in love with flavor profiles. With the art history background, being able to study different styles, time periods and countries gave me a good palette for what’s out there,”

    Kyle said. “Plating desserts, you get to make art and eat it.”

    A cherry on top for them: They still have connections to campus. Buttermilk employs a few students, and it has quickly become a favorite spot to study or hang out.

    “Being so close to Missouri State is such a huge part of our business and what we love,” Autumn said. “It’s that neighborhood, community feel.”

     

    What would be their Mo State flavor?

    We had to ask Kyle and Autumn their visions for a Missouri State ice cream. “Oh, that’s such a good question,” Kyle said. Autumn said: “My mind instantly goes to maroon, or what Bears eat, so: blackberries.” Kyle said: “I would tackle that by starting with how it looks, so try to tie in some maroon. You’ve got cranberries, stewed strawberries. It would probably be some sort of sundae with at least three different textures on top — something crunchy and sweet.”

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  • Bears’ research sows seeds for better fruit
    MO STATE RESEARCH BRINGS ABOUT A BUNCH OF ADVANCEMENTS IN GRAPE GROWING

    Our Fruit Experiment Station in Mountain Grove is the state’s only licensed commercial winery and distillery that operates within a public university.

    The station focuses on developing grape varieties suited for Missouri’s climate. Visitors can attend workshops, tour the facility and sample products, all while learning how science shapes Missouri’s wine industry.

    Researchers there explore genetics to create fruit that is more disease-resistant and cold-hardy. Just this year, Dr. Wenping Qiu and his team discovered and patented a new grapevine cultivar.

    “We’re over joyful,” he said. “It’s one of the two most significant achievements we’ve made for society. The other being our former discovery of a new grape virus.”

    GRADUATE STUDENT’S WORK IS PART OF FEDERAL ELDERBERRY STUDIES

    A recent Bear grad contributed this year to a U.S. Department of Agriculture project on the American elderberry, an up-and-coming crop.

    Despite increased demand for elderberry fruit, there’s really not much known about its pollination — which is necessary for fruit to be produced.

    Biology graduate student Jenny Burrow ’23 & ’26 — whose LinkedIn page includes the title “beesearcher” — was part of the lab of Dr. Avery L. Russell, associate biology professor.

    Burrow focused on which insects and other pollinators visited elderberry flowers, and how those visits influenced fruit production.

    The research was done as part of the federal Advancing American Elderberry initiative.

    Burrow was recently admitted to a PhD program in St. Louis.

    Learn about our Mountain Grove winery and view fruit events/workshops open to the public.

    SEE MORE

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  • Ebbets Field is back, thanks to alumni couple
    A “once-in-a-lifetime” opportunity led the two to purchase and revive the classic venue near campus, which closed in 2024.

    What’s your Ebbets story? Did you watch a game, have a burger, meet up with friends? It’s likely you did. After all, many generations of Bears have fond memories of Ebbets Field.

    More than 40 years ago, the restaurant and pub opened just steps from Springfield’s campus. It closed in January 2024.

    Sydney and Jerrad Davis had plenty of college outings there — but one stands out.

    “I came here with my friends before we went on our first date,” Sydney said. “Jerrad picked me up here.”

    Sydney graduated in 2019 with a bachelor’s in entertainment management. Jerrad graduated with a master’s in project management in 2021. He also played lacrosse and coached the men’s and women’s lacrosse teams.

    In 2025, the same year they were married, the historic house on Walnut Street went up for sale. The Davises knew they had to revive the place that had once been a favorite hangout.

    “When we heard it closed, we were really sad. I also worked here in college,” Sydney said. “When we found out it was for sale, we were living in St. Louis and had just gotten married. We had always talked about opening a bar and restaurant. It was like this once-in-a-lifetime moment.”

    They reopened Ebbets in March 2026. They’ve brought back long-time menu favorites — including the pizza many patrons missed — and filled the space with Mo State athletics memorabilia.

    “We spent a lot of time looking through old photos to see if we could find those items on Facebook Marketplace or at thrift stores,” Jerrad said. “We have a few original items we put back in their old spots.”

    Ebbet’s Field owners Sydney and Jarred Davis on Aug. 5, 2026. Jesse Scheve/Missouri State University

    The original Ebbets Field was opened by Nick Russo, a fellow Bear. Russo started Ebbets in 1981 where the Bear Park South parking garage now stands.

    He eventually moved it to historic Walnut Street in 1994, and it has been there since through different owners.

    There was a special connection between the Davises and Russo, too.

    “Nick was my high school English teacher,” Sydney said. “A couple months after we got the place, we reached out to him. We spent time listening to his fun stories. He gave us a lot of advice, and we showed him the little details like his original sign from the old location hanging out back.”

    The Davises are embracing the history of the restaurant, while looking forward to more memories to come.

    “We love hearing all the stories from alumni parents now bringing their students for orientation at Missouri State,” Jerrad said.

    And as another school year started this August, Sydney said, “now current students can come in and experience it for themselves.”

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  • A Mo State milestone: Pendleton Family School of Accountancy is university’s first named school

    Alumnus and his daughters make a gift that will elevate teaching, learning and mentorship.

    In February, Missouri State announced a new name in the College of Business: The Pendleton Family School of Accountancy.

    “This milestone moment — the university’s first named school — was made possible thanks to a significant seven-figure gift from alumnus Dick Pendleton and his three daughters (Sheri Law, Sally Phillips and Tracy Myrick),” said Missouri State University Foundation President Brent Dunn.

    The university announced the gift and naming during a ceremony on campus.

    “We’re grateful to Dick and his family for their commitment to advancing accounting education in the College of Business,” said Missouri State University President Richard B. Williams.

    “It’s an honor for our School of Accountancy to bear the Pendleton family name and we’re excited to continue a lasting partnership with them.”

    Richard Pendleton, as shown in the 1963 Ozarko

    Pendleton graduated with a business finance degree in 1966 from what was then Southwest Missouri State College. He began his career at Baird, Kurtz and Dobson in Springfield, a relatively small Certified Public Accountant (CPA) firm with three offices. There, he put his accounting education to work in meaningful ways and became a CPA in 1970 and a tax partner in 1974.

    The firm later became known as BKD, growing to 34 offices. After a merger in 2021 and the formation of a global network in 2024, it is now Forvis Mazars, a top 10 global professional services network. Missouri State accounting graduates have played a significant role in the growth of BKD/Forvis Mazars.

    “My education at Southwest Missouri State gave me a strong foundation — not just in accounting, but in discipline, ethics and problem-solving,” Pendleton said. “The degree I earned opened doors throughout my career, and I’ve always felt fortunate and proud to be a graduate of the university.”

    He said seeing two of his daughters go on to become CPAs has been rewarding, and speaks to their family’s value of the profession. Two of his granddaughters are also on track to become accountants.

    “Leaving a family legacy is especially meaningful to me,” he said. “Supporting the accounting program at Missouri State allows me to give back in a way that matters — by investing in future CPAs, supporting the school’s faculty and helping ensure every student who chooses accounting at Missouri State receives a high-quality educational experience.”

    THE PENDLETON FAMILY SCHOOL OF ACCOUNTANCY HAS:

    Nearly 600 undergraduate and graduate students, 12 faculty members, including its director, Dr. Kimberly Church

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  • Enshrining elite Bears into the Mo State Athletics Hall of Fame

    Missouri State inducted seven former athletes, an iconic sportswriter and a national championship team as part of its 2025-26 Athletics Hall of Fame class.

    FORMER ATHLETE HONOREES


    Chenille Bayless Gaumer, volleyball, 2000-03
    The standout setter was a four-year All-MVC performer and remains Mo State’s career assists leader (5,431). Bayless helped lead the Bears to an MVC championship and NCAA Tournament appearance in 2003.


    Curt Brand, track and field, 1985-87
    Brand is the school record holder in the indoor (6-foot-10) and outdoor (7-foot-0) high jump. He was a two-time Mid-Continent Conference high-jump champion in 1986 and ’87, both indoors. He also claimed the Mid-Continent outdoor high-jump title in 1986 and finished third in the triple jump that year.


    Alize Johnson, basketball, 2016-18
    Johnson was Mo State’s second NBA draft pick of the Division I era. He was selected in the 2018 draft by the Indiana Pacers. Before that, he was a two-time NABC All-District and All-MVC first-team selection. He finished second in the 2018 MVC Player of the Year voting. He also earned MVC Newcomer of the Year and MVC All-Tournament Team laurels in 2016-17.


    Andi Rojas, swimming and diving, 2004-08
    A four-time All-MVC honoree, the Venezuelan sensation was the 2005-06 Missouri Valley Conference Swimmer of the Year. She won seven individual MVC championships, including three in the 200-yard individual medley, two in the 100-yard butterfly and two in the 200-yard butterfly. She was part of MVC team championship runs in 2005, 2006 and 2008 and was a four-time MVC Scholar-Athlete Team honoree.


    Tyonna Snow, basketball, 2012-16
    Snow became the first player in MVC history to earn Player of the Year, Defensive Player of the Year and Tournament MVP in the same season. She did so en route to an NCAA Tournament run in her senior season. She was also a three-time All-MVC player and three-time member of the MVC All-Defensive Team.


    Kyle Weems, basketball, 2008-12
    Weems had a 13-year professional career after his collegiate career. He was an AP All-America honorable mention selection in 2012 and a two-time All-MVC first team selection. Weems was also named the 2011 MVC Larry Bird Player of the Year after leading the Bears to a 28-9 record, the MVC regular-season title and an appearance in the NIT. He led the Bears in scoring, rebounding, steals and blocked shots each of his last three seasons. He is still Missouri State’s all-time leader in games played (134). Weems ranks No. 2 all-time in program history in scoring (1,868) and No. 4 in rebounds (844) and is also the Great Southern Bank all-time leader in both categories.


    Bob Zimmermann, baseball, 2001-03
    Zimmermann played a significant role in the Bears’ 2003 NCAA College World Series run and went on to be drafted by the Los Angeles Angels that year. In 2001, he earned Collegiate Baseball Freshman All-America, ABCA All-Region and MVC Freshman of the Year honors. In his junior season, he earned NCAA All-Regional Tournament honors.
    DON PAYTON AWARD


    Lyndal Scranton
    The Payton Award honors people whose accomplishments related to Mo State athletics fall outside the realm of coaches or athletes. Scranton is an Ozarks area journalist and long-time Bears beat writer. He worked for the Springfield News-Leader from 1979 to 2015, covering local and regional sports stories. He became Missouri State’s primary beat writer in 1989 and served in that capacity until his retirement. He has since become the public relations director for Lucas Oil Speedway and a contributing sports reporter for the Springfield Daily Citizen.
    TEAM INDUCTEE


    1963 men’s golf squad
    Under legendary Head Coach Andy McDonald, the Bears won their first-ever NCAA College Division (now division II) national championship. Team members Bill Lucas, Larry Gooch, John Henage, Dick Baxter, Jim Wheeler and Bruce Hollowell guided Mo State to victory. The Bears hosted the national championship meet that year.
    The golf team, coached by A.J. (Andy) McDonald, climaxed a fine year by winning MIAA honors after a one-year drought. It was SMS’s eighth MIAA golf crown in 15 years.
    With championship form, Bill Lucas demonstrates his driving skills.
    Golf letterman Larry Gooch, practicing for MIAA meet, lines up the putt and bends for the birdie.
    see all Hall of Fame members
    Hall of Fame nomination form
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  • How this Bear built a career in national security

    Ian Platz has a thriving career in defense and antiterrorism initiatives. He says it wouldn’t have happened without a unique Missouri State school and an internship facilitated by a faculty member.

    At 2 a.m. one night in February 2024, Ian Platz was in his hotel room in Ukraine when his phone alerted him to suspected drone and rocket strikes from the Russian military.

    Jumping up from his bed in the darkness, he grabbed his two most important items: his American passport and a faded maroon tote, with the letters peeling off and a faint outline of a bear. It was from the Missouri State Bookstore, and once held heavy textbooks.

    Now, it had his phone charger, journal and a tactical medicine kit. The tote had been with him at every class on campus, and was now with him in every war zone he entered and border crossing he made.

    “I always liked bringing Missouri State with me,” he said.

    He scurried to the basement to meet his colleagues. As he waited for the barrage to end, he sent a text to his wife telling her he was OK.

    Platz, ’11 & ’13, has been in national security for more than a decade. He has worked in irregular warfare (conflicts in which combatants are not regular military forces), strategic communications, security cooperation and defense governance. His work has taken him to Europe, the Horn of Africa and beyond.

    Looking back, Platz sees a life that still feels a little improbable. What began in southwest Missouri became a career engaging in some of the hardest security challenges of the past decade, often at close range. Platz says his Missouri State mentors helped make that life possible.

    TWO BEARS MARRY, THEN START THEIR NEXT STEPS IN D.C.

    Platz, who grew up between Buffalo, Missouri, and Springfield, was interested by foreign policy when he was younger, but it seemed like a distant prospect.

    While working part time at a retail store to help pay for school, he met his future wife, Allison Ackland-Coletta ’11. She was pursuing education. Her sense of purpose and commitment to serving others left a deep impression on him.

    He decided to earn a bachelor’s degree in education. But as graduation approached, Platz began seriously considering what might come next.

    That’s when he learned about Missouri State’s School of Defense and Strategic Studies, or DSS, located near Washington, D.C. It offered something he had not seen before: a direct path from the Ozarks to the heart of national security policy.

    He and Allison married and moved to Virginia, where he began his studies and she was an elementary art teacher.

    “We made some big sacrifices to get Ian to D.C., but I knew it would be worth it if he was doing something he truly enjoyed,” Ackland-Coletta said. “I was lucky enough to discover my calling in college, and it felt important that Ian would have an opportunity to find his.”

    FACULTY CONNECTIONS OPENED DOORS FOR HIS FUTURE

    Retired Army Brigadier Gen. John P. Rose, then-director of DSS, stressed the importance of internships and professional connections for students hoping to build careers in national security.

    For Platz, that guidance mattered. He had no existing ties to D.C. or the broader U.S. national security enterprise, and the transition felt daunting. At DSS, though, faculty helped bridge that gap. Rose played a key role. After Platz expressed an interest in Africa, Rose personally drove him to the National Defense University

    for an interview with the Africa Center for Strategic Studies at Fort McNair in D.C.

    “I met with them, hit it off,” he said. “I ended up doing 10 months there as an intern. That opened me up to a State Department internship. Then, that opened up working in the Secretary of Defense office. It really came about because Rose facilitated the meeting. It’s hard to get into a lot of these places without name recognition.”

    HE’S COUNTERED TERRORISM WITH AGENCIES AROUND THE WORLD

    After graduation, Platz was recruited almost immediately to go to Booz Allen, a management and technology consulting firm that serves U.S. defense and intelligence agencies.

    He later joined the State Department’s Bureau of African Affairs, where he worked on military assistance and security cooperation across Djibouti, Ethiopia, Kenya, Uganda and Somalia. Much of the work focused on aviation assistance. It’s an often overlooked but essential element of security in a region where distance and terrain can define what governments are able to do, Platz said. The job meant travel to remote locations and direct engagement with partner forces.

    Ian Platz shows his son the Soviet missile National Air and Space Museum in Washington, D.C.

    “East Africa sits along one of the world’s most important strategic corridors,” Platz said. “Security there shapes access to the Indian Ocean, the movement of commercial shipping, regional stability and the ability of partners to respond to threats that can spill across borders. At the time, piracy was also a major concern, which only reinforced the importance of maritime and regional security.”

    He later moved to the U.S. Bureau of Counterterrorism. Platz helped partner governments investigate terrorist networks, coordinate intelligence, build cases and prosecute terrorists through their own legal systems.

    Platz played a role in shaping the State Department’s support for Kenya’s Joint Terrorism Task Force, working with the U.S. Embassy in Kenya, the FBI and the Kenya Anti-Terrorism Police Unit.

    The Kenyan-led task force began producing investigations, cases and arrests tied to terrorist activity in Kenya and internationally. His work also extended into detention and prison rehabilitation, reflecting the broader challenge of building durable counterterrorism systems.

    MOVING BACK TO D.C. FOR PEACEBUILDING JOB

    Around that time, with their first child on the way, Platz and his wife were ready for him to stay closer to home.

    He joined the United States Institute of Peace, a congressionally established, nonpartisan organization. His work reflected a broader shift in national security itself, from security cooperation and counterterrorism toward questions of resilience, resistance and the strength of partners’ defense industrial bases.

    Ian Platz (right) in Ukraine in 2024 with colleagues, including former U.S. Ambassadors Karl Eikenberry (middle) and William B. Taylor Jr. (second from right).

    He oversaw a wide range of work across Europe, Asia and Africa, helping translate complex security challenges into research and recommendations for policymakers.

    Among the most significant pieces of that work was a sustained research and engagement effort on Ukraine’s defense sector. He led initiatives focused on emerging technology, irregular warfare and the wider question of how the United States and its partners prepare for a new era of conflict.

    While working at the institute, Platz was named to the Aspen Security Forum’s Rising Leaders program, a selective year-long initiative. He spent three years as a senior program officer for security sector governance and reform before that chapter was abruptly interrupted in 2025, when the institute was temporarily shuttered amid a legal fight that remains unresolved.

    Today, he serves as chief communications officer for the Irregular Warfare Initiative. It is a leading nonprofit focused on irregular warfare and contemporary conflict. He helps shape their voice and strategic messaging. Platz also recently stepped into a full-time role supporting the United States Air Force.

    He and his wife live in Arlington, Virginia, with their two children, Malcolm, 4, and Cameron, 18 months. Even now, one of the old Missouri State totes remains in the mix. Ackland-Coletta still laughs about the time one of the many maroon bags went through the wash and turned Ian’s white undershirts pink.

    He kept the shirts — and, of course, the tote.

    WHY IS A MISSOURI STATE SCHOOL LOCATED IN WASHINGTON, D.C.?

    About the School of Defense and Strategic Studies

    The School of Defense and Strategic Studies, or DSS, was established in 1971 by Dr. William R. Van Cleave, a political scientist and advisor to President Ronald Reagan.

    He started it as part of the University of Southern California.

    He moved it to Missouri State in 1987 when he was appointed as a professor in the then-SMSU interdisciplinary studies program.

    In 2005, DSS relocated classes to Virginia under the leadership of Dr. Keith Payne. It was now part of the Washington, D.C., metropolitan area and could take advantage of resources near the nation’s capital.

    Payne started out with roughly 35 students. DSS has grown to more than 300 students from around the world.

    DSS offers doctoral and master’s programs. The student body is diverse, with a mix of traditional students, mid-career professionals and active-duty military. All programs are offered 100% online. Students can also take seated classes, or a hybrid of seated/online classes.

    Dr. John P. Rose, a retired Army brigadier general, has been the department head since 2020. He is retiring this July.

    The new department head will be Dr. Christopher Ford. A Rhodes Scholar with degrees from Harvard (summa cum laude), Oxford and Yale, Ford has been a professor with DSS since 2023.

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  • Honoring the life’s work of an Ozarks Folklorist

    The new Marideth Sisco Community Education Fund at West Plains is named for an alumna who passed away this May. Sisco ’86 was a radio personality, singer, songwriter, author, retired journalist and expert on this region. The fund will bring in speakers, and her work will be displayed on campus.

    Editor’s note: Sisco passed away as this issue was being produced. We were able to speak with her prior to her passing.

    Marideth Sisco ’86 had captivated audiences since she was 3.

    As a toddler in 1946, she stood on an ice cream freezer at an auction and sang to a crowd for the first time. Sisco grew up to be a well-known journalist, radio personality and singer based in West Plains, Missouri. She was known for her storytelling and ability to capture the flavor of the Ozarks.

    The Butterfield, Missouri, native also appeared in the movie “Winter’s Bone” — which was nominated for an Academy Award — and sang on its soundtrack.

    Through writing and music, Sisco preserved local history up until her passing this May.

    In 2018, Sisco received the Quill Award for lifetime achievement from the Missouri Writers Hall of Fame. In 2025, she received the Living Traditions Fellow Award from the Missouri Folk Arts Program.

    Now, her own story is being preserved by Missouri State University-West Plains with the Marideth Sisco Community Education Fund.

    HER FRIENDS ESTABLISHED THIS FUND THAT WILL BENEFIT THE OZARKS

    This endowed fund was made possible by the generosity of West Plains married couple Mary Bischoff and John Kaiser. The two, who have an antiques and book shop, befriended Sisco more than two decades ago.

    Marideth Sisco (second from right) often performed with other artists as a singer and musician. In 2023, she was a featured artist at the Smithsonian Folklife Festival, where she performed both in song and as a storyteller.

    “We think she’s a fantastic person and are so glad she’s getting this recognition,” Bischoff said. “We appreciate the work she has done preserving things that would be lost otherwise.”

    The endowment will be used primarily for the Ozarks Heritage Research Center’s monthly speaker series.

    A display case in the center on the West Plains campus will also house Sisco’s work, including books, news articles, CDs, awards, paintings and “Winter’s Bone” materials. Sisco was honored by the gesture.

    “I am very happy with that,” Sisco said. “It surprises me that my name would have an effect but I am glad it does.”

    MUSIC WAS AN EARLY LOVE; SHE FOUND JOURNALISM AT MO STATE

    Sisco’s dad’s family were gospel singers. They’d burst into song at gatherings. Her mom sang harmony, so her parents would drive down the road and sing together. Those are some of her earlier music memories.

    “I grew up like that, just singing, not really knowing much about instruments,” she said.

    She moved around as a kid. Sisco tells it like it is — a trait she shared with her father. More than once it cost him his job, so they had to move as he changed work.

    Roughly around middle school, she lived in California and went to the symphony in San Francisco.

    “Had I heard a symphony? No. I hadn’t heard an orchestra. I had no idea. I sat down and that music just came over me and I thought, ‘Oh, my, I have to live in this world. Somehow, I have to find a place in this world,’” she said.

    Sisco carved out her own place singing folk music.

    In her 20s, she would return to California and eke out a living by singing.

    Her father died a year after she moved there, so she moved her mom to California. Soon after, her mom was diagnosed with bone cancer.

    She took her mom home so she could pass away in the Ozarks. Her parents died four months apart. Sisco then returned to the West Coast and worked in a factory.

    In 1976, she returned to the Ozarks when other family members became ill.

    “I didn’t intend to stay, but somehow I did,” she said.

    A teenage injury to Sisco’s left hand increasingly limited her ability to do manual work. Surgery a decade prior had failed to help her, and it got to the point that she had to deliver newspapers for a living, but she didn’t know how she’d support herself long-term.

    Then she met with a vocational rehab counselor who offered to help send her back to college. Sisco studied design and photography at then-Southwest Missouri State University.

    Her last semester in college, she took a journalism class with Dale Freeman. “Ten minutes in the class, I said, ‘This is what I want to do.’”

    RETIRING FROM NEWSPAPERS; STARTING A REGULAR RADIO SHOW

    After graduation in 1986, she applied for journalism jobs and landed one at the West Plains Daily Quill. “If I had landed right straight in heaven, I couldn’t have landed a better job,” Sisco said. “I had more fun than I ever had in my whole life. I understood the culture that I was going into because I’m out here in the deep Ozarks. The pay wasn’t much. But after a while, you just didn’t care.”

    She worked at the Quill until her retirement in 2005 after a quadruple bypass the year before.

    In 2007, she debuted a new radio program on KSMU called “These Ozarks Hills.”

    Originally, the idea was for her to interview people in the Ozarks. However, a few months in Sisco ran out of people to interview — so she just talked and told stories. The format was a hit. The monthly program had run ever since at 7:45 a.m. on the first Friday of the month.

    A CHANCE ENCOUNTER LEADS TO HER HOLLYWOOD STORY

    In 2008, movie producers were in town scouting locations for “Winter’s Bone.” The film was based on the novel by West Plains author Daniel Woodrell. Woodrell’s wife suggested they go see some local music.

    Sisco was there singing with people she calls the “right folks.” She sang a sad ballad called “Wind and Rain.”

    Two years later, the producer called Sisco.

    “She said, ‘We just can’t get that one song out of our heads. Could you do that for the movie?’ I said, ‘God, I’d love to record it for the movie.’ She said, ‘No, no. We have a little part written in the movie.’ I said, ‘No, wait, wait, wait. I’m not an actor,’ and she said, ‘It’s OK. You just have to sing.’ I can do that. So, they signed us up,” Sisco said.

    She and the other performers with her named themselves the Blackberry Winter Band for the soundtrack.

    After the film, audiences were fascinated with the Ozarks. Sisco and the band performed in New York City, Dallas, Los Angeles and the Torino International Film Festival in Italy.

    CENTER CONSIDERED “A PERFECT LOCATION FOR HER MATERIALS”

    Bischoff and Kaiser moved to West Plains in 2004 and first heard Sisco perform at the Yellow House Community Arts Center.

    At first, Bischoff was starstruck: Sisco is a local celebrity. But once Bischoff talked to her, she realized how down-to-earth the artist was. The couple loved hearing her sing and tell stories. They sought out her performances.

    “I could sit and listen to her for hours,” Bischoff said. Kaiser added: “You never hear the same story twice. There are so many.”

    Their friendship grew over the years.

    They have spent a lot of time together, including Thanksgiving dinners. Sisco and Kaiser shared a mutual interest in gardening.

    And when Sisco was seriously ill recently before her passing, the couple organized food delivery for her. The storyteller had her share of medical issues, but she faced it with Ozarks grit. Sisco had previously survived car accidents, uterine cancer, failed surgeries, a quadruple bypass and more.

    In honor of their friendship, Bischoff and Kaiser wanted to support a fund to acknowledge Sisco’s contributions to the area.

    “She was a woman of many talents. Writing. Singing. Storytelling,” Bischoff said. “We loved her and considered ourselves lucky to be in her circle.”

    ABOUT THE OZARKS HERITAGE RESEARCH CENTER
    The center seeks to build a collection not available anywhere else. Staff members collect documents and visual sources that represent the history and culture of the Ozarks.
    The center:
    • Sponsors speakers, professional conferences and workshops.
    • Promotes educational resources, particularly for the region’s communities.
    • Collaborates with partners from outside the university, including other institutions focusing on the Ozarks.
    • Serves as a repository for scholars and authors, especially those who focus on the eastern Ozarks.
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    • At Missouri State, screenwriting programs play a starring role
      Stories of the true events of our no. 1 ranked program

      ACT I: THE SCRIPT READ

      INT. CREDO ARTS CENTER – NIGHT
      On a chilly Sunday evening, an audience takes shape in the community performing arts center. The energy immediately shifts upon entering the glass front doors of the building — from the cold, dark night outside to a warm, welcoming group. Professors, parents and other community members mingle as they wait for the event to begin. Students excitedly chat and laugh together.

      NARRATOR

      Tonight is a big night for Missouri State’s Master of Fine Arts in Dramatic Writing program. Scripts written by MFA students are performed by undergraduates studying acting and musical theatre. It’s a chance for writers to see their work come to life.

      LILI HAYES, MFA STUDENT

      I normally write more horror-y things, but instead I brought a comedy tonight. We’re reading Act I, the buildup. It helps me a lot with dialogue. When I see somebody stumbling on a word, I think, “Oh, that’s just how I speak, so I need to edit there.” It also helps imagine character relationships — how they might interact and flourish.

      BRETT JONES ’23 & ’26, MFA student

      Last year, I specifically chose a scene where characters are fighting with each other. Watching the theatre students and professors watch it live for the first time was the most exciting thing. I got such a huge reaction that I was like, “Oh my gosh, I have potential.” I still remember Cristina (Pippa, screenwriting professor) turning to me saying, “They loved it.” It makes you realize you’re in the right career path.

      Students in screenwriting and film studies write short screenplays, feature-length scripts and episodic series.

      “My favorite thing about the classes and assignments is they are so hands-on. Our professors are real with you about which scripts have potential, and they genuinely want to see all of us succeed. They want to see us bring these stories to life. I never would have thought I’d have the opportunity to direct a play, let alone direct a feature film.”

      Brett Jones, bachelor’s in film studies ’23; Master of Fine Arts ’26

      NARRATOR

      Acting students take their places in chairs on the stage. The MFA students whisper encouragements to each other as they settle, prepared to watch their writing transform into a performance. Over the course of an hour, the auditorium fills with laughter, applause and engaged silence. The scripts tell stories that range from witty to spooky to serious. LaDonna Goodman, a graduate student from Louisiana, reflects on her experience in the program after her script is read.

      LaDONNA GOODMAN, MFA STUDENT

      I was in the workforce and started taking classes again. I found Missouri State’s screenwriting program, and after a couple of semesters, I was like, “This is what I want to do.” So I packed up all my stuff and moved to Missouri. It’s an up-and-coming place for film.

      ACT II: AND THE AWARD GOES TO…

      EXT. MISSOURI STATE’S CAMPUS — DAY

      NARRATOR

      When you think about writers for film, television, plays or other well-loved forms of media, sunny California or bustling New York City might be the first hubs that come to mind. But there’s a plot twist — Missouri State’s screenwriting and dramatic writing programs, located in the heart of the Midwest, are winning no. 1 honors.

      DESIGN NOTE

      A bulleted list appears on screen, maybe with glitter or stars for dramatic effect.

      NARRATOR

      In recent years, the program, faculty and students have received multiple honors from the Broadcast Education Association, or BEA, including:

      • No. 1 ranking in screenwriting from BEA five years in a row, which includes both the undergraduate and graduate programs.
      • A dominating year at the 2026 BEA Festival of Media Arts.
      • Assistant Professor Nathan Patton won Best of Festival and Best of Competition for his original TV series pilot.
      • Student screenwriter Cooper Johnson won Best of Festival in the undergraduate scriptwriting competition and first place in the original TV pilot series category. Missouri State swept the top awards in the same category with a second-place win for Arden Dickson and third place for Evalee Lowry.
      • Emma Habert placed third in the graduate student competition for scriptwriting and earned the Award of Excellence in the film and video category. (Habert’s film also won a college Emmy Award from the National Academy of Television Arts and Sciences.)
      • Tristan Upp placed third individually in the undergraduate narrative feature category.
      • This screenwriting program has gone from a few classes and an undergraduate minor option to a major, a minor, certificate options at the undergraduate and graduate level and a Master of Fine Arts degree. Quick growth and major recognition are points of pride for faculty. The BEA is the premier international organization for academics in media, and Mo State is one of more than 300 international members. Our number-one ranking was first earned in 2022 when the organization introduced the ranking system for screenwriting programs. We’ve held on to that title every year since.

        Professor Richard Amberg

        PROFESSOR RICHARD AMBERG

        When they started ranking programs in schools, it was based on the past five years. It’s not just based on one script; it’s based on student success and a lot of data rather than just a reputation.

        ACT III: WHAT’S OUR SECRET

        TO No. 1 SUCCESS?
        EXT. MISSOURI STATE’S CAMPUS

        NARRATOR

        The screenwriting faculty members worked together to craft a program that offers unique learning experiences. It’s also not difficult for students to find inspiration and motivation from professors who are so actively involved in the industry.

        • Associate Professor Cristina Pippa won the Josephson Entertainment Teleplay Award for screenwriting at Austin Film Festival in 2025 for an hour-long drama created as a TV pilot.
        • Assistant Professor Nathan Patton recently sold a short film to Early Media Production.
        • Professor Richard Amberg is a member of the Writers Guild of America and has sold work to major companies including Cartoon Network, Nickelodeon and Disney Channel.
        • LaDONNA GOODMAN, MFA STUDENT

          The professors are so talented and encouraging. They all have their own careers in film. It’s real-life experience.

          PROFESSOR RICHARD AMBERG

          When I came to Missouri State from Los Angeles, I hoped we could have a program that prepared students for the demands of the film and television industry. A lot of other schools teach screenwriting as an elective where students write the first act of a screenplay and that’s it. I wanted to build a program where students developed the kinds of full-length features and pilots they could use in the real world. Even if they didn’t sell that script, I wanted them to have writing samples that could help them get agents and managers.

          NARRATOR

          Given the creative nature of the subject matter, it’s not uncommon for many classes to be a fun change from a typical lecture. The faculty’s industry connections sometimes mean special guests for classes. Some recent visitors include a Missouri State alum and assistant on Netflix’s “Wednesday,” a producer for the upcoming live-action adaptation film “Voltron,” and Sofya Levitsky-Weitz, a writer-playwright working on FX’s Emmy and Golden Globe Award-winning series “The Bear.”

          Christina Pippa

          ASSOCIATE PROFESSOR CRISTINA PIPPA

          Sofya was a great guest because she is a playwright, TV writer and screenwriter. Another unique thing about our MFA program is students learn all three kinds of writing in the same graduate program. Usually, you would be pushed to choose one over the others. Sofya talked about how to get focused on creative work when the world is so chaotic.

          ACT IV: FEEDBACK THAT ENCOURAGES FEATURES

          Ext. MISSOURI STATE’S CAMPUS AND ACROSS THE COUNTRY

          NARRATOR

          Classes are designed to build on each other as students work through the program. They start writing their feature-length film in an intermediate screenwriting class. Then, they have a chance to finish the script in an advanced-level class. They can revise that work in a rewriting course. Students aren’t just confined to traditional films, either. Scripts might also be produced for radio shows, plays, television series or video games.

          ASSISTANT PROFESSOR NATHAN PATTON

          I always say the best ways to learn, that taught me more than almost anything, are reading scripts, watching movies and writing. We get students writing immediately. I always tell my students, “The only thing you can’t fix is a blank page.” You could write the worst 10 pages anyone’s ever written, and you can always make that better, but you cannot fix 10 blank pages.

          “Screenwriting is about trying to inspire other people. You’re inspiring the actors to want to play this part. You’re inspiring the director, the set decoration, the costume. These projects are meant to have multiple hands on it, as opposed to almost every other form of writing. That makes it great for classes because it is a great way to get students collaborating.”

          Nathan Patton, assistant professor in communication, media, journalism and film

          ASSOCIATE PROFESSOR CRISTINA PIPPA

          Our screenwriting classes really build on each other. Students have chances to incorporate feedback and make a stronger script to submit.

          NARRATOR

          That format helps Missouri State stand out. The process of receiving feedback is another important piece of the student experience. Typical writing classes include workshop days. These require students to read each other’s work before class and share their notes as a group. In the screenwriting program, workshopping takes a different approach. Students come to class for “table reads,” not too different from the way things are done in Hollywood. Students are assigned characters and the group reads through the script just as actors would run through lines. The process results in genuine first impressions on projects.

          ASSISTANT PROFESSOR NATHAN PATTON

          If you read something at home, there’s theoretically time to sit down and reflect. But there are so many distractions at home. We’re engaged together at the table read, and I think that’s honestly a key to how scripts get made. My teaching philosophy comes down to three words: support, but challenge. For workshops, we start with the positive. What’s working? What do we love? What gets us excited? Then we can go to things that we’re confused by. I always want to support them because writing is tough, but I also challenge them in saying, “Well, what if you thought about it this way?”

          HAILEY BROWN ’22 & ’24, SCREENWRITING ALUM

          We had a class in which we had to pitch a project or a production we had conceptualized. I decided to write a short film, and then I had to pitch it to the department. They greenlit my project, which is always exciting. The MFA program is good at putting you in real-life situations. As soon as you graduate, in the real world, you’re going to be expected to pitch your work.

          NARRATOR

          After her project was greenlit, Brown got a cast and crew ready. They filmed the 20-minute short film, and she showed it to her senior thesis class. Brown’s classmates immediately encouraged her

          to take the film concept and run with it. At first, she hesitated. Producing can involve a lot of fundraising and fine-tuned scheduling.

          HAILEY BROWN ’22 & ’24, SCREENWRITING ALUM

          My class said, “But if not now, when? You have so many resources at Missouri State. You have so many people who are still living in Springfield who are totally willing to help you with this.”

          NARRATOR

          A similar experience kept Brett Jones in the program for one extra year when he could have graduated early. It was not hard for him to be convinced to stick around.

          BRETT JONES ’23 & ’26, MFA STUDENT

          I was set to graduate last spring, but the faculty were like, “Hey, we want you to stay to make your feature film.” I said, “Okay, you don’t have to tease me with a good time.”

          NARRATOR

          Brown started her feature while finishing the MFA program. She is now working to complete the film as a post-grad project. Jones was wrapping up filming weeks before his spring 2026 graduation.

          ACT V: FROM SCRIPT TO SET TO SCREEN

          INT. A SUBURBAN HOME IN NIXA, MISSOURI — NIGHT

          Actors are running lines for the film “I’m a Terrible Person.” Laughter and chatter is instantly halted with the magic words: “Quiet on set!” Then, it’s showtime. The silence is quickly filled with an actor stomping up stairs. The scene includes a heated exchange of words. The moment replays with each take. Before the clapperboard clicks, someone says: “‘I’m a Terrible Person,’ take number…”

          BRETT JONES ’23 & ’26, MFA STUDENT

          This is our third weekend, day 12 or 13. Next weekend is our last weekend of filming. We’ve been working really hard. Shoutout to my three leads: Ryan Moore, Sav Jordan and Charlie Wehde. They’re on set almost every single day. If you want to write, direct or produce, this is the department you should strive for. There are so many opportunities.

          NARRATOR

          By the end of the semester, Jones and his film production team wrapped filming. The film is in the editing process and will premiere in Springfield soon.

          PROFESSOR RICHARD AMBERG

          Our program’s rankings are based on student achievements, which is the most important metric. There’s nothing better than helping our students take a rough idea all the way to a finished project. As a teacher, it’s amazingly rewarding to go into a movie theatre and see a past student’s film — sometimes one they wrote in our classes — on the big screen.

          BEARS ARE MAKING CONTENT FOR SCREENS BIG AND SMALL

          Your favorite movie or TV show may have ties to our screenwriting alums.

          • Sean Thiessen wrote the feature “What Rhymes with Reason” (2023).
          • Carter Breaux wrote and directed the feature “Kings” (2026).
          • Jackson Lierz wrote and directed the feature “Seeing Someone Else” (2024).
          • Caleb Hearon didn’t earn a degree in screenwriting, but he did take a comedy writing class and co-created a sketch-writing club mentored by Professor Rich Amberg. Hearon has become a recognizable name with an acting career. He was also a staff writer for the animated series “Human Resources” (Netflix). Hearon also co-wrote an upcoming feature that he’s starring in, “Trash Mountain,” hosted multiple podcasts and recently released his first HBO comedy stand-up special.
          • Chance Nichols also didn’t earn a degree in screenwriting, but he took the same comedy writing class in the program and co-created the sketch comedy club with Hearon. He’s gone on to produce multiple podcasts and is the director of network creative strategy at Bill Burr’s company All Things Comedy.
          • Daan Jansen is a producer on “The Bachelor” TV series.
          • Jessica Larson was a staff writer on the “Single Drunk Female” TV series.
          • Max Pratt was a showrunner’s assistant on the Netflix series “Wednesday” and “Thumblite.”
          • Willow Onken is a video game writer with Gunfire Games.
          • Multiple students have taken jobs at film studios: Lauren Johnson, Shyla Shank and Madison Auten with Warner Brothers, just to name a few!
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