Theme episode time! This one's a simian sensation, so we start off with Chuck Berry's 1957 baboon tune, "Too Much Monkey Business" (2:32:31). Is it anti-monkey, or anti-business? It may not really be about monkeys. but it's rock n roll poetry! The next in the evolutionary order is "Mickey's Monkey", sung by Smokey of Motown's The Miracles (59:37). A dance craze song, this one has a great hook, boozy organ, bongos, and the tasteful licks of one of our fave axemen, Marv Tarplin. Movin' thru the zoo, we arrive at "Gator Tails and Monkey Ribs" by The Spats (1:27:20). A textbook stoopid frat rock rumbler that could have fit on our classic "Food and Drink" themer from May, 2021. If that last one didn't fill you up, then we end with the final primate mover, "Monkey Man" by Baby Huey & The Babysitters (1:54:53). This one's so good, it defies words. So let's just make monkey noises - Lum De Lum De Li!!

Theme episode time! This one's a simian sensation, so we start off with Chuck Berry's 1957 baboon tune, "Too Much Monkey Business" (2:32:31). Is it anti-monkey, or anti-business? It may not really be about monkeys. but it's rock n roll poetry! The next in the evolutionary order is "Mickey's Monkey", sung by Smokey of Motown's The Miracles (59:37). A dance craze song, this one has a great hook, boozy organ, bongos, and the tasteful licks of one of our fave axemen, Marv Tarplin. Movin' thru the zoo, we arrive at "Gator Tails and Monkey Ribs" by The Spats (1:27:20). A textbook stoopid frat rock rumbler that could have fit on our classic "Food and Drink" themer from May, 2021. If that last one didn't fill you up, then we end with the final primate mover, "Monkey Man" by Baby Huey & The Babysitters (1:54:53). This one's so good, it defies words. So let's just make monkey noises - Lum De Lum De Li!!

Theme episode time! This one's a simian sensation, so we start off with Chuck Berry's 1957 baboon tune, "Too Much Monkey Business" (2:32:31). Is it anti-monkey, or anti-business? It may not really be about monkeys. but it's rock n roll poetry! The next in the evolutionary order is "Mickey's Monkey", sung by Smokey of Motown's The Miracles (59:37). A dance craze song, this one has a great hook, boozy organ, bongos, and the tasteful licks of one of our fave axemen, Marv Tarplin. Movin' thru the zoo, we arrive at "Gator Tails and Monkey Ribs" by The Spats (1:27:20). A textbook stoopid frat rock rumbler that could have fit on our classic "Food and Drink" themer from May, 2021. If that last one didn't fill you up, then we end with the final primate mover, "Monkey Man" by Baby Huey &amp; The Babysitters (1:54:53). This one's so good, it defies words. So let's just make monkey noises - Lum De Lum De Li!!

Monkey Business

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Monkey Business

Monkey Business

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