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Omar Gandhi tells Nic Monisse how a lifelong love of baseball informs the feeling that he strives to create with his practice. Then: Alvar Aalto and Louis Kahn’s design philosophy. Plus: Highlights from Monocle’s new issue.
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In light of Paris Design Week, we explore experimental architecture and industrial furniture. Plus: Grace Charlton joins Nic Monisse to reveal some big news.
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The artistic director of Homo Faber, Es Devlin, discusses her goal of making objects talk to each other. Plus: in light of design events in Paris, London, Venice and Zürich, we discuss what you should look out for and why.
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At Monocle’s Quality of Life Conference in Lisbon, we catch up with one of Portugal’s foremost architects, Manuel Aires Mateus. Plus: highlights from the conference at the Calouste Gulbenkian Foundation.
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Is the term “industrial design” frowned upon by design purists? Zürich-based Sébastien El Idrissi thinks so. He joins Nic Monisse to discuss why his goal is positive change at an industrial scale. Plus: what to look forward to at our Quality of Life Conference in Lisbon this year.
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Niwaki founder Jake Hobson on why Japanese garden shears demonstrate the key to good design. Plus: Ferrari shocks critics. And: the joy of luxury stationery.
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Chef-turned-CEO Hugo Worsley tells us why design-lovers are obsessed with Allday Goods’ knives. Plus: Australia’s new census puts design on the map and why your next hotel stay should be the Chesa Grischuna in Klosters.
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Clémence Pirajean and James Lees tell us about how narratives are essential to designing luxury interiors well. Plus: cooling off with design-thinking and the architecture of clubs.
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Hungarian designer Linda Boronkay on crafting hospitality interiors that ‘nourish the soul’. Then: Nic Monisse and Grace Charlton on luxury kebabs, animism and the object in their house that they would save first.
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Alex Holloway, of interior architecture studio Holloway Li, on drawing inspiration from cinema aesthetics and online slang. Plus: a review of Sicilian architecture and travel etiquette.
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