Kylie and Elliott talk about the movies they watched over the past week while searching for better cinematic dads. Along the way, they discuss hating characters so much, finding your place in the storm of your parents' divorce, and just how much movie-going context can impact feelings on a movie. More importantly, they help Make Edmonton Scary Again by seeing Edmonton's own Skinamarink on Friday the 13th.

This week’s movies are: The Innocents (2021), Possession (1982), Portrait of a Lady On Fire (2019), Speak No Evil (2022), Skinamarink (2022), M3GAN (2022).

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Letterboxd: kylieburton 

Letterboxd: ElliottKuss

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Kylie and Elliott talk about the movies they watched over the past week while searching for better cinematic dads. Along the way, they discuss how genre classification can impact the enjoyment of a film, a love for metaphorical film titles, and the infinite suckiness of experiencing joy derailment. Also, Elliott's ultimate boy crush is revealed.

This week’s movies are: Spider-Man: No Way Home (2021), Nanny (2022), Causeway (2022), Being John Malkovich (1999), The Inspection (2022), All the Beauty and the Bloodshed (2022).

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Letterboxd: kylieburton 

Letterboxd: ElliottKuss

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Kylie and Elliott talk about the movies they watched over the past week while searching for better cinematic dads. Along the way, they discuss the ideal weather for watching Blade Runner, lament the oversimplification of complicated relationships in film, and remind listeners that this podcast is past the nine o'clock watershed. Also, some movie titles are so complicated.

This week’s movies are: Blade Runner: The Final Cut (1982), The Whale (2022), Glass Onion: A Knives Out Mystery (2022), Roald Dahl's Matilda the Musical (2022), The Fifth Element (1997), Ghostwatch (1992).

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Letterboxd: kylieburton 

Letterboxd: ElliottKuss

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Kylie and Elliott talk about the holiday movies they watched over Christmas week while searching for better cinematic dads. Along the way, they marvel at showing each other two very different and very awesome Bob Clark movies, continue to stan Catherine O'Hara as our forever mom, and lament the hollow nostalgia of legacy movies.

This week’s movies are: Home Alone (1990), Black Christmas (1974), Die Hard (1988), A Christmas Story (1983), A Christmas Story Christmas (2022).

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Letterboxd: kylieburton 

Letterboxd: ElliottKuss

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Welcome back to Daddy Deep Dive: a spoiler-filled unpacking of the most special films. This time: Christmas edition! Kylie and Elliott are joined by their friend and first three-time guest - co-host of Sickboy Podcast and Turn Me On Podcast - Jeremie Saunders to dive into Jason Eisener's short film "Treevenge" (2008) and Joe Dante's Christmas classic Gremlins (1984). In this conversation, they explore the staying power of practical effects, the gruesome joy of combining Christmas and horror, and what it means to be a Christmas Fuckboy™.

Watch Treevenge: https://vimeo.com/5048966

Find Jeremie at:

Sickboy Podcast

Turn Me On Podcast

Letterboxd

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Letterboxd: kylieburton 

Letterboxd: ElliottKuss

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Kylie and Elliott talk about the movies they watched over the past week while searching for better cinematic dads. Along the way, they admire stop-motion animation, reflect on what it would be like to be a moviegoer in the 1920s, and let their Hot Topic Girl flags fly.

This week’s movies are: Guillermo del Toro's Pinocchio (2022), The Lost World: Jurassic Park (1997), Metropolis (1927), The Eternal Daughter (2022), The Nightmare Before Christmas (1993).

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Letterboxd: kylieburton 

Letterboxd: ElliottKuss

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Kylie and Elliott talk about the movies they watched over the past week while searching for better cinematic dads. Along the way, they get into New French Extremity, discuss how Ferris Bueller is a loveable doink, and search for a movie that will make their butt cheeks feel something.

This week’s movies are: Inside (2007), Ferris Bueller's Day Off (1986), Persepolis (2007), Oldboy (2003).

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Letterboxd: kylieburton 

Letterboxd: ElliottKuss

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Kylie and Elliott talk about the movies they watched over the past week while searching for better cinematic dads. Along the way, they watch two unconventional Westerns, revel in treat-based films, and reflect on what makes a 2000s film (for better or worse).

This week’s movies are: The King of Staten Island (2020), In Bruges (2008), The Power of the Dog (2011), Tampopo (1985), Willy Wonka & the Chocolate Factory (1971).

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Letterboxd: kylieburton 

Letterboxd: ElliottKuss

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Kylie and Elliott talk about the movies they watched over the past week while searching for better cinematic dads. Along the way, they discuss the vastness of intimacy, the annoyance of Roger Rabbit, and the simultaneous beauty and depravity of being a human on this earth.

This week’s movies are: Who Framed Roger Rabbit (1988), Water Lilies (2007), Bones And All (2022), Fire of Love (2022), Come and See (1985), Honey, I Shrunk the Kids (1989).

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Letterboxd: kylieburton 

Letterboxd: ElliottKuss

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Kylie and Elliott talk about the movies they watched over the past week while searching for better cinematic dads. Along the way, they discuss how Colin Farrell's eyebrows are doing the lord's work, lament the breakdown of the social contract of movie theatres, and reminisce on the best theme songs from 1990s children's horror television.

This week’s movies are: Blood Simple (1984), The Banshees of Inisherin (2022), Perfect Blue (1997), The Menu (2022), Urban Legend (1998).

Watch the aforementioned banger theme songs (and one really creepy one):

• Freaky Stories
• Goosebumps
• Are You Afraid of The Dark?

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Letterboxd: kylieburton 

Letterboxd: ElliottKuss

Hosted on Acast. See acast.com/privacy for more information.