Mostly Film

🎥 Mostly Film Presents: Cruise vs. DiCaprio — Eyes Wide Shut & Inception

Two iconic stars. Two mind-bending directors. One podcast showdown.

This week, we're diving deep into Eyes Wide Shut (1999) and Inception (2010), unpacking the surprising casting choices, behind-the-scenes stories, and the career-defining performances of Tom Cruise and Leonardo DiCaprio.

✨ Did you know Cruise shot for over 400 days under Stanley Kubrick’s meticulous eye — including 90 takes of walking through a doorway? Or that DiCaprio helped Christopher Nolan rewrite Inception to add emotional depth before he ever signed on?

We’ll talk:
🔹 Cruise playing against type as a passive, unraveling doctor
🔹 DiCaprio anchoring a sci-fi epic with brooding intensity
🔹 What critics got right (and wrong) about both performances
🔹 The directors’ signature styles — Kubrick's control vs. Nolan’s complexity

It’s a psychological, philosophical, and cinematic face-off between two of the biggest names in Hollywood. Who came out on top? Tune in and decide for yourself.

🎬 Mostly Film: Smurfs, Sequels & Street-Level Spidey

This week on Mostly Film, we're breaking down the newest movie trailers, the latest streaming obsessions, and all the industry news shaking up Hollywood.

🎞️ LIST IT or NIX IT
We kick things off with rapid reactions to the week’s hottest trailers. Should they make the Letterboxd watchlist—or get the axe?

• Keeper

• Mortal Kombat 2

• Hoppers

• After the Hunt
  Our verdicts are swift, occasionally savage, and (mostly) fair.

📺 What We’ve Been Watching
Jonathan dives into Smurfs, Eddington, while JP explores some fresh 2025 releases like Sovereign and more from Eddington. We also check in on the return of Dexter: Resurrection, the surprise hit Countdown, and the promising new series Murderbot.

📰 The News
We round things out with the week’s biggest headlines:

• Lilo & Stitch remake hits $1B — the first Hollywood film of 2025 to do so

• Blade delays are intentional, says Marvel, with a focus on quality for Mahershala Ali

• Spider-Man: Brand New Day is officially street-level, and a Human Torch team-up is now in play

• Skydance x Paramount merger update — the $8B media shake-up continues

• Taika Waititi signs on for a new Judge Dredd film

• Dune: Part 3 casts Jason Momoa’s son as the next generation of Atreides

All that plus our usual banter, a few strong opinions, and maybe an accidental hot take.

🎥 It’s mostly film... but always mostly takes.

🎙️ Mostly Film Presents: Cruise Vs DiCaprio — Predicting Crime & Picking Fights

What happens when two of Hollywood’s biggest stars go gritty, futuristic, and full-on revenge mode? This week on Mostly Film, we’re diving deep into two 2002 heavyweights: Tom Cruise in Minority Report and Leonardo DiCaprio in Gangs of New York.

🔍 Tom Cruise & Minority Report
Before touchscreens were cool and privacy felt optional, Cruise teamed up with Steven Spielberg for a bleak vision of 2054 where crimes are stopped before they happen. We explore:

• Why Cruise wanted emotional depth over action flash

• How a futurist “think tank” helped build the film’s world

• And how this grounded, grief-driven role became one of his smartest sci-fi turns

⚔️ Leonardo DiCaprio & Gangs of New York
It’s DiCaprio’s first outing with Martin Scorsese — and it’s bloody. As Amsterdam Vallon, Leo battles personal demons, knife-wielding psychopaths, and a very intense Daniel Day-Lewis. We unpack:

• How this film helped him break free from his teen idol past

• The brutal training and real historical research behind his role

• And why this marked a new chapter in his career as a serious actor

💥 Along the way, we compare performances, transformation arcs, and just how well each star handled grief, vengeance, and moral murkiness in their respective epics. It's precrime vs. post-riot. It's Cruise vs. DiCaprio. And it's mostly film... but always mostly takes.

Mostly Film

We’re back this week with a quick dip into capes, comebacks, and comedy as Mostly Film returns with another round of hot takes and popcorn-powered opinions.

🎞 LIST IT or NIX IT
Only one trailer this week, but it’s a big one: Red Sonja (2025). Is it a sword-swinging comeback worth watching, or are we leaving it in the fantasy dust? We make the call.

🍿 What We’ve Been Watching
Jonathan and JP both have thoughts on Superman (2025) and how James Gunn is kicking off a new DC era. Meanwhile, JP gets haunted for the first time by Danny Boyle's 28 Days Later.

📺 TV Corner
All roads lead to Dexter: Resurrection — because if there’s one thing TV can’t quit, it’s a serial killer with a code. Also: Mobland continues to be… something we’re still watching.

📰 The News
It’s a loaded week:

• Scrubs revival is happening! Time to cry-laugh again.

• Jessica Jones is back and Krysten Ritter promises fans won’t be disappointed.

• Top Gun 3 is flying forward with an “ambitious” new story.

• Guy Ritchie exits Road House 2 (did you even know there was a Road House 2?).

• Night at the Museum gets a fresh reboot with new characters.

• Gunn loves The Batman Part II script.

• Superman flies high at the box office with $217M worldwide.

• And Tom Holland calls Nolan’s The Odyssey “the job of a lifetime.”

• Plus: A 19-year-old is directing A24’s The Backrooms, and we are officially old.

Come for the news, stay for the nonsense — it’s Mostly Film, where we’ve got mostly takes.

🎙️ Mostly Film: Cruise Vs DiCaprio – Aliens, Diamonds & Dad Problems

This week, Mostly Film continues its cinematic showdown series with a face-off between two heavy-hitters: Tom Cruise running from aliens in War of the Worlds, and Leonardo DiCaprio smuggling conscience and conflict diamonds in Blood Diamond.

First up: Cruise ditches the hero cape to play a regular, kinda-bad dad just trying to survive the apocalypse (and raise his kids) in Spielberg’s darker, grittier take on alien invasion. From barefoot sprinting to emotionally charged parenting, it’s Cruise in full “human panic mode”—and honestly, it works.

Then we head to Sierra Leone for DiCaprio’s Oscar-nominated turn as a jaded ex-mercenary looking for redemption (and a really valuable pink rock) in Blood Diamond. He’s grizzled, morally messy, and speaking in a South African accent that actually kind of nails it.

We break down:

• Why War of the Worlds is secretly a movie about fatherhood

• How Cruise turned vulnerability into a superpower

• The ethics, grit, and heat exhaustion behind Blood Diamond

• Whether DiCaprio should’ve won that Oscar

• And who came out on top in this week’s Cruise vs. DiCaprio matchup

So grab your flashlight, your Letterboxd, and maybe a bottle of water—we're heading into deep space and deeper moral questions. It’s Mostly Film... and we’ve got mostly takes.

🎬 Mostly Film

This week on Mostly Film, we’re diving headfirst into a jam-packed episode full of fresh trailers, throwback comedies, and some questionable cinematic choices—because who didn’t ask for The Cat in the Hat to make a comeback?

Here’s what’s rolling:

🎞 LIST IT or NIX IT
We’re judging trailers like it’s festival season—does it go on the Letterboxd watchlist, or do we banish it to the cinematic void?
This week’s lineup includes:

• The Running Man

• The Cat in the Hat (still yes, really)

• She Rides Shotgun

• Project Hail Mary

• Bugonia

• Roofman

• Relay

• Finally Dawn
  ...and more. Expect sharp takes, strong opinions, and possibly a fight over alien movies and outer space dads.

🍿 What We’ve Been Watching
Jonathan dives into 28 Years Later, Eden, The Phoenician Scheme, and the pre-superhero chaos of Thunderbolts and Ballerina.
JP’s digging into Rushmore, The Accountant, Glengarry Glen Ross, and The Conversation—because yelling about leads never goes out of style.

Also featuring:
🎭 Summer of Comedy powers on with JP's recent viewings of Idiocracy, Pineapple Express, The Naked Gun, and other reminders that the early 2000s had no chill.
📺 TV Corner with Countdown, Mobland, Stick, The Bear, and Smoke—from drama to mystery to culinary anxiety.

If you’ve got a Letterboxd app and a questionable sense of taste, you’re in the right place. It’s Mostly Film—and we’ve got mostly takes.

🎙️ Cruise Vs. DiCaprio

This week on Cruise Vs. DiCaprio, we’re diving into two powerhouse performances that redefined their stars in completely different ways: Tom Cruise in The Firm (1993) and Leonardo DiCaprio in The Great Gatsby (2013).

📚 Tom Cruise in The Firm
Before Ethan Hunt ran across rooftops, Cruise sprinted barefoot through Memphis as Mitch McDeere — a young lawyer caught between a corrupt firm and the FBI. We break down:

• Why John Grisham didn’t want Cruise at first

• How Cruise’s star power changed the film’s ending

• That legendary chase scene (yes, he did his own stunts again)

• The performance that helped elevate legal thrillers to box-office gold

🎩 Leonardo DiCaprio in The Great Gatsby
Ten years after Titanic, DiCaprio stepped into a role of obsessive love and shimmering illusion as the mysterious Jay Gatsby. We talk through:

• His deep connection to Gatsby and collaboration with Baz Luhrmann

• Filming back-to-back with Django Unchained

• The emotional weight of Gatsby’s hope — and that unforgettable “old sport”

• DiCaprio’s ability to balance myth, tragedy, and pure charisma

We also compare how these roles shaped Cruise and DiCaprio’s legacies:

• Who had the more transformative role?

• Which performance holds up best today?

• And whose film better captured the tension between ambition and illusion?

Whether you’re into courtroom drama or champagne-soaked heartbreak, this episode brings the heat. Hit play and join the debate — it’s Cruise vs. DiCaprio like you’ve never heard them before.

🎙️ Mostly Film – New Trailers, Killer Surfers, and Star Wars Surprises

In this episode of Mostly Film, we're back with a packed lineup of hot takes, streaming recaps, and industry news fresh off the wire. Here's what's on the reel:

🎞️ LIST IT or NIX IT
We break down the latest batch of trailers and decide what’s hitting our Letterboxd watchlists — and what’s getting the hard pass. This week’s trailer gauntlet includes:

• The Pickup

• The Lost Bus

• Animal Farm

• The Man in My Basement

• Wicked for Good

• Kiss of the Spider-Woman

• A Big Bold Beautiful Journey
  (List or nix? We’re saying it up top and defending the call.)

👀 What We've Been Watching
From high-concept sci-fi to sweaty summer comedies, we cover the films and shows that stuck with us this week:

• Predator: Killer of Killers — does it earn that subtitle?

• The Surfer — sand, sweat, and existential dread

• The Accountant 2 — Ben’s back to balance more than books

• Minecraft: The Movie — yes, it’s real, and yes, we watched it

• Captain America: Brave New World — early impressions
  Plus: our Summer of Comedy rewatch rolls on with Tropic Thunder and Forgetting Sarah Marshall.

📺 TV Corner
Quick hits on Dept. Q and other small-screen standouts we’ve been diving into (or avoiding).

📰 The News
Movie news gets spicy this week:

• Texas Chainsaw Massacre sparks a studio bidding war

• Warner Bros. Discovery breakup talk — what it means

• Mass Effect goes live-action

• Mia Goth joins Ryan Gosling in a Star Wars mystery project

• Samuel L. Jackson speaks on awards, legacy, and doing it his way

• Oh yeah… Draco Malfoy has thoughts on J.K. Rowling 👀

All this, plus some irreverent takes and friendly fights. Hit play and let’s roll.

🎙️ Cruise vs. DiCaprio

This week, we’re taking a cinematic deep dive into two stars going big with historical drama, emotional grit, and dual swords (and roles).

🗡️ Tom Cruise in The Last Samurai
We break down Cruise’s transformation into Nathan Algren — a haunted American soldier drawn into the soul of samurai culture. From nearly a year of Kendo and Japanese language training to producing the film himself, Cruise approached this role with unmatched intensity. We talk:

• Why this film marked a mature turn in his career

• How his performance resonated in Japan

• Whether Ken Watanabe really outshined him — and if that’s a bad thing

👑 Leonardo DiCaprio in The Man in the Iron Mask
Fresh off Titanic, DiCaprio took on not one but two roles: the cruel King Louis XIV and the noble twin Philippe. We get into:

• How fans reacted to his post-Jack beard phase

• Whether his dual performance holds up next to acting legends like Irons and Malkovich

• Why this film feels like the awkward teenage phase of DiCaprio’s career

💥 Cruise vs. DiCaprio Showdown
Who brought more emotional depth? Who felt more out of place? And which film left a lasting mark on their career trajectory?

Tune in for some love, some laughs, and some friendly fire as we revisit these two ambitious, period-piece pivots from two of Hollywood’s biggest names.

In this week’s episode, we’re firing on all cylinders — from fresh trailers to comedy rewatches to the latest movie news making waves.

🎬 LIST IT or NIX IT
We take a first look at six hot-off-the-press trailers and decide: are we adding them to our Letterboxd watchlist or nixing them from existence?
You’ll hear our snap takes on:

• Frankenstein (Guillermo del Toro's bold vision)

• Wake Up Dead Man (hello again, Benoit Blanc)

• The Black Phone 2 (do we really need more ring-ring terror?)

• The Home (thriller or filler?)

• The Thursday Murder Club (boomers solve crime!)

• Good Fortune (comedy redemption or studio misfire?)

🎞️ What We’ve Been Watching
From nostalgic laughs to new indies, we break down the movies and shows that stuck with us this week — without spoiling a thing.
Jonathan dives into the theme of Friendship on-screen and revisits comedy gems like Shanghai Noon, George of the Jungle, and The Full Monty.
JP brings Friendship and Mountainhead into focus, and highlights sharp TV picks like Your Friends and Neighbors, Everybody’s Live with John Mulaney, and Adults.

📰 The News
We talk through what’s new in movie land, including:

• Ryan Coogler officially shutting down any hope for a Sinners sequel

• Our honest reactions to the trailer for Dexter: Resurrection (Are we intrigued or just tired?)

Hit play for quick takes, comedy callbacks, and the cinematic stuff that’s keeping us talking.