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Get egg-cited, because Mothra March concludes as the queen of the monsters first meets the king of the monsters! Part Mothra sequel, part Godzilla and the Terrible, Horrible, No Good, Very Bad Day, this unpredictable ride features a cast of favorites and a crew operating on their A-games for one of the best Showa-era films. We talk Japan's real life economic boom and the resulting critiques on modern capitalism vs. ancient tradition, Mothra as a disappointed parent figure, the famous Skeleturtle, an extended conversation on the complexities of dubbing the Godzilla franchise, and much more!
Part of The Glitterjaw Queer Podcast Collective
Patreon | Discord
Email: [email protected]
Theme song: "BIO WARS - Synth Cover" by Kweer Kaiju
Sources include:
Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godziszewski
A Critical History and Filmography of Toho's Godzilla Series by David Kalat
Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon
Wikizilla
4.9
1010 ratings
Get egg-cited, because Mothra March concludes as the queen of the monsters first meets the king of the monsters! Part Mothra sequel, part Godzilla and the Terrible, Horrible, No Good, Very Bad Day, this unpredictable ride features a cast of favorites and a crew operating on their A-games for one of the best Showa-era films. We talk Japan's real life economic boom and the resulting critiques on modern capitalism vs. ancient tradition, Mothra as a disappointed parent figure, the famous Skeleturtle, an extended conversation on the complexities of dubbing the Godzilla franchise, and much more!
Part of The Glitterjaw Queer Podcast Collective
Patreon | Discord
Email: [email protected]
Theme song: "BIO WARS - Synth Cover" by Kweer Kaiju
Sources include:
Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godziszewski
A Critical History and Filmography of Toho's Godzilla Series by David Kalat
Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon
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