"The Happy Prince" is a Masterpiece Theater exercise in cinematic irony, Dan Webster says in his film review.

This year we’ve see directorial debuts from actors Bradley Cooper and Bo Burnham, and now Jonah Hill has been added to the list. His first feature, "Mid90s," is a snapshot of skater kids in LA, and Nathan Weinbender proposes that it's more interesting as a mood piece than a coming-of-age narrative.

In "22 July," Paul Greengrass documents the story behind one of the worst mass killings in history, Dan Webster says in his film review.

"Bad Times at the El Royale" has all the trappings of a future cult film— it's over-ambitious, singularly strange, and it died at the box office. Nathan Weinbender takes a look at the neo-noir curiosity, which isn't totally successful, but is most certainly interesting.

Jacques Audiard's "The Sisters Brothers" is no John Ford western, Dan Webster says in his film review.

"First Man" tells the story of a private man who went to the moon, Dan Webster Says in his film review.

Amongst its series and stand-up specials, Netflix has been acquiring new films by great directors— and their newest release is Paul Greengrass' "22 July." Nathan Weinbender takes a look at the movie, which dramatizes terrorist attacks that occurred in Norway in 2011, and examines the craft behind its troublesome existence.

"Blaze" gives a new feel to the story of a doomed music artist, Dan Webster says in his film review.

Everyone has been raving about "A Star Is Born," the fourth feature film iteration of the classic rags-to-riches story and the first movie this year to generate serious awards talk. Nathan Weinbender takes a look at Bradley Cooper's directorial debut starring Lady Gaga, which isn't a masterpiece, but has plenty of memorable moments.