Now streaming on Netflix, Lin-Manuel Miranda's directorial debut "Tick, Tick . . . Boom!" breathes new life into Jonathan Larson's one-man show. Nathan Weinbender says it's an Easter egg hunt for theater fans, as well as a showcase for star Andrew Garfield.

"Hive" focuses on the clash between male-dominated tradition and one woman's quest for survival in post-war Kosovo, Dan Webster says in his review.

Another week, another Netflix release. The action comedy "Red Notice" is apparently breaking records on the streaming service, but Nathan Weinbender says it'll be forgotten before you can refresh your queue.

"Belfast" is Kenneth Branagh's love letter to the Northern Ireland city of his birth, Dan Webster says in his review.

From "Shaun of the Dead" to "Hot Fuzz" to "Scott Pilgrim vs. the World," Edgar Wright has been a sharp comic and visual storyteller. He descends into horror with "Last Night in Soho," and while it hasn't found an audience yet, Nathan Weinbender says it's a worthwhile aesthetic experience.

Dan Webster reviews Mia Hansen-Love's "Bergman Island."

It's big news whenever Wes Anderson releases a new film, and he's back with his 10th feature, the whimsical comedy "The French Dispatch." The reviews have been a bit divisive, but Nathan Weinbender thinks it's one of the director's best works.

"Found" is a tender Netflix documentary about the discovery of origins and the meaning of family, Dan Webster says in his review.

Denis Villeneuve's adaptation of the science-fiction novel "Dune" is an admirable attempt to capture Frank Herbert's sprawling story, Dan Webster says in his review.

Ignored at their peak, revered after their dissolution, the Velvet Underground followed a wild rock 'n' roll arc. Nathan Weinbender takes a look at director Todd Haynes' new documentary about the band, streaming on Apple+, a portrait of some of the most adventurous rock music ever made.