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Come see David Fincher film Brad Pitt as he transitions from outdoors long-haired Brad Pitt to gritty beat up indoors Brad Pitt. Pitt and Morgan Freeman do a terrible Lethal Weapon ripoff as detectives who are getting too old for this shit.

Also at the end Kevin Spacey masterminds the world's grossest unboxing video, featuring Gwyneth Paltrow. 

But for real, it's Seven, and it's awesome and dark and weird as s***.

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Disney's 1995 animated musical: Pocahontas! 

Is it historically accurate? No.

Is it entertaining? Meh. 

But, does it at least have great songs????? Also no. Or maybe. You decide -- we can't agree. 

One thing we can all agree it has is Mel Gibson, to our complete surprise. And if you walk the footsteps of a stranger, you'll find things you never knew you never knew. 

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Scorsese, De Niro, Pesci, Sharon Stone, Las Vegas + Mafia. If you like these things and have LOTS of time to spare, this is the movie for you! Stone gets an Oscar nod for this role, the soundtrack is incredible, the outfits are next level, and yet still I'm not sure about it. 

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To infinity, and… back to 1995. Pixar changed the game forever with Toy Story, the first feature-length computer-animated movie, and somehow it still feels like magic. Toy Story wasn’t just a kids’ movie; it was a cultural reset. Join us as we dig into the nostalgia, the behind-the-scenes chaos, and the wild fact that none of us ever looked at our toys the same way again.

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Well, howdy partner, and welcome in to the review of Sam Raimi’s gloriously weird  western, The Quick and the Dead. Sharon Stone struts into town in a leather duster and an I'm Batman speaking voice, Leonardo DiCaprio is playing “Kid” before he was The Kid, Gene Hackman is Lex Luthor in a duster, and Russell Crowe is inexplicably a pacifist preacher with a deadly draw.

This movie is part spaghetti western, part comic-book splash page, and all Raimi—complete with crash zooms, Dutch angles, and a camera shot that literally goes through a bullet hole. We’ll talk about how Sharon Stone hand-picked her co-stars (and gave DiCaprio his big break), why the duels feel like Mortal Kombat fatalities, and how this flick deserves way more love than it got back in the day.

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This week we dust off a time capsule that tried to sell McDonald’s as family therapy: Bye Bye Love. Paul Reiser, Matthew Modine, and Randy Quaid are three divorced dads trying to figure out how to date, parent, and survive suburbia in a world where every kid’s soccer practice ends in a Quarter Pounder. Also: Janeane Garofalo steals the whole movie in like 7 minutes. 

How can a movie this good (to us) be this impossible to find in the modern internet, and can we do anything to bring it back?

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Another of those rare instances where Jeff and JT agree with the Academy of Motion Pictures, we're on Braveheart this episode. Mel Gibson swings a sword, makes speeches, and somehow wears both a kilt and face paint, in defiance of all actual historical records. We talk its big Best Picture Oscar win, James Horner’s score that still gives us goosebumps, questionable history, and battle scenes that absolutely still slap. Was it as good as we remembered, or were we just teenagers hopped up on bagpipes and adrenaline?

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Holy schnikes! The guys fire up the Callahan brake pad factory for a deep dive into Tommy Boy, the 1995 buddy comedy that made Chris Farley a legend and confirmed David Spade's status as the ultimate sarcastic friend. 

How did this movie that shouldn't have happened and almost didn't end up being one of the most memorable and quotable 90s comedies? And where would Farley have ended up in the pantheon of SNL movie stars if he hadn't ODed at age 33? Brake pads not guaranteed, but laughs are.

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Hey folks, in this episode, we’re taking a trip back to 1995 with "Money Train," featuring the dynamic duo of Wesley Snipes and Woody Harrelson. Remember those days of long-distance charges and calling cards? We sure do, and we're diving into all the nostalgia. Join us as we chat about the film's plot, the unforgettable scenes, and the unique world of transit cops. We’ll share some laughs, personal stories, and our take on why this movie is a classic in the buddy cop genre. So grab your popcorn and hop on board for a fun ride through 90s cinema!

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