Movies imo

In episode thirty of movies imo., Ben, Brandon, and Daniel yell over each other about Andrew Haigh’s boy-and-his-horse odyssey through rural white America, LEAN ON PETE - but all they really want to talk about is Steven Spielberg’s WWI picaresque equine picture WAR HORSE. Ben argues passionately that its unabashed emotionality and striking images make it Spielberg’s best in years, Daniel sends its cocktail of sentimentality and harsh brutality back to the bar, and Brandon declares himself the Switzerland of the argument.

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In episode twenty-nine of movies imo., Ben, Brandon, and Daniel yell over each other about Lynne Ramsay, Queen of Scots’s blunt force thriller YOU WERE NEVER REALLY HERE before pummeling themselves with her previous three features WE NEED TO TALK ABOUT KEVIN, MORVERN CALLAR, and RATCATCHER. Ben wonders whether we should discuss her latest film in conversation with the Safdies’s GOOD TIME, Daniel turns out to be the missing child from the RATCATCHER council estate, and Brandon brings the hammer in stanning Ezra Miller.

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In episode twenty-eight of movies imo., Ben, Brandon, and Daniel yell over each other about Steven Spielberg’s big-budget gamer romp READY PLAYER ONE - his first “movie” since THE POST, a “film,” was released theatrically four months ago - as well as other films like THE MATRIX and STRANGE DAYS that also conquer the digital terrain of virtual reality. Ben deals with an outside threat in A QUIET PLACE, Daniel can’t decide if the user-friendliness of The Oasis is a feature or a bug, and resident gaymer Brandon declares Spielberg a winner in the cinematic video game canon.

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In episode twenty-seven of movies imo., Ben, Brandon, and Daniel yell over each other about Steven Soderbergh’s Jack-nasty asylum thriller UNSANE, starring past and future queen Claire Foy. They also discuss Samuel Fuller’s seminal SHOCK CORRIDOR, George Cukor’s classic thriller GASLIGHT, and other work from the prolific Mr. Soderbergh. Ben suggests a clear consonant tell for when British actors try out American accents, Daniel thinks UNSANE one-ups SHOCK CORRIDOR in its reflection of ugly American truths, and Brandon gives a gutsy gift to Channing Tatum.

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In episode twenty-six of movies imo., Ben, Brandon, and Daniel yell over each other about Wes Anderson’s latest set of meticulous miniatures and second stop-motion animated feature ISLE OF DOGS. They discuss the rough melancholy of its central canine characters and decry the lack of cultural sensitivity within its human world, while also digging into Anderson’s other work and sparring especially over THE LIFE AQUATIC WITH STEVE ZISSOU and THE GRAND BUDAPEST HOTEL. Ben couldn’t be more Team Zissou, Daniel waits for a Venmo payday after plugging Mendel’s, and Brandon thinks it’s time to move past the first ten minutes of UP. Wow!

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In episode twenty-five of movies imo., Ben, Brandon, and Daniel take a step back into the closet and break its doors down with LOVE, SIMON, the first major American studio film to follow a gay teen in the lead role on his journey to come out. Your fav film f*gz get real personal as they share their own recollections of high school life in the closet, and celebrate the film on its own genre terms as well as in connection to the emotional earnestness of John Hughes’s FERRIS BUELLER’S DAY OFF. Ben applauds the film’s breadth of queer expression while catching his own breath at Natasha Rothwell’s tubes being tied, Daniel catches flack for wanting more from the ending, and Brandon breathes a heavy sigh of relief that this groundbreaking film is actually good.

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In episode twenty-four of movies imo., Ben, Brandon, and Daniel yell over each other about Ava DuVernay’s history-making first foray into big-budget filmmaking, the long-awaited Disney adaption of Madeleine L’Engle’s A WRINKLE IN TIME. In addition to its empowering message for young girls and overwhelming quantity of adult queens, they also discuss DuVernay’s cinematic roots in her previous three films - MIDDLE OF NOWHERE, SELMA, and 13TH - and Disney’s last attempt at a kiddie sci-fi tentpole, TOMORROWLAND. Ben believes that children who see the film today will reclaim it from dismissive critics down the line, Daniel attempts to discuss the work of iconic American light and space artist James Turrell, and Brandon supports gay rights but finds much to be wrong with underwhelmed supervillain Charles Wallace.

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In episode twenty-three of movies imo., Ben, Brandon, and Daniel yell over each other about the Jennifer Lawrence sexual espionage-cum-state sanctioned humiliation vehicle RED SPARROW, and whether all the folks involved were able to pull off the Soviet SHOWGIRLS lurking in the shadows of its black heart. They also touch on some American actress-led action thrillers of the 1990s as well as the results of the 90th Academy Awards. Ben celebrates the historical importance of recognizing a “woman’s weepie” as Best Picture, Daniel finds THE NET to be a highly prescient work of popcorn and pizza entertainment, and Brandon can’t watch THE SILENCE OF THE LAMBS without shedding a tear or two for Jodie Foster.

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In episode twenty-two of movies imo., Ben, Brandon, and Daniel yell over each other about the tenth anniversary of the 80th Academy Awards, especially the five films nominated for Best Picture: NO COUNTRY FOR OLD MEN, ATONEMENT, JUNO, MICHAEL CLAYTON, and THERE WILL BE BLOOD. Ben serves Karen Crowder Omaha business realness, Daniel recounts a fateful double feature and a feisty Plainview-adjacent date, and Brandon sings the praises of Tamara Jenkins’s THE SAVAGES.

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In a Very Special episode twenty-one of movies imo., Ben, Brandon, and Daniel yell over each about their extremely informed, unbiased, and frankly spectacular predictions for the 90th Academy Awards. Together your fav film f*gz tackle the most pressing questions around this year’s ceremony: Why was there only one nominee this year in Best Adapted Screenplay? Will Adam Rippon put Agnès Varda’s Oscar chances on ice? What happens if Gary Oldman accepts his award in full make-up only to be rolled off the stage by a team of Oompa-Loompas? Ben thinks them BILLBOARDS may indeed win fair and square, Daniel suspects the true SHAPE OF WATER may be in the form of a gold statuette, and Brandon believes future Best Picture winner GET OUT will have enough widespread passion to win the evening’s top prize.

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