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We take a look back at just few of the interviews and pieces over the last 12 months: HOW TO RUIN THE HOLIDAY (Arlen Konopaki & Kevin Gillese), THE AMITYVILLE CURSE (film historian Jason Pichonsky), SPIN THE WHEEL (Preston Ewasiuk, David Heacock & Neil Chase), RELAX, I'M FROM THE FUTURE (Luke Higginson), BLACK BARBIE (Lagueria Davis), Thanks Telefilm featuring I LOVE MOVIES, THE LAST VIDEO STORE (Cody Kennedy, Tim Rutherford, Josh Lenner & Kevin Martin)
Christian Zyp, Mark Davies & Lucas Anders take a look at another terrible X-Mas movie. This year, it's A KARATE CHRISTMAS MIRACLE from director Julie Kimmel. It's written by Ken Del Vecchio, Julie Kimmel & David Landau.
A KARATE CHRISTMAS MIRACLE focuses on 10-year-old Jesse Genesis as he creates a "12 Days of Christmas List" of tasks to honour his missing father. He believes that if he completes them all, including becoming a self-taught karate black belt, his father will return on Christmas Day. Throw in an eccentric psychic-turned-law professor and you have a pseudo-Hallmark, problematic mess.
Lindsey Campbell interviews Sav Rogers (director) about the doc CHASING CHASING AMY. It screens Thursday November 23rd at 7 pm as part of CUFF.Docs at the Globe Cinema.
CHASING CHASING AMY is a trans coming of age love story documentary, set against the backdrop of an indie film that solidified some careers and damaged others. Featuring interviews with the cast and crew of CHASING AMY (Kevin Smith and Joey Lauren Adams), alongside thought leaders from the LGBTQ+ community, several revolutionary filmmakers, and friends of the filmmakers.
Originally aired on Jan 15, 2015. Here is an interview about the restored re-release of the original Canadian horror film, 1961's THE MASK. Jason Pichonsky does the commentary track on the release and gives us some historical context about the film.
In THE MASK (1961), a young archaeologist believes he is cursed by a mask that causes him to have weird nightmares and possibly to murder. Before committing suicide, he mails the mask to his psychiatrist, Dr. Barnes, who is soon plunged into the nightmare world of the mask.
Christian Zyp interviews Sarah Appleton and Jasper Sharp (co-directors) about their documentary THE J-HORROR VIRUS. It screens as part of CUFF.Docs Sat Nov 25th @ 9:30 pm at the Globe Cinema in Calgary.
THE J-HORROR VIRUS charts the origins, evolution and diffusion across the world of a distinctive brand of made-in-Japan supernatural chillers featuring vengeful ghosts manifesting themselves through contemporary technology against a backdrop of urban alienation and social decay. From its origins in Teruyoshi Ishii’s fake documentary PSYCHIC VISION: JAGANREI (1988) and Norio Tsuruta’s seminal SCARY TRUE STORIES (1991/92) straight-to-video series, through such key titles as Hideo Nakata’s RING (1998), Kiyoshi Kurosawa’s PULSE (2001) and Takashi Shimizu’s JU-ON: THE GRUDGE (2002), critics and the filmmakers reflect on how the bleak dystopic visions and unsettling atmospheres that made these works so unique infiltrated their way across the world.
Christian Zyp interviews Layla Staat about the documentary BOIL ALERT. It screens Sat Nov 25th at 4:30 pm as part of CUFF.Docs at the Globe Cinema in Calgary. Layla Staats and Michelle Thrush will be in attendance for a Q&A following the screening.
BOIL ALERT follows activist Layla Staats as she embarks on a dual journey to explore the Indigenous relationship to water as well as her own identity struggles she has grappled with her entire life as a Mohawk Woman. Layla explores her past through the lens of uncovering why there is a lack of access to drinking water for many First Nations. There are currently 32 long-term boil-water advisories in 28 communities across Canada; drinkable water isn’t a reality for all living in this country.
Christian Zyp interviews David Gregory (director) about his doc ENTER THE CLONES OF BRUCE. It screens as part of CUFF.Docs Fri Nov 24th @ 9:15 pm at the Globe Cinema in Calgary.
A look at the history, controversy, and legacy behind one of the most bizarre and successful genres in movie history: the Bruce Lee exploitation craze. When Bruce Lee died in 1974 at the peak of his superstardom, he had completed only four feature films. But within hours of his funeral, Hong Kong movie studios began to produce hundreds of unauthorized biopics, sequels, prequels, spin-offs, and rip-offs starring a competing series of Lee lookalikes. Over the next decade, fueled by both deception and demand, ‘Bruceploitation’ would become a staple of global cinema.
Mark Davies spoke with Shelly Thompson (director) about her film DAWN, HER DAD AND THE TRACTOR. It screens as part of the Broad View International FIlm Festival Saturday November 11th @ 4pm at Metro Cinema.
Set on a Nova Scotia dairy farm, John Andrew has just lost his wife Miranda to cancer. When a young woman with a startling resemblance to Miranda appears on his porch, an odyssey towards understanding begins. John Andrew’s estranged son Donald is now Dawn, and she’s come home to mourn her mother and keep her promise to repair her relationship with her Dad. Restoring the tractor her mother learned to drive on becomes a focus for the mechanically minded Dawn. John Andrew begins to realize that if he’s to reclaim this relationship, he has to come out with Dawn, and what better setting than the community tractor trials — an event Miranda created as a tireless village volunteer — where he proudly cheers for his daughter Dawn, as she enters the arena at the wheel of the lovingly restored tractor.
Lucas Anders interviews Virginia Abramovich (director) about her film BETWEEN WAVES. It screens as pat of the Broad View International Film Festival. It screens Friday November 10th at 9:15pm at Metro Cinema.
In BETWEEN WAVES, a woman pursues her missing lover, a quantum physicist, by crossing into a parallel dimension after his presumed death. Following a map and notebook left behind, she embarks on a journey to the island of Sao Miguel in the Azores. Here she begins to untangle the truth of what really happened the night he disappeared.
Christian Zyp interviews Jen Markowitz (director) about their doc SUMMER QAMP. It screens Sat Nov 4th @ 4pm at the Metro Cinema. It's presented by Rainbow Visions FIlm Festival and NorthWest Fest.
SUMMER QAMP focuses on the staff and attendees of Camp fYrefly, a haven for LGBTQ2S+ teens, far away from the fierce political battle currently being waged against queer expression and gender identity – particularly in this Province. SUMMER QAMP invites ALL audiences into the innocence and joy of a summer away with friends, while never losing sight of the bravery of these young protagonists whose very existence is challenged in their normal lives.
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