In the summer of 1972, five burglars broke into the offices of the Democratic National Committee at the Watergate office complex in Washington, DC, and soon the term “Watergate” came to signify a political scandal that nearly led to the impeachment of then-president Richard Nixon.

But if you had said, “Watergate” to someone in DC in July some 30 years earlier, you probably were referring to a series of outdoor concerts by the National Symphony Orchestra, whose “Watergate Concerts” were held on the banks of the Potomac near the Lincoln Memorial.

These concerts presented a mix of old and new music, classical favorites and recently composed works by American composers. For example, on today’s date in 1945, the weather in DC was clear and warm when Alexander Smallens conducted an outdoor Watergate Concert that included the recently-composed suite from Aaron Copland’s ballet “Rodeo,” and “Newsreel,” an orchestral suite by William Schuman.

Both suites had, in fact, been premiered at summertime Pops concerts—Copland’s at a 1943 Boston Pops Concert conducted by Arthur Fielder, and Schuman’s by the New York Philharmonic at one of their 1942 Lewisohn Stadium concerts, conducted by Smallens.

Schuman’s suite was inspired by the popular newsreel features shown at movie theaters in those days—a time when radio ruled, and if people wanted to SEE footage of places and faces in the news, they had to turn to the movies, not CNN.