We mark the premiere on January 22, 1859 – 165 years ago today – of Johannes Brahms’ Piano Concerto No. 1, in the German city of Hanover. No other work by Brahms caused him such effort; never before or after did he so agonize over a piece, working and reworking it over and over again. Background On October 1, 1853, the 20-year-old Johannes Brahms showed up at the door of Robert and Clara Schumann’s house in Düsseldorf, in the Rhineland.  At the time, Brahms was pretty much a complete unknown outside of his hometown of Hamburg.  He was visiting the Schumann’s at the behest of the violinist and conductor Joseph Joachim (1831-1907) who, although only two years older than Brahms, was already world famous.   Physically, the young Brahms looked virtually nothing like the bearded, portly, cigar-smoking, bear-like dude of his later years; at twenty he was described as being: “a shy, awkward, nearsighted young man, blonde, delicate, almost wispy, boyish in appearance as well as in manner (the beard was still 22 years away) and with a voice whose high pitch was a constant embarrassment to him.” This 20-year-old kid might not have looked like our familiar image of […]

The post Music History Monday: Johannes Brahms, Piano Concerto No. 1 first appeared on Robert Greenberg.

On January 15, 1972 – 52 years ago today – Don McLean’s folk-rock song American Pie began what would eventually be a four-week stay at number 1 on the Billboard Hot 100 chart.  The song made the singer, songwriter, and guitarist Don McLean (born 1945) very famous and very rich, and it is considered by many to be one of the greatest songs ever written. No One is Perfect Not a one of us is perfect, and that goes double/triple/quadruple for me.  I eat ice cream right out of the carton before putting it back in the freezer, and will guzzle club soda and tonic water out of the bottle before putting it back in the fridge. I will lick a knife with cream cheese or peanut butter on it, lest any of it go to waste, and I will observe my personal ten-to-fifteen second rule when I drop food on the floor (providing one of the cats hasn’t gotten to it first).  I don’t always turn my socks right-side-out before putting them in the washing machine, and I have been known to forget to water the plants even when I’ve been reminded to do so. (Regarding the freaking plants: […]

The post Music History Monday: American Pie first appeared on Robert Greenberg.

We mark the birth on January 8, 1830 – 196 years ago today – of the German pianist, conductor, composer, and cuckold, Hans Guido von Bülow.  Born in the Saxon capital of Dresden, he died in a hotel in Cairo, Egypt, on February 12, 1894, at the age of 64.  Poor Hans von Bülow.  He was one of the top pianists and conductors of his time.  His career was closely associated with some of the greatest composers of all time, including Richard Wagner, Johannes Brahms, and Pyotr Tchaikovsky.  Famous for his devastating wit and ability to turn a phrase, it was Bülow who coined the alliterative trio of “Bach, Beethoven, and Brahms.” Sadly, for all of his many accomplishments and deserved renown, he remains best known today (in no small measure because of scandal-mongering sensationalists like myself) as one of the great cuckolds of all time, right up there with myself (cuckolded by my college girlfriend Maureen Makler and an Israeli guy named Avi Luzon); Eddie Fisher (cuckolded by Elizabeth Taylor and Richard Burton), and Henry VIII (cuckolded, or so we are told, by Ann Boleyn and a wide assortment of various courtiers and hangers-on).  Bummer all the way around, […]

The post Music History Monday: Pianist, Conductor, Composer, and a Cuckold for the Ages first appeared on Robert Greenberg.

On December 18, 1962 – 61 years ago today – Dmitri Shostakovich’s Symphony No. 13 received its premiere in Moscow.  The symphony stirred up a proverbial hornet’s nest of controversy, and we’re not talking here about your everyday hornet, but rather, those gnarly ‘n’ gnasty Asian Giant Hornets! It was a symphonic premiere that almost didn’t take place, though, in the end, the show did go on.  Nevertheless, the authorities (the Soviet authorities, notable for their heavy blue serge suits, vodka breaths, and deficient senses of humor) did everything in their power to squash the symphony out of existence.  In this they failed miserably, and Shostakovich’s Thirteenth is today acknowledged as not just one of Shostakovich’s supreme masterworks but as one of the most musically and politically important works composed during the twentieth century.  A Good Communist During the late 1950s, Shostakovich was increasingly used by the Soviet authorities as a sort of artistic “figure head,” meant to represent the supposedly “free” Soviet intelligentsia.  In 1960, the First Secretary of the Communist Party of the Soviet Union – Nikita Khrushchev (1894-1971) – decided to make the 54-year-old Shostakovich the chairman of the newly founded RSFSR, the Russian Union of Composers.  […]

The post Music History Monday: Shostakovich Symphony No. 13 first appeared on Robert Greenberg.

On December 11, 1721 – 302 years ago today – Johann Sebastian Bach’s employer, the 27-year-old Prince Leopold of Anhalt-Cöthen (1694-1728), married the 19-year-old Friederica Henrietta of Anhalt-Bernburg (1702-1723).  She was the fourth daughter (and youngest child) of Charles Frederick, Prince of Anhalt-Bernburg (1668-1721) and his first wife, Sophie Albertine of Solms-Sonnenwalde (1672-1708). We can only hope that the kids enjoyed their wedding, because, sadly, their marriage was not fated to last for very long. (Allow me, please, a small bit of editorial bloviation. Speaking as a lower middle-class American kid born in Brooklyn, New York and raised in South Jersey – meaning someone with zero tolerance for all this royalty stuff – I find all of these puffed-up hereditary royals insufferable in both their titles and their actions.  Among the actions of the literally hundreds of “princes” and “princesses” of the Holy Roman Empire was to intermarry, for generations, with other such “people of quality,” meaning their cousins.  A brief look at their life spans – which are, indeed, representative of their “class” – reveals how well that turned out.  Bach’s beloved boss, Prince Leopold of Anhalt-Cöthen, lived for all of 33 years.   Leopold’s father, Emmanuel Lebrecht of […]

The post Music History Monday: The “Amusa” first appeared on Robert Greenberg.

We mark the premiere on December 4, 1881 – 142 years ago today – of Pyotr Ilyich Tchaikovsky’s one-and-only violin concerto, his Violin Concerto in D major.  It received its premiere in Vienna, where it was performed by the violinist Adolf Brodsky and the Vienna Philharmonic Orchestra, conducted by Hans Richter. The concerto is, in my humble opinion, Tchaikovsky’s single greatest work and one of a handful of greatest concerti ever composed.   Yet its premiere in Vienna elicited one of the most vicious reviews of all time. Unfortunately for him, Tchaikovsky was indeed one of the most over-criticized composers in the history of Western music. (Just asking: do any of us like being criticized?  I think not, and please, let’s not dignify that oxymoronic phrase, “constructive criticism” by considering it seriously. I don’t mean to sound over-sensitive, but after a certain age – say, 25 – criticism of any sort, even if it is deserved [we’re talking to you, George Santos] is simply infuriating.) Tchaikovsky was also one of the most over-sensitive people ever to become a major composer, which meant that the sometimes brutal criticism he received drove him to near madness.  (Regarding Tchaikovsky’s sensitivity, as a youngster, […]

The post Music History Monday: Unplayable first appeared on Robert Greenberg.

On November 27, 1896 – 127 years ago today – Richard Strauss conducted the premiere performance of his sprawling orchestral tone poem Thus Spoke Zarathustra in the German city of Frankfurt.  Requests A momentary and applicable (if gratuitous) diversion.  Over the course of the first half of my musical life I played a lot of gigs, both in bands and as a solo piano player.  The bands ranged from fairly high end to not fairly high end.  The best band I ever played with was led by the alto saxophonist Lee Konitz; the worst was a disco band the name of which will remain my little secret.  The first band in which I played was a rock ‘n’ roll garage band called “Cold Sun” and the last was a Berkeley, California-based Klezmer group called “Hot Borscht.” (“Cold Sun” and “Hot Borscht”: temperature challenged tags in both cases.) As a solo player I’ve played pretty much every sort of gig, from cocktail parties, weddings, sing-a-longs, awards shows, and receptions to a long-running gig at a long defunct restaurant in Oakland, California, called The Pewter House. I played at The Pewter House, in 1978 and 1979, on Friday and Saturday evenings.  It […]

The post Music History Monday: Richard Strauss, Stanley Kubrick, Friedrich Nietzsche, and “Thus Spoke Zarathustra” first appeared on Robert Greenberg.

We mark the conclusion on November 20, 2022 – one year ago today – of the North American leg of Elton John’s “Farewell Yellow Brick Road: The Final Tour.”  The concert took place at Dodgers Stadium in Los Angeles; it was the third of three “farewell” concerts held at Dodgers Stadium. The three concerts (on November 17, 19, and 20) saw a total attendance of 142,970 people and grossed $23,462,993. Since the first rock ‘n’ roll concert , which was held in Cleveland on March 21, 1952 (that would be the “Moondog Coronation Ball”), there have been rock ‘n’ roll concert tours and there have been rock ‘n’ roll farewell concert tours.  But Elton John’s “Farewell Yellow Brick Road: The Final Tour” was in a league of its own and will likely never, ever be matched.  The numbers are mind-boggling and bladder-weakening.  The tour, interrupted, as it was, by the COVID epidemic, ran for nearly five years, from September 8, 2018, to July 8, 2023.  It began in Allentown, Pennsylvania and concluded in Stockholm, Sweden. It consisted of nine separate legs (or “tours within the tour”) and a total of 330 shows.  All together, the tour was attended by 6.1 […]

The post Music History Monday: The Great-Grandmother of All Concert Tours: Elton John’s “Farewell Yellow Brick Road: The Final Tour” first appeared on Robert Greenberg.

We mark the death on November 13, 1868 – 155 years ago today – of the opera composer Gioachino Antonio Rossini, in Paris, at the age of 76. He was one of the most famous and beloved artists of his time, and he remains no less so today. It is my humble opinion that anyone who does not like Rossini’s operas – and, believe it or not, I have met any number of such people in the “rarified” confines of academia – well, such a person is a crank and a humbug, someone averse to melodic brilliance, theatric sparkle, and wit. 10,000 Hours? In his book Outliers: The Story of Success (Little, Brown and Company, 2008), the English-born Canadian journalist (and staff writer at The New Yorker) Malcolm Gladwell posited his “10,000-hour rule.” Gladwell’s 10,000-hour rule asserts that: “the key to achieving true expertise in any skill is simply a matter of practicing, albeit in the correct way, for at least 10,000 hours.” Of course this is complete nonsense. We must conclude that Mr. Gladwell has practiced making absurd statements for well over 10,000 hours, so completely daft is his “rule.” Listen: when I was twenty, I was 5’7” in […]

The post Music History Monday: Gioachino Rossini and the Comedic Mind first appeared on Robert Greenberg.

We mark the birth on November 6, 1854 – 169 years ago today – of the American composer, conductor, and violinist John Philip Sousa.  Born in Washington, D.C., Sousa died in Reading, Pennsylvania on March 6, 1932, at the age of 77. Timing, Location, Life Experience, and Talent We are told that talent – be it athletic, musical, artistic, culinary, whatever – will only take us so far; that without commitment, hard work, and perseverance “talent” is, in the end, nothing but potential.  But success in any field in which innate, gene-given talent is an underlying necessity requires something more than just blood, sweat, and tears: it also requires timing, location, and life experience. We consider.  How many potential William Shakespeares have been born in times and places in which vernacular, secular theater was not being cultivated to a revolutionary degree?  How many latent Sebastian Bachs lived until one was born into the perfect family and at the perfect time and place to exploit his skill set? How many possible LeBron Jameses existed before the invention of basketball?  I would suggest that what made Mozart “Mozart” was not just his talent and work ethic, but that his father was a […]

The post Music History Monday: The March King first appeared on Robert Greenberg.