In the past 24 hours, the music world has seen a flurry of new releases, notable performances, and significant industry updates.

Starting with new music releases, February 21, 2025, marked the arrival of several highly anticipated albums. Roddy Ricch's new LP, *The Navy Album*, was released after being delayed from its original December 2024 date. The album features 18 tracks, including the singles "Survivor's Remorse" and "Lonely Road" with Terrace Martin[1].

Other notable releases include Sam Fender's *People Watching*, Sunny War's *Armageddon in a Summer Dress*, and the latest solo album from Drive-By Trucker's Patterson Hood. Additionally, Mumford & Sons dropped the second song from their upcoming album, while Anxious, Ezra Collective, and Icelandic rockers Kaleo also released new music[4].

On the performance front, several festivals and tours have made headlines. The EDC Las Vegas 2025 full lineup was announced, and Tomorrowland 2025 sold out in record time. Clairo performed with Charli XCX and Beabadoobee at the Laneway Festival Melbourne, and Tems is set to headline Billboard Presents The Stage at SXSW London[5].

In tour updates, Snail Mail and Dinosaur Jr. announced a joint summer US tour, while Men I Trust revealed plans for two new albums and a North American tour. Patti Smith is set to embark on a 50th anniversary tour for her album *Horses*, and Kendrick Lamar and SZA announced the Europe/UK leg of their co-headlining tour[5].

Industry updates include significant developments in streaming and transparency. Drake dropped his case against Spotify and Universal Music Group over allegations of phony streaming boosts for Kendrick Lamar’s song "Not Like Us," a move that highlights ongoing issues with streaming integrity[2].

The music industry is also seeing a shift in platform usage as artists move away from TikTok, which is no longer accessible in the US. Artists are now leveraging platforms like Triller, YouTube Shorts, and Instagram Reels for music discovery, although these platforms lack the viral mechanism that made TikTok so effective[2].

In terms of festivals, the Outlaw Music Festival will feature a lineup including Willie Nelson, Bob Dylan, Wilco, Waxahatchee, and Billy Strings. Alabama Shakes announced their first North American tour in eight years, and Black Sabbath revealed their final ever show with support from Metallica and Slayer[5].

On the controversy side, the music world is still grappling with copyright issues, as seen in the lawsuit against Miley Cyrus for copyright infringement over her song "Flowers," despite the original songwriters being against the suit. This case raises questions about the line between influence and plagiarism[3].

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In the past 24 hours, the music world has seen a flurry of exciting new releases and significant industry updates. February 21, 2025, marked the release of several highly anticipated albums and singles. Sam Fender's new album, *People Watching*, and Sunny War's *Armageddon in a Summer Dress* are among the standout releases, both of which were highly anticipated by music enthusiasts[1].

Other notable releases include Patterson Hood's latest solo album, the first half of a double album from post-hardcore band Silverstein, and new music from Mumford & Sons, who dropped the second song from their upcoming album. Anxious and Ezra Collective also released new tracks, with Anxious promising to get fans moshing and Ezra Collective set to get people dancing. Icelandic rockers Kaleo are back with a bluesy new single, and harder-edged tunes come from Disturbed and A Day to Remember[1].

In addition to these releases, February 21 saw new music from a diverse array of artists, including Jensen McRae, Hurray for the Riff Raff, Mt. Joy, Counting Crows, and Suki Waterhouse. McKinley Dixon released the first single from his next album, and Ruston Kelly is preparing for his next *Dirt Emo* release with a cover song. Other artists returning with new music include Tigers in Cairo, Tugboat Captain, and several others[1].

Apart from new releases, the music industry is undergoing significant transformations. Technological advancements and evolving consumer behaviors are driving changes in how music is consumed. Streaming platforms like Spotify and Apple Music are evolving their revenue models to offer more flexible and artist-friendly options. For instance, Spotify and Universal Music Group have announced a multi-year agreement to enhance opportunities for artists through innovative subscription tiers and an enriched audio-visual catalog[2].

Virtual concerts and live streaming continue to shape the industry, with platforms like Twitch, YouTube Live, and Stageit becoming essential for live music experiences. These virtual events allow for real-time fan interaction and monetization through ticket sales, donations, and exclusive fan memberships[2].

Industry trends also highlight a growing emphasis on ethical and sustainable practices. Discussions around fair pay for musicians, mental health support, and artist equity are becoming more urgent. Artists are adopting carbon-neutral tours and eco-friendly merchandise to reduce their environmental impact[2].

In other news, Lady Gaga is set to release her new album *Mayhem* on March 7, 2025. The album, conceived as a pop record, follows the release of its lead single "Disease" and the second single "Abracadabra". Gaga is also scheduled to headline the 2025 Coachella festival in April and will appear in the upcoming second season of the Netflix series *Wednesday*[3].

The month of February has been rich in new music releases beyond just the 21st. Earlier in the month, albums from Dream Theater, Guided by Voices, Inhaler, and Jinjer were released. Later in the month, Alessia Cara, Bartees Strange, Brother Ali and Ant, and The Lumineers also dropped new albums[2].

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In the past 24 hours, the music world has seen a flurry of new releases, notable performances, and significant industry updates.

Starting with new releases, February 21st has brought a diverse array of albums across various genres. Sam Fender's *People Watching*, Patterson Hood's *Exploding Trees & Airplane Scream*, and Jesse Welles' *Middle* are among the standout albums this week. Other notable releases include Sunny War's *Armageddon In A Summer Dress*, Saya Gray's *SAYA*, Tate McRae's *So Close To What*, Cristina Vane's *Hear My Call*, Youth Lagoon's *Rarely Do I Dream*, and Paul Thorn's *Life is Just a Vapor*[1].

In the country, folk, and Americana scene, artists like Jim Ghedi with *Wasteland*, Hannah McFarland with *Broken Hearts*, and Bill Medley of The Righteous Brothers with *Straight from the Heart* have also released new music. The pop genre sees new albums from Imagine Dragons with *Reflections (From the Vault of Smoke + Mirrors)* and Mike Posner with *The Beginning*[1].

On the rock, alternative, and indie front, bands like Anxious with *Bambi*, Basia Bulat with *Basia's Place*, and Baths with *Gut* have made significant contributions. Additionally, David Lee Roth's *The Warner Recordings (1985-1994)*, a five-disc set highlighting his solo work, has been reissued[1][2].

In terms of industry updates, streaming platforms are evolving their revenue models to offer more flexible and artist-friendly options. Spotify and Universal Music Group have announced a multi-year agreement to enhance opportunities for artists through innovative subscription tiers and an enriched audio-visual catalog. This shift indicates a move toward better compensation and more control for creators over their content[2][5].

The rise of virtual concerts and live streaming continues to shape the industry, with platforms like Twitch, YouTube Live, and Stageit becoming essential for live music experiences. These virtual events allow for real-time fan interaction and monetization through ticket sales, donations, and exclusive fan memberships. Hybrid models combining live and virtual concerts are expected to be a major trend in 2025[2][5].

There is also a growing emphasis on ethical and sustainable practices within the music industry. Discussions around fair pay for musicians, mental health support, and artist equity are becoming more urgent. Artists are adopting carbon-neutral tours and eco-friendly merchandise to reduce their environmental impact, aligning with the increasing support from fans for artists who embrace social causes[2][5].

In other news, Neil Young is set to release *Oceanside Countryside*, a previously unreleased album recorded between May and December 1977, as part of his Analog Originals series. The entire Creedence Clearwater Revival catalog will also be reissued on special vinyl, featuring remastered versions of their iconic albums[2].

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In the past 24 hours, the music world has seen a flurry of exciting developments, including new releases, notable performances, and significant industry updates.

February 7 marked a pivotal day for new music releases, with a diverse array of artists dropping their latest work. Dream Theater released their highly anticipated album *Parasomnia*, while Guided by Voices unveiled *Universe Room*. Other notable releases include Biig Piig's *11:11*, Drop Nineteens' *1991*, and Facs' *Wish Defense*. Additionally, Krept & Konan's *Young Kingz 2*, Olly Alexander's *Polari*, and Squid's *Cowards* hit the shelves, making this week one of the most robust for new music in 2025[1][5].

Looking ahead, February 14 will see releases from Alessia Cara with *Love & Hyperbole*, Art d'Ecco's *Serene Demon*, and Lacuna Coil's *Sleepless Empire*. The Lumineers are also set to release *Automatic*, which is anticipated to be one of the best-known releases of the month. Other artists like Doves with *Constellations For The Lonely*, Bartees Strange with *Horror*, and Neil Young with the previously unreleased *Oceanside Countryside* will also make their mark[1][2][5].

In the realm of reissues and archival releases, February 2025 is shaping up to be a month filled with treasures. Neil Young's *Oceanside Countryside*, recorded between 1977 and 1978, is part of his Analog Originals series and shares a rootsy vein with his 1978 album *Comes a Time*. The entire Creedence Clearwater Revival catalog will be reissued on special vinyl, and David Lee Roth's solo projects between 1985 and 1994 will be compiled in a five-disc set[2][5].

On the performance front, while there are no immediate notable concerts announced, recent tours have highlighted the economic power of live music. Taylor Swift's Eras tour generated over $2 billion, and Coldplay's Music of the Spheres World Tour grossed over $1 billion. Beyoncé has recently announced her 2025 Cowboy Carter tour, following the immense success of her Renaissance World Tour, which brought in over $592 million[2][3].

In industry news, significant financial investments are returning to the music space after the economic downturn in 2022. Sony Music has bought the recording and publishing rights to Queen’s music for nearly $1.3 billion, a move that underscores the value of proven music catalogs[2][3].

Legal battles are also making headlines, with the Department of Justice's case against Live Nation-Ticketmaster for operating an unfair monopoly being a key issue. Additionally, copyright infringement suits, including one involving Miley Cyrus and Bruno Mars, are drawing attention to the complexities of copyright law in the music industry[2][3].

Technological advancements and evolving consumer behaviors are driving significant transformations in the music industry. Streaming platforms like Spotify and Apple Music are evolving their revenue models to offer more flexible and artist-friendly options. The rise of virtual concerts and live streaming on platforms like Twitch, YouTube Live, and Stageit is also reshaping the industry, allowing for real-time fan interaction and new monetization strategies[5].

Finally, there is a growing emphasis on ethical and sustainable practices within the industry. Discussions around fair pay for musicians, mental health support, and artist equity are becoming more urgent, with many artists adopting carbon-neutral tours and eco-friendly merchandise to reduce their environmental impact[5].

Thanks for listening to the Music News Tracker Podcast and be sure to subscribe.

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In the latest music news, February 2025 is shaping up to be an exciting month for music enthusiasts, with a plethora of new releases and reissues across various genres.

Neil Young is set to release *Oceanside Countryside*, a previously unreleased album recorded between May and December 1977. This album, part of Young's Analog Originals series, shares a rootsy vein with his 1978 album *Comes a Time* and includes three of the same songs. This release is highly anticipated by fans of classic rock and folk music.

In addition to Young's release, the entire Creedence Clearwater Revival catalog will be reissued on special vinyl, featuring remastered versions of their iconic albums. Other notable reissues include David Lee Roth's *The Warner Recordings 1985-1994*, a five-disc set highlighting his solo work, and Gene Clark and Carla Olson's *So Rebellious a Lover* in a deluxe edition reissue.

New original albums are also on the horizon. On February 7, several artists are releasing new work, including Dream Theater with *Parasomnia*, Guided by Voices with *Universe Room*, and Inhaler with *Open Wide*. Other notable releases on this date include Jinjer's *Duél*, Larry June, 2 Chainz, and the Alchemist's *Life Is Beautiful*, and Oklou's *Choke Enough*.

Later in the month, on February 14, a diverse array of artists will drop new albums. These include Alessia Cara with *Love & Hyperbole*, Bartees Strange with *Horror*, Brother Ali and Ant with *Satisfied Soul*, and The Lumineers with *Automatic*. Manic Street Preachers will release *Critical Thinking*, while Marshall Allen will debut *New Dawn*, and Saint Motel will release *Symphony in the Sky*.

The music industry is also undergoing significant transformations driven by technological advancements and evolving consumer behaviors. Streaming platforms like Spotify and Apple Music are evolving their revenue models to offer more flexible and artist-friendly options. For instance, Spotify and Universal Music Group have announced a multi-year agreement to enhance opportunities for artists through innovative subscription tiers and an enriched audio-visual catalog[2].

The rise of virtual concerts and live streaming continues to shape the industry, with platforms like Twitch, YouTube Live, and Stageit becoming essential for live music experiences. These virtual events allow for real-time fan interaction and monetization through ticket sales, donations, and exclusive fan memberships[2].

In terms of industry trends, there is a growing emphasis on ethical and sustainable practices. Discussions around fair pay for musicians, mental health support, and artist equity are becoming more urgent. Artists are also adopting carbon-neutral tours and eco-friendly merchandise to reduce their environmental impact[2].

Thanks for listening to the Music News Tracker Podcast and be sure to subscribe.

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Or check out these podcasts http://quietplease.ai

This content was created in partnership and with the help of Artificial Intelligence AI

In the past 24 hours, the music world has seen a flurry of new releases, significant industry updates, and notable performances. February 7, 2025, marked the release of several highly anticipated albums. Dream Theater's *Parasomnia*, a new addition to their progressive metal discography, is one of the standout releases. Other notable albums include Biig Piig's *11:11*, Squid's *Cowards*, Guided by Voices' *Universe Room*, and Heartworms' *Glutton For Punishment*. Additionally, Krept & Konan released *Young Kingz 2*, and Sharon Van Etten & The Attachment debuted their self-titled album.

In the singles department, Lady Gaga released *Abracadabra*, while LISA debuted *Born Again*, featuring Doja Cat and RAYE. Ava Max's *Lost Your Faith* and DeathByRomy's *La La Land* are also making their mark.

February 2025 is also shaping up to be a month filled with reissues and archival releases. Neil Young is set to release *Oceanside Countryside*, a previously unreleased album recorded between 1977 and 1978. The entire Creedence Clearwater Revival catalog will be reissued on special vinyl, and David Lee Roth's solo projects between 1985 and 1994 will be compiled in a five-disc set.

On the industry front, significant financial investments are returning to the music space after the economic downturn in 2022. Notably, Sony Music has bought the recording and publishing rights to Queen’s music for nearly $1.3 billion. Legal battles are also making headlines, with the Department of Justice's case against Live Nation-Ticketmaster for operating an unfair monopoly and various copyright infringement suits, including one involving Miley Cyrus and Bruno Mars.

In terms of performances, while there are no immediate notable concerts announced, recent tours have highlighted the economic power of live music. Taylor Swift's Eras tour generated over $2 billion, and Coldplay's Music of the Spheres World Tour grossed over $1 billion. Beyoncé has recently announced her 2025 Cowboy Carter tour, following the immense success of her Renaissance World Tour, which brought in over $592 million.

Looking ahead, February 14 will see releases from Alessia Cara with *Love & Hyperbole*, Art d'Ecco's *Serene Demon*, and Lacuna Coil's *Sleepless Empire*, among others. The Lumineers are also set to release *Automatic*, anticipated to be one of the best-known releases of the month.

Thanks for listening to the Music News Tracker Podcast and be sure to subscribe.

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In the past 24 hours, the music world has seen several notable developments, ranging from new album releases to significant industry updates and upcoming performances.

Starting with new releases, this week marks the debut of several highly anticipated albums. Horsegirl's sophomore album, "Phonetics On And On," is out now via Matador. This album signifies a shift from their distortion-heavy debut to a more spacious and experimental approach, incorporating elements like violins, synths, and gamelan tiles. Produced by Cate Le Bon, the album features standout tracks such as '2468' and 'Rock City'[1].

Another notable release is from Bartees Strange, although specific details about the album are not provided in the latest updates. Additionally, Cryogyser has a new album out, adding to the diverse array of music hitting streaming services this week[1].

In terms of industry updates, the music industry in 2025 is undergoing significant transformations. Streaming revenue models are evolving, with Spotify and Universal Music Group announcing a multi-year agreement to enhance opportunities for artists through innovative subscription tiers and an enriched audio-visual catalog. This move indicates a shift towards more flexible and artist-friendly revenue models, potentially offering better compensation and more control over content for creators[2].

The landscape of music promotion is also changing, particularly with the potential ban of TikTok in the U.S. Artists are now exploring alternatives like Instagram Reels, YouTube Shorts, and the emerging platform RedNote. YouTube Shorts, in particular, is gaining traction as it integrates short-form content with the broader YouTube ecosystem, making it ideal for artists who also upload music videos and long-form content[2].

On the performance front, Beyoncé has announced her 2025 Cowboy Carter tour, following the immense success of her Renaissance World Tour, which generated over $592 million. This announcement highlights Beyoncé's ability to create an event and build anticipation, a strategy that independent musicians can learn from to generate buzz and attract fans[5].

The 2025 Grammy Awards also brought several memorable moments, with Kendrick winning a Grammy for his rap song "Not Like Us" and St. Vincent taking home awards for Best Alternative Music Album and Best Alternative Music Performance for "All Born Screaming." Charli XCX was crowned Best Dance/Electronic Music Album for "Brat," showcasing the thriving electronic music scene[5].

In other news, the music industry saw significant financial movements in 2024, with major investments returning to the space. Notable examples include Sony Music buying the recording and publishing rights to Queen’s music for almost $1.3 billion and the sale of classic catalogs by Pink Floyd and Michael Jackson. These transactions indicate a resurgence of investment in proven music catalogs[3].

On the legal front, several high-profile lawsuits made headlines in 2024, including the Department of Justice's case against Live Nation-Ticketmaster for operating an unfair monopoly and various copyright infringement cases involving artists like Miley Cyrus and Bruno Mars. These cases are setting important precedents in tech, creativity, and ownership within the music industry[3].

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In the past 24 hours, the music world has been abuzz with a flurry of new releases, significant industry updates, and notable performances. February 7, 2025, marked the release of several highly anticipated albums, including Dream Theater's *Parasomnia*, a new addition to their progressive metal discography, and Biig Piig's *11:11*, which promises a unique blend of genres. Other notable releases include Squid's *Cowards*, Guided by Voices' *Universe Room*, and Heartworms' *Glutton For Punishment*. Additionally, Krept & Konan's *Young Kingz 2* and Sharon Van Etten & The Attachment's self-titled album have also made their debut[2].

Looking ahead to February 14, 2025, several prominent artists are set to release new albums. Alessia Cara will release *Love & Hyperbole*, Art d'Ecco will drop *Serene Demon*, and Lacuna Coil will unveil *Sleepless Empire*. The Lumineers are also releasing *Automatic*, which is anticipated to be one of the best-known releases of the month. Other artists like Neil Young, with his previously unreleased 1977 album *Oceanside Countryside*, and The Velveteers with *A Million Knives*, are also contributing to the rich musical landscape[1][2].

On the singles front, Lady Gaga has released *Abracadabra*, and LISA has debuted *Born Again*, featuring Doja Cat and RAYE. Ava Max's *Lost Your Faith* and DeathByRomy's *La La Land* are also making significant impacts[2].

The music industry is also witnessing significant financial investments after the economic downturn in 2022. Notably, Sony Music has bought the recording and publishing rights to Queen’s music for nearly $1.3 billion. This move highlights the return of substantial investment in the music space, with other major deals involving the sale of classic catalogs by Pink Floyd and Michael Jackson[2][3].

Legal battles are another major topic, with the Department of Justice's case against Live Nation-Ticketmaster for operating an unfair monopoly gaining attention. Additionally, there are copyright infringement suits, such as the one involving Miley Cyrus and Bruno Mars, where a copyright holder is suing Miley for her track *Flowers*, despite opposition from Bruno Mars and the song's writers[2][3].

In terms of performances, while there are no immediate notable concerts announced, recent tours have demonstrated the economic power of live music. Taylor Swift's Eras tour generated over $2 billion, and Coldplay's Music of the Spheres World Tour grossed over $1 billion. These figures underscore the lucrative nature of live events and the ability of superstars to drive unprecedented profits from touring[2][3].

Beyoncé has recently announced her 2025 Cowboy Carter tour, following the immense success of her Renaissance World Tour, which brought in over $592 million. This announcement highlights her ability to create an event and build anticipation beyond just her music, a valuable lesson for independent musicians on generating buzz and creating a movement with their music[2].

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In the past 24 hours, the music world has seen a flurry of exciting new releases, notable performances, and significant industry updates.

Starting with new releases, this week's New Music Friday has brought a plethora of exciting albums and singles. Sabrina Carpenter has released the deluxe edition of her album "Short N’ Sweet," featuring five new tracks, including a remix of her Number 1 single "Please Please Please" with Dolly Parton. Rizzle Kicks are back after a 12-year hiatus with their new album "Competition is for Losers," which includes collaborations with Maverick Sabre, Mick Jenkins, and DJ Premier. Manic Street Preachers have unveiled their 15th studio album, "Critical Thinking," aiming to replicate the success of their previous chart-topper "The Ultra Vivid Lament." The Wombats are also back with their sixth studio album, "Oh The Ocean," following their first-ever Number 1 album "Fix Yourself, Not the World" in 2022. Other notable releases include Alessia Cara's fourth studio album "Love & Hyperbole," The Lumineers' fifth album "Automatic," and SZA's expanded "SOS Deluxe: LANA" with four new tracks[1][4].

On the singles front, Kylie Minogue has teamed up with Brazilian producer Alok for the dance track "last night i dreamt i fell in love," just in time for Valentine's Day. Perrie Edwards is set to impress with her new single "Rollercoaster," which channels '90s pop-R&B vibes. Addison Rae has finally released her highly anticipated single "High Fashion," approved by her friend Charli XCX. Louise is back with a bold new single "Confession," marking a significant shift in her musical direction, and Muni Long returns with the sultry "Slow Grind"[1].

In terms of performances, Sabrina Carpenter is scheduled to perform at the BRITs 2025 on March 1. Kylie Minogue's Tension Tour kicks off in Perth, Australia this weekend. Beyoncé, fresh from the success of her Renaissance World Tour, has announced her 2025 Cowboy Carter tour, which is expected to generate significant buzz and revenue[1][5].

Industry updates include significant changes in streaming revenue models. Spotify and Universal Music Group have announced a multi-year agreement to enhance opportunities for artists through innovative subscription tiers and an enriched audio-visual catalog. This move indicates a shift towards more flexible and artist-friendly revenue models, potentially offering better compensation and more control over content for creators[2].

The rise of virtual concerts and live streaming continues to shape the music landscape. Platforms like Twitch, YouTube Live, and Stageit are becoming essential for live music experiences, allowing for real-time fan interaction and monetization through ticket sales, donations, and exclusive memberships. Hybrid models combining live and virtual events are expected to be a major trend in 2025[2].

There is also a growing emphasis on ethical and sustainable practices within the music industry. Discussions around fair pay for musicians, mental health support, and artist equity are becoming more urgent. Artists are adopting carbon-neutral tours and eco-friendly merchandise to reduce their environmental impact. Fans are increasingly supporting artists who align with social causes, leading to stronger audience loyalty[2].

In other news, the music industry is navigating several controversies. Drake had been suing his label's parent company over allegations of unethical tactics to boost a rival track by Kendrick Lamar, but he has recently dropped the case. There are also ongoing debates about copyright infringement, particularly in cases involving AI-generated content and the use of artists' tracks in political campaigns[3][5].

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In the past 24 hours, the music world has seen a flurry of exciting new releases and significant announcements. February 14, 2025, marks the release of several highly anticipated albums across various genres.

On the metal front, Bleeding Through has released their new album, *Nine*, on SharpTone Records, which is their first new album since 2018’s *Love Will Kill All*. This album is praised for being a strong return to form for the metalcore act. Hangman’s Chair has also released *Saddiction* on Nuclear Blast, a doom metal album that blends shoegaze and gothic metal elements. Additionally, Lacuna Coil has dropped *Sleepless Empire* on Century Media, an album that explores the themes of a digital world consuming identities and turning people into "soulless zombies"[1].

In other genres, Alessia Cara released her new album *Love & Hyperbole*, while Bartees Strange and The Lumineers have also unveiled their new albums, *Horror* and *Automatic*, respectively. Manic Street Preachers and The Wombats are among the other notable artists with new releases on this date[2].

On the singles side, recent days have seen releases from prominent artists. Lady Gaga dropped *Abracadabra*, LISA released *Born Again* featuring Doja Cat and RAYE, Ava Max debuted *Lost Your Faith*, and DeathByRomy introduced *La La Land*[2].

February 2025 is also shaping up to be a month filled with reissues and archival releases. Neil Young is set to release *Oceanside Countryside*, a previously unreleased album recorded between 1977 and 1978. The entire Creedence Clearwater Revival catalog will be reissued on special vinyl, and David Lee Roth's solo projects between 1985 and 1994 will be compiled in a five-disc set titled *Warner Recordings 1985-1994*[2].

In terms of industry updates, significant investment and legal activities are ongoing. Following the economic downturn in 2022, 2024 saw a return of investment in the music space, including major deals such as Sony Music buying the recording and publishing rights to Queen’s music for nearly $1.3 billion. On the legal front, the Department of Justice is accusing Live Nation-Ticketmaster of operating an unfair monopoly, and there are ongoing lawsuits involving copyright infringement and the use of artists' tracks in political campaigns without permission[2].

Thanks for listening to the Music News Tracker Podcast and be sure to subscribe.

For great Music deals
https://amzn.to/3BPL8A7

Or check out these podcasts http://quietplease.ai

This content was created in partnership and with the help of Artificial Intelligence AI