Staring at a blank DAW is exhausting; staring at a mapped-out arrangement from a reference track is energising. Marc walks through a clear, repeatable reference track arrangement blueprint workflow that turns a single reference track into a full song structure, so you can stop looping and start finishing. From matching tempo and key to placing eight-bar markers, Marc shows how to label intros, verses, breakdowns, builds, and drops, then use that structure to guide creative choices without feeling boxed in.

Marc digs into why intelligent imitation is a craft skill, not a shortcut. By reverse-engineering the reference track structural DNA, you can learn pacing, contrast, and energy flow faster than via trial and error. He goes beyond markers to analyse macro dynamics, tonal balance, and how loudness shapes a listener’s journey. You’ll discover where spectrum shifts create space for vocals or bass, and how micro-changes sustain attention across long sections. With stem splitting from the reference, you learn drums, bass, and instruments in isolation and translate their function into your own sound.

The practical steps are simple: import your reference track, set BPM/key, add a one-bar buffer for alignment, then mark changes every eight bars. Use those signposts to automate builds, design drops, and maintain forward momentum. As your track evolves, reduce reliance on the reference and treat it as a launch pad, not a cage.

Marc closes with a challenge: pick a song that grabbed your ear, map its structure today, build your arrangement, and send him a work-in-progress. If this approach helps you move faster and think clearly, subscribe, share with someone stuck in loop-land, and leave a quick review to help more producers find the show.

Links mentioned in this episode:

Listen to Darklight

How to Make Progressive House from Start to Finish | Splice

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What if a better‑translating mix starts before you touch a single channel plugin? I put top‑down mixing under the microscope and share a candid, first‑hand evaluation: what worked, what didn’t, and how a few smart moves on the mix bus reshaped the entire project in less time and with fewer plugins. Rather than a tutorial, this is a field report packed with practical takeaways you can try on your next session.

I begin by setting a clear vision using references—one in the same key for tonal and energy alignment—and a bounced static mix for instant AB checks. From there, we build a lean, disciplined master bus chain: gentle resonance control, broad‑stroke EQ shelves, an SSL‑style bus compressor, and subtle tape saturation. Those small, wide moves made a big difference early, tightening low‑end focus and smoothing top‑end glare while preserving macro and microdynamics. With the canvas set, we move through subgroups—kick and bass, drums, synths, vocals, FX—pushing fixes upstream and only dropping to track level for surgical EQ where it truly matters.

Not everything got faster. Saving time on tone and dynamics meant time‑based effects arrived later, and finding the right reverb balance took more iteration than usual—proof that arrangement and spatial design can complicate a top‑down flow. Still, automation needs dropped thanks to better macro balance, CPU use fell with fewer chains, and translation improved across volumes. You’ll hear why starting at the mix bus can prevent “getting stuck in the weeds,” how to pick effective reference tracks, and when to abandon restraint for a precise channel tweak.

Suppose you’re curious about master bus processing, top‑down mixing, and faster decision‑making without sacrificing quality. In that case, this session offers a straight‑talk guide to trying it responsibly on your own productions before rolling it out for clients. Listen, steal the framework, then run your own experiment—and tell me what you discover. 

Links mentioned in this episode:

Listen to Narcissist 

THE UNSEEN DANGERS OF TOP-DOWN MIXING

Where Top-Down Goes WRONG

TOP DOWN MIXING - the SECRET SAUCE

Why Top-Down Mixing is the GOAT

Top-Down Mixing: The Secret To Better FASTER Mixes?

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What does a true wall of sound feel like when the vocal still breathes? We sit down with vocalist‑producer Jay Cali (DRUMxWAVE) and mixer‑producer Brian Skeel to unpack the craft behind Severed, big drums, widescreen synths, supportive guitars, and why clarity starts with a shared vision before a single plug‑in loads.

We trace the journey from demo to master, beginning with an hour of alignment on emotion, references, and the “mountaintop” vocal image that sets every downstream choice. Brian breaks down how he builds commanding vocals without harshness: Revoice for doubles and harmonies that behave like real performances, meticulous cleanup, Slate’s processing for character and control, FabFilter DS for precision, and a touch of L1 to pin dynamics so automation can shape arcs. Width becomes a dynamic fader, verses intimate and centred, choruses opening with MicroShift for that lift you feel more than hear. Jay and Brian also reveal the “demon” breakdown: a vocoder moment sculpted with Baby Audio’s Humanoid, tamed by Soothe 2 and widened just enough to shock, then glide.

If you’ve ever struggled to pair synths and guitars, you’ll get a clear playbook. Guitars serve aggression rather than steal focus, panned L/R and low‑passed to make way for hi‑hats and vocal air. Synth choices lean on Serum 2 and ANA 2, with patches picked for fit, not flash. The top end gets the same discipline as the low: cut clutter above 10 kHz so the mix doesn’t fizz, a lesson that came into focus after upgrading monitors and hearing what the old room hid. And for loudness without lifelessness - around −7.8 LUFS - Brian details a reference‑driven, top‑down chain using Metric AB, soft clipping and bus moves to reduce limiter strain, and focused multiband to keep choruses powerful without pumping.

Along the way, you’ll pick up collaboration habits that save weeks: arrive with a concise brief and references, label stems to spec, and send specific revision notes. Ready to test it? Grab one current track with guitars, synths, and vocals. Try widening only the chorus vocal and low‑passing rhythm guitars until the breath returns. Hear the space? That’s what loud and open can sound like. If this resonates, follow, share with a friend who mixes dense productions, and leave a quick review so more producers can find these deep dives.

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Follow Brian Skeel

Listen to Chroma Cloud

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Free plugins often get overlooked in the endless pursuit of premium software, but professional producers know that some of the most powerful tools cost absolutely nothing. In this illuminating conversation, Marc Matthews and Tim Benson (Aisle9) unpack their go-to free plugins that consistently deliver exceptional results across various production scenarios.

The discussion begins with TAL Chorus LX, Tim's top recommendation for achieving that classic Juno-style chorus effect. While many producers shy away from chorus on bass elements, Tim reveals how subtle application can add dimension without compromising mix integrity. Meanwhile, Marc swears by Slate Digital's Fresh Air for bringing clarity to percussion elements, though he cautions listeners about its potentially aggressive presets and the importance of proper gain staging.

Perhaps most valuable are the practical insights into how these tools integrate into real-world workflows. Soft Tube's Saturation Knob emerges as a versatile one-knob solution for adding harmonic richness, while TDR Nova provides dynamic EQ capabilities that rival premium alternatives. For spatial effects, Valhalla Super Massive creates otherworldly reverbs and delays that transform ordinary sounds into immersive soundscapes - particularly effective during breakdowns when automated thoughtfully.

What becomes clear throughout is that these aren't merely "good enough" alternatives to paid options - in many cases, they're the preferred tools of experienced producers who could choose anything. Their simplicity often becomes their strength, allowing for quick, intuitive adjustments without getting lost in parameter overload. Whether you're just starting or looking to expand your production toolkit without the investment, these recommendations offer immediate ways to elevate your sound.

Try implementing one of these free plugins in your next project and share your experience with us! We'd love to hear which free tools you consider essential in your own production arsenal.

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Listen to Night Trains

Listen to Half-Life (Instrumental)

TAL Chorus LX

Slate Digital Fresh Air

Soft Tube Saturation Knob

TDR Nova EQ

Valhalla Super Massive

Goodhertz Midside Matrix

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Have you ever felt stuck in an endless cycle of tweaking, adjusting, and second-guessing your music production decisions? Producer John Kunkel (aka John Grand) reveals the counterintuitive truth that many of us miss: working smarter, not harder, is often the key to finishing more tracks and creating better music.

John shares his game-changing approach to using reference tracks as structural blueprints rather than just mixing guides. By importing a track you love and mapping out its arrangement, you immediately transform that intimidating blank DAW canvas into manageable building blocks. This simple technique has helped John slash his production timeline from weeks to days, and it might just revolutionise your workflow too.

The conversation takes a fascinating turn when John explains why your sound selection decisions matter far more than your processing skills. "Your track is only going to sound as good as the choices that you make in sound selection," he explains, likening poor sound choices to painting with incompatible materials. This insight challenges the common tendency to reach for EQ and compression when the real solution might be choosing a different sample entirely.

Perhaps most thought-provoking is John's psychological observation that constantly adding layers often indicates a lack of confidence in your original ideas. Drawing inspiration from artists like Eric Prydz, he advocates for focusing on fewer, higher-quality elements that evolve through automation rather than overwhelming arrangements that exhaust listeners' cognitive capacity.

Whether you're just starting or looking to break through a creative plateau, this episode offers practical strategies to finish more music while keeping the joy in your production process. 

Links mentioned in this episode:

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 How to Make Progressive House from Start to Finish | Splice

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Frustrated by endless email chains, confusing file links, and clients commenting on the wrong version of a mix? In this episode of Inside the Mix, Marc Matthews explores how Mixup.audio is transforming the mix revision process for producers, mixers, and collaborators.

Marc breaks down the platform’s most powerful features, including timestamped comments, version comparison, and normalised level matching, which eliminates loudness bias when reviewing mixes. Listeners will discover how Mixup’s intuitive design—where clients don’t even need to create an account—removes the barriers to clear communication and saves hours of frustration.

The episode also compares Mixup’s free and paid versions, highlighting which features may be sufficient for different workflows. Marc contrasts Mixup with alternatives like FilePass and Highnote, offering his honest assessment of where each excels and how they can fit into a modern music production setup.

For anyone struggling with mix revisions, vague feedback, or confusing client communication, this episode provides practical solutions to simplify collaboration. Whether producing for clients or working on personal projects, listeners will learn how to make the feedback process smoother, faster, and more professional.

Links mentioned in this episode:

Mixup.audio

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Ever wondered how singers record vocals remotely and make them sound professional? In this episode of Inside The Mix, Marc Matthews is joined by New Zealand synthwave vocalist INDIGO to explore the art of remote vocal collaboration and the songwriting process behind her unique sound.

From her unexpected start in the synthwave scene to collaborations with artists like Wolf Club and Turbo Knight, INDIGO shares how she records vocals from home while working with producers across the world. We dive into her vocal recording techniques—including why she double-tracks every vocal and prefers recording in the evenings for her best takes.

You’ll also learn how Indigo adapts her lyrics to fit electronic music, moving between dreamy love songs and darker themes, and how she overcomes songwriter’s block with practical strategies like listening to instrumentals on long drives or stepping away from projects overnight.

For the tech-minded, Indigo reveals her setup, using the Aston Origin microphone, basic vocal processing, and clear communication with producers to make remote collaborations successful. She also opens up about the challenges of online music partnerships and why trust and reliability matter as much as technical skill.

Whether you’re a producer looking to collaborate with vocalists or a singer wanting to deliver better takes from home, this episode is packed with actionable tips for remote recording, lyric writing, and collaboration in the digital age.

Links mentioned in this episode:

Follow INDIGO

Listen to Darklight (feat. INDIGO)

Listen to Engraved Disillusion

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Should you record vocals with compression or save it for mixing? It’s one of the most debated questions in music production, and in this episode of Inside The Mix, we break it down with practical advice for producers at every level.

Guest Tim Benson shares why he often tracked vocals with hardware compressors in the studio, not just for sound quality, but because hearing compressed vocals in headphones helped singers perform with more confidence and precision. We discuss how compression during tracking can shape performances, highlighting the psychological and creative benefits that go far beyond managing peaks.

But what if you don’t want to commit compression to your recording? Thanks to modern workflows, you can now monitor with plugin compression while recording a clean signal, giving vocalists the polished sound they crave without sacrificing flexibility at mixdown.

We also compare compression across instruments, exploring why it’s often essential for bass but risky for acoustic guitars. Plus, discover why microphone technique, like managing distance and consistency, may solve more vocal problems than compression ever could.

Whether you’re asking “Should I record with compression on the way in?” or wondering which instruments benefit most, this episode gives you the clarity to make smarter tracking decisions.

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We'd love to hear from you! Submit a question

Listen to Paradise Cove

Listen to Engraved Disillusion

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Curious what happens when a producer opens Vital Spectral Warping Wavetable synth for the very first time? In this episode, I explore the free wavetable synthesizer from scratch, answering common questions like: Is Vital really free? Is the free version powerful enough for professional music production?

With zero prior experience in the plugin, I start from an initialised preset and build a 90s-inspired trance bass step by step. You’ll hear my genuine reactions as I learn the interface, experiment with oscillators, and make happy accidents along the way. From shaping sub frequencies with a sine wave to layering harmonics for extra punch, I break down the process in real time.

What surprised me most? Vital’s intuitive visual interface makes complex sound design feel simple—even for beginners. The free version includes 75 presets and 25 wavetables, giving you everything you need to craft professional sounds without spending a penny.

Whether you’re wondering Is Vital good for beginners? or just want to watch a fresh perspective on sound design, this walkthrough shows how quickly you can create a rich, layered trance bass using only Vital.

Links mentioned in this episode

Vital - Spectral Warping Wavetable Synth

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Are you feeling drained from endless hours in the studio? Wondering how music producers can avoid burnout or what strategies actually work to recover from creative exhaustion? You’re not alone; burnout is one of the biggest creativity killers for producers and indie artists today.

In this episode of Inside The Mix, Marc Matthews dives into proven techniques that helped him rebuild his workflow and rediscover his passion for making music. You’ll learn:

• How to avoid burnout in music production with the three-pillar framework.
• What the 80/20 rule means for producers and how focusing on the right 20% of tasks can deliver 80% of your results.
• How to eliminate, automate, delegate, and mitigate tasks that drain your energy and waste valuable studio time.
• How to recover from creative burnout with simple mindset shifts and practical habits.
• Why limiting yourself to three key goals per day can help you achieve more while working less.

If you’ve ever asked yourself, 'Should I take breaks when music feels draining?' Or 'how do I balance content creation and music production without burning out?' This episode gives you the answers.

Whether you’re catching the early warning signs of creative fatigue or already deep in burnout territory, these strategies will help you create more music, reduce stress, and find joy in the process again.

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We'd love to hear from you! Submit a question

Send me a message

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Ways to connect with Marc:

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