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My Doubtful Cézanne (Dr. Briony Carlin)
In this final episode of the first series, Dr. Briony Carlin explores different ways that knowing emerges and the different kinds of knowledge that can add up to form research. She speaks to Dr. James Trayford about the limits of matter, and making multi-sensory, creative scholarship that disrupts disciplinary boundaries, and to artistic-curator and PhD researcher Dan Goodman about autoethnography and painting practices that might not be called “art”.
This podcast series is a companion piece to the book “Disrupted Knowledge: Scholarship in Time of
Change” published by Brill and Haymarket Books. Funding for this podcast is provided by the Institute for Social Science at Newcastle University.
Produced by Karl Birrane. Theme Music by Anna Heslop.
Stars Sonification Music by Dr. James Trayford
Special thanks to the Culture Lab at Newcastle University
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By Newcastle University - School of Arts and CulturesIn this final episode of the first series, Dr. Briony Carlin explores different ways that knowing emerges and the different kinds of knowledge that can add up to form research. She speaks to Dr. James Trayford about the limits of matter, and making multi-sensory, creative scholarship that disrupts disciplinary boundaries, and to artistic-curator and PhD researcher Dan Goodman about autoethnography and painting practices that might not be called “art”.
This podcast series is a companion piece to the book “Disrupted Knowledge: Scholarship in Time of
Change” published by Brill and Haymarket Books. Funding for this podcast is provided by the Institute for Social Science at Newcastle University.
Produced by Karl Birrane. Theme Music by Anna Heslop.
Stars Sonification Music by Dr. James Trayford
Special thanks to the Culture Lab at Newcastle University