We're re-doing an episode from the very early days of the podcast, when we didn't have our snappy patter & schtick down like we do now - the folk-punk classic "My Flash on You"! All versions are from 1966 : the original by Love is at 1:25, and we focus on FUZZ and Fashion (the drummer Snoopy's short-sleeved shirts). Thee Sixpence (soon to become The Strawberry Alarm Clock) play it FASTER at 55:58. And The Menerals from Texas add even more FLASH at 1:20:00!

We're re-doing an episode from the very early days of the podcast, when we didn't have our snappy patter & schtick down like we do now - the folk-punk classic "My Flash on You"! All versions are from 1966 : the original by Love is at 1:25, and we focus on FUZZ and Fashion (the drummer Snoopy's short-sleeved shirts). Thee Sixpence (soon to become The Strawberry Alarm Clock) play it FASTER at 55:58. And The Menerals from Texas add even more FLASH at 1:20:00!

We're re-doing an episode from the very early days of the podcast, when we didn't have our snappy patter &amp; schtick down like we do now - the folk-punk classic "My Flash on You"! All versions are from 1966 : the original by Love is at 1:25, and we focus on FUZZ and Fashion (the drummer Snoopy's short-sleeved shirts). Thee Sixpence (soon to become The Strawberry Alarm Clock) play it FASTER at 55:58. And The Menerals from Texas add even more FLASH at 1:20:00!

My Flash On You

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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My Flash On You

My Flash On You

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