At In The Past,  we always take things to the next level - some people are still satisfied with "Name That Tune," but we've invented "Name That Vid!" In this episode, your hosts read the Wikipedia descriptos of notable music videos, and  try to guess which tune it belongs to. If you grew up in the MTV/Much Music Generation, then you better think quick! As always, the boys use the premise to astutely analyze the past as we ponder the future...

At In The Past, we always take things to the next level - some people are still satisfied with "Name That Tune," but we've invented "Name That Vid!" In this episode, your hosts read the Wikipedia descriptos of notable music videos, and try to guess which tune it belongs to. If you grew up in the MTV/Much Music Generation, then you better think quick! As always, the boys use the premise to astutely analyze the past as we ponder the future...

At In The Past,&nbsp; we always take things to the next level - some people are still satisfied with "Name That Tune," but we've invented "Name That Vid!" In this episode, your hosts read the Wikipedia descriptos of notable music videos, and&nbsp; try to guess which tune it belongs to. If you grew up in the MTV/Much Music Generation, then you better think quick! As always, the boys use the premise to astutely analyze the past as we ponder the future...

Name That Vid!

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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