In this episode we do change the script a bit. There have been some great new Blu-Ray releases of Paul Naschy films and we wanted to give each of them a look to see what new information about the great man might be gleaned from them. So, in the first segment of the show we discuss the CRIMSON and COUNT DRACULA'S GREAT LOVE discs at length giving our opinions of these fresh presentations. No one will be surprised that this leads to discussion of the merits of the two films as well so be prepared. This is the Naschycast after all. Then we turn to the main topic of the evening - a look back at HORROR RISES FROM THE TOMB (1972). We originally podcasted about this classic over six years ago in episode #2 and for an in depth scene-by-scene dissection I will point everyone to that show. Here we speak more broadly about the movie and the elements that we still find impressive and of value. To add to the discussion this time we convinced fellow podcaster an all around good guy Christopher Page to send in his thoughts on the film. He has only recently begun to discover Naschy's work and his point of view informs how your longtime co-hosts dig into the beating, bloody heart of HRFTT. With a little luck we'll be incorporating other fan's thoughts on the classic films of Naschy in the future. We end this episode with what turns into a rant. The topic is one that hadn't been on our minds until recently but once broached we felt it should be talked about. Thanks to longtime listener Villa Wolf for sparking this discussion and helping both co-hosts come clean about our past fanboy tactlessness. Down with the gate-keepers! If you would like to contact us the email address is [email protected] and if you listen to the show through iTunes please rate and review us over there - It gets more eyes on the podcast. Also, if you'd like to help us pay the hosting fees for the show there is a Donate button on the right side of the blog page - every little bit you send our way puts more lead in our pencils! Thanks for downloading and listening.