We take a deep dive into Jess Franco’s THE SADISTIC BARON VON KLAUS (1963) and hope we can avoid the quicksand. Bob Sargent returns and joins Troy and I to discuss this krimi-like murder mystery. It even has a little comedy relief. Luckily, very little of that! 

Just in under the wire – a Naschycast episode! We wanted to get at least one more show out to everyone before 2025 strikes so here is out latest run through several emails.

The concept of Naschycast goat plushies is submitted and both Troy and I love the idea! See the image attached to this episode for an example from Don Cunningham. Don also brings up the idea that perhaps all of the Daninsky werewolf’s victims are deserving of their fates but we think that requires some deep surmising. We then discuss the strange origin story of the show’s theme music complete with our clueless wondering about a CD release. Then Stephen Follows writes in to point the way toward his incredible and fascinating Horror Movie Report! This amazing study of (all?) horror films and the various revealing and noteworthy pieces of information that can be gleaned from even a surface examination of them is endlessly eye-opening. I recommend the curious to check out the full report here and Stephen’s website here. And Zach Lewis writes in to point all good Naschy fans to his excellent article about our beloved filmmaker on MUBI called Werewolf of Madrid. It’s well worth a read and could serve as a good introduction for newcomers curious about our hairy subject.

We end the show with an unexpected pleasure – Troy presents his book report on the legendary novelization of WEREWOLF VS THE VAMPIRE WOMAN! This begins a discussion of film novelizations in general and possibly points the way toward a future aspect of shows over on The Bloody Pit. As soon as Troy finishes the doorstopper version of Hell of the Living Dead!

Thank you for listening and please send your comments to [email protected] where we will eventually respond. This episode is proof, right?

Independent filmmaker Don Cunningham joins Troy and I to talk about Paul Naschy and how he has influenced Don’s work. We discuss favorite Naschy movies with our guest naming some surprising choices. I love getting different perspectives on the icon’s career and this conversation has a few curves I was not expecting.

Of course, we could barely wait to ask about Don’s wonderful short film THE CASTLE OF BARON FINCH (2024). For this movie Mr. Cunningham writes, directs, produces and stars making him very much a man following in Paul Naschy’s footsteps. We dig into the production process, the genesis of the film’s story and the influences other than Naschy. The film is a (mostly) black & white silent movie featuring a vampire or two and a poor lovestruck soul with a moonlight and hair problem, so naming Jacinto Molina’s work as a major touchstone is perhaps a bit obvious. But this atmospheric little cinematic love letter stands on its own just fine. Don gives some details on the film’s release and places to see it. Oh! And I’ve scattered a bit of the fantastic score by Andreu Jacob into the latter half of the show as well.

If you have any comments or questions [email protected] is the place to send them. If you want to reach out to Don’s you can message him on Facebook at https://www.facebook.com/CastleBaronFinch or through email at [email protected] – thanks for listening!

The Naschycast opens the podcast mailbag, dusts off the cobwebs and answers a few questions. Like, why have we waited so long to respond to emails! We could plead a combination of busyness and laziness but that is not an excuse worthy of our fine listeners so we simply apologize and get on with the show. 

Troy and I are joined by fellow podcaster Robert Kelly, host of Record All Monsters and author of Record All Monsters: the Book of the Essays from the Podcast. Don’t worry – he eventually explains the book’s title and his fascination with kaiju films.

The Naschycast returns for a brief overview of the Paul Naschy Blu-Rays that are currently available in Region A. Troy and I decided to record this show to give our North American listeners an indication of the wealth of high-definition offerings still on retail shelves – as long as you search the right retailers! Consider this also a warning that these wonderful discs don’t stay available forever and, in many cases, when they’re gone they are gone for good.

We tried and failed to do a chronological rundown of the Blu-Rays that have come out over the last eight years or so with nods toward some blank spots in Naschy’s career we’d like to see filled with HD glory. The individual companies that have been releasing these Spanish horror classics have been doing us all a good service and let’s hope the releases continue past next year’s long awaited DR. JEKYLL AND THE WOLF MAN!

If you have any comments [email protected] is the place to send them. We hope that you have had a good 2023 and that 2024 will be even better! Thank you for listening.

This episode we are joined by Jon Kitley to talk about his love of and history with Paul Naschy! Readers of Horror Hound magazine are aware of his regular column ‘They Came from the Krypt’ but he has also published the book ‘Discover The Horror’ which is part genre exploration and part autobiography. Both Troy and I recommend it.

Marc McCloud drops by the show to discuss Naschy’s tale of the Inquisition in France. Marc is the owner of Orbit DVD and a longtime friend of Troy and I, but this is the first time we’ve ever talked about our mutual love of the films of Paul Naschy. Our guest chose Naschy’s directorial debut as the topic and we were happy to oblige.

Religious hypocrisy is a big part of our conversation and this gets us into the thorny area of what to call the subset of exploitation films of which this is a part. We note the influence of the Catholic Church on the nature of the fears that undergird the horrors of the film and wonder about the connections to the Nunsploitation genre. The villains of the story come under scrutiny with an eye toward how they use their relative places of power to extract their desires from those around them. And we speak a little about the ways that women had to work to accomplish things in the society ruled by male religious leaders. Join us for what I will refuse to call a ‘romp’ through INQUSISTION.

We end the show with a short email from Kurt and if you’d like to send us your thoughts [email protected] is the address. Thank you for listening!

We return to the Beyond Naschy series with guest Bob Sargent making the choice of film this time out.

ORLOFF AND THE INVISIBLE MAN (1970) is not a movie that is often called out as a favorite of even the most hardened Euro-Cult horror fanatics. In the past it has been mistaken as a Jess Franco effort with the director’s name, Pierre Chevalier, suspected of being another of the prolific filmmaker’s many pseudonyms. This appears to not be factual but anyone stumbling across this movie unaware couldn’t be blamed for making that assumption. It shares many of the standard tropes and oddities of one of Franco’s color gothics from the period which makes it a good companion piece of Franco’s EROTIC RITES OF FRANKENSTEIN (1973) and DRACULA, PRISONER OF FRANKENSTEIN (1972). It even sports Franco’s original Orloff actor Howard Vernon as ‘Professor’ Orloff who has somehow created an invisible man for the usual mad scientist reasons. The film’s story is a mish-mash of prematurely buried daughters, accidental murders and greedy servants who are not above a bit of graverobbing. Add to that one of the strangest rape sequences in cinema history and some obviously missing story pieces and you have an entertaining if often confusing 76 minutes.

We talk about the cast and crew, including their various Naschy connections. We discuss the missing scenes that can be glimpsed in the French trailer for the film and in the extras included on the old Image DVD. We find some moments of real beauty in the cinematography and some unintentionally funny scenes that just don’t work. The English dialog causes quite a few laughs as we quote some standout circular conversations. Part of our discussion centers on the term ‘guilty pleasure’ and how each of the three of us feel about applying that overused phrase to our love of Euro-Cult cinema. As you might expect, there are more than a few verbal trips down barely connected cinema paths with the final forty-five minute mailbag section becoming a memory lane remembrance of our late friend Craig Ledbetter.

If you’d like to add you voice to the show [email protected] is the place to send your thoughts and questions. Troy and I are very happy that Bob has joined us again and with a little luck we will have around for the rest of this year’s shows! Thanks for listening

Troy and I bring you a brief email episode to round out October. There are questions to address and opinions to discuss so check it out. We do take some occasional editorial privilege but are happy to pass along information about a subtitled DVD of THE TRANSEXUAL (1977) out there on the world wide web. Some talk of Monster Bash is on tap along with some news about upcoming episodes of Wild, Wild Podcast. And what is this we are told about a film in which Victor Israel plays the lead? This must be found! Also, a listener passes along information about a Laurel and Hardy podcast that has escaped our attention until now.  But luckily, we remain the rumbling tummy ache of podcasting!

If you want to add your voice to the show [email protected] is the place to send all missives. We look forward to your notes and thank you listening to the podcast. Oh – and Happy Halloween!