Independent filmmaker Don Cunningham joins Troy and I to talk about Paul Naschy and how he has influenced Don’s work. We discuss favorite Naschy movies with our guest naming some surprising choices. I love getting different perspectives on the icon’s career and this conversation has a few curves I was not expecting.

Of course, we could barely wait to ask about Don’s wonderful short film THE CASTLE OF BARON FINCH (2024). For this movie Mr. Cunningham writes, directs, produces and stars making him very much a man following in Paul Naschy’s footsteps. We dig into the production process, the genesis of the film’s story and the influences other than Naschy. The film is a (mostly) black & white silent movie featuring a vampire or two and a poor lovestruck soul with a moonlight and hair problem, so naming Jacinto Molina’s work as a major touchstone is perhaps a bit obvious. But this atmospheric little cinematic love letter stands on its own just fine. Don gives some details on the film’s release and places to see it. Oh! And I’ve scattered a bit of the fantastic score by Andreu Jacob into the latter half of the show as well.

If you have any comments or questions [email protected] is the place to send them. If you want to reach out to Don’s you can message him on Facebook at https://www.facebook.com/CastleBaronFinch or through email at [email protected] – thanks for listening!

The Naschycast opens the podcast mailbag, dusts off the cobwebs and answers a few questions. Like, why have we waited so long to respond to emails! We could plead a combination of busyness and laziness but that is not an excuse worthy of our fine listeners so we simply apologize and get on with the show. 

Troy and I are joined by fellow podcaster Robert Kelly, host of Record All Monsters and author of Record All Monsters: the Book of the Essays from the Podcast. Don’t worry – he eventually explains the book’s title and his fascination with kaiju films.

The Naschycast returns for a brief overview of the Paul Naschy Blu-Rays that are currently available in Region A. Troy and I decided to record this show to give our North American listeners an indication of the wealth of high-definition offerings still on retail shelves – as long as you search the right retailers! Consider this also a warning that these wonderful discs don’t stay available forever and, in many cases, when they’re gone they are gone for good.

We tried and failed to do a chronological rundown of the Blu-Rays that have come out over the last eight years or so with nods toward some blank spots in Naschy’s career we’d like to see filled with HD glory. The individual companies that have been releasing these Spanish horror classics have been doing us all a good service and let’s hope the releases continue past next year’s long awaited DR. JEKYLL AND THE WOLF MAN!

If you have any comments [email protected] is the place to send them. We hope that you have had a good 2023 and that 2024 will be even better! Thank you for listening.

This episode we are joined by Jon Kitley to talk about his love of and history with Paul Naschy! Readers of Horror Hound magazine are aware of his regular column ‘They Came from the Krypt’ but he has also published the book ‘Discover The Horror’ which is part genre exploration and part autobiography. Both Troy and I recommend it.

Marc McCloud drops by the show to discuss Naschy’s tale of the Inquisition in France. Marc is the owner of Orbit DVD and a longtime friend of Troy and I, but this is the first time we’ve ever talked about our mutual love of the films of Paul Naschy. Our guest chose Naschy’s directorial debut as the topic and we were happy to oblige.

Religious hypocrisy is a big part of our conversation and this gets us into the thorny area of what to call the subset of exploitation films of which this is a part. We note the influence of the Catholic Church on the nature of the fears that undergird the horrors of the film and wonder about the connections to the Nunsploitation genre. The villains of the story come under scrutiny with an eye toward how they use their relative places of power to extract their desires from those around them. And we speak a little about the ways that women had to work to accomplish things in the society ruled by male religious leaders. Join us for what I will refuse to call a ‘romp’ through INQUSISTION.

We end the show with a short email from Kurt and if you’d like to send us your thoughts [email protected] is the address. Thank you for listening!

We return to the Beyond Naschy series with guest Bob Sargent making the choice of film this time out.

ORLOFF AND THE INVISIBLE MAN (1970) is not a movie that is often called out as a favorite of even the most hardened Euro-Cult horror fanatics. In the past it has been mistaken as a Jess Franco effort with the director’s name, Pierre Chevalier, suspected of being another of the prolific filmmaker’s many pseudonyms. This appears to not be factual but anyone stumbling across this movie unaware couldn’t be blamed for making that assumption. It shares many of the standard tropes and oddities of one of Franco’s color gothics from the period which makes it a good companion piece of Franco’s EROTIC RITES OF FRANKENSTEIN (1973) and DRACULA, PRISONER OF FRANKENSTEIN (1972). It even sports Franco’s original Orloff actor Howard Vernon as ‘Professor’ Orloff who has somehow created an invisible man for the usual mad scientist reasons. The film’s story is a mish-mash of prematurely buried daughters, accidental murders and greedy servants who are not above a bit of graverobbing. Add to that one of the strangest rape sequences in cinema history and some obviously missing story pieces and you have an entertaining if often confusing 76 minutes.

We talk about the cast and crew, including their various Naschy connections. We discuss the missing scenes that can be glimpsed in the French trailer for the film and in the extras included on the old Image DVD. We find some moments of real beauty in the cinematography and some unintentionally funny scenes that just don’t work. The English dialog causes quite a few laughs as we quote some standout circular conversations. Part of our discussion centers on the term ‘guilty pleasure’ and how each of the three of us feel about applying that overused phrase to our love of Euro-Cult cinema. As you might expect, there are more than a few verbal trips down barely connected cinema paths with the final forty-five minute mailbag section becoming a memory lane remembrance of our late friend Craig Ledbetter.

If you’d like to add you voice to the show [email protected] is the place to send your thoughts and questions. Troy and I are very happy that Bob has joined us again and with a little luck we will have around for the rest of this year’s shows! Thanks for listening

Troy and I bring you a brief email episode to round out October. There are questions to address and opinions to discuss so check it out. We do take some occasional editorial privilege but are happy to pass along information about a subtitled DVD of THE TRANSEXUAL (1977) out there on the world wide web. Some talk of Monster Bash is on tap along with some news about upcoming episodes of Wild, Wild Podcast. And what is this we are told about a film in which Victor Israel plays the lead? This must be found! Also, a listener passes along information about a Laurel and Hardy podcast that has escaped our attention until now.  But luckily, we remain the rumbling tummy ache of podcasting!

If you want to add your voice to the show [email protected] is the place to send all missives. We look forward to your notes and thank you listening to the podcast. Oh – and Happy Halloween!

Troy and I once again welcome Bob Sargent to the Naschycast! This time we discuss one of our favorite Paul Naschy’s horror tales, THE HUNCHBACK OF THE MORGUE (1973).

This film’s inspired madness is certainly worth talking about and we find some fresh areas to explore. The relative ease that Naschy’s poor hunchback Gotho has kidnapping women for the mad doctor’s experiments is a topic of some debate. Also, the fact that several characters have some knowledge of what is going on but they never compare notes well enough to raise the necessary alarm is something puzzled over. We notice that it doesn’t help that the local cops can’t seem to find a clue when it’s sitting right in front of them lying straight to their faces! Seriously – how suspicious does Orla have to be before you follow that nutcase around just to check up on things?

Bob brings up some interesting questions that we’ve never examined before including the presence of some very odd decorations in a certain apartment. I think I’ve solved one of them but the other is still a mystery. Maybe you can help us out.

If you have any comments or suggestions or if you have a guess about what that strange hanging object in Rosanna Yanni’s place might be [email protected] is the place to send them. Thank you for listening!

Bob Sargent returns to the show to discuss a very early Paul Naschy screen appearance. Rescued from Spanish language-only obscurity by the online fan-subbing community AGONIZANDO EN EL CRIMEN (1968) is a strange crime story centered on a serial killer obsessed with medical professionals - and their hands! This one is not easy to see but is it worth seeking out? Boy, do we have a lot to say.