NaschyCast

First a disclaimer: I regret that the audio on this episode is not as good as it could be. This podcast has been an ongoing learning lab for me in how to record the two of us with some form of sound quality. I finally got pretty happy with the way the show sounds with episode #4 but then, as we sat down to record this one I promptly forgot one simple lesson of microphone operation. Because of that Troy often sounds as if he’s in a pit or roughly a mile away from me. For this I apologize and you can rest assured the people responsible have been sacked. And I promise it won’t happen again. The good news is that Troy did a little audio tweaking to improve some of the worst spots so hopefully it won’t be too bad. Let us know if we suck. [email protected]

For the fifth show we decided to step outside the horror genre and for our deviation from the norm we paid a heavy price. CRIMSON is not a good film. It is at best a passable time waster with a few points of interest for Euro-Trash enthusiasts and very little screen time for Naschy. A French-Spanish co-production it is mostly boring with long stretches of tedium broken up by moments of crap. Director Juan Fortuny didn’t step behind the camera for many movies in his career and it’s easy to see why. Luckily Troy and I find some joy at the edges of the screen as we marvel at some of the reoccurring actors working in Spanish cinema in the 1970s. You might actually enjoy us talking about CRIMSON more than you enjoy the film itself! 

In the 4th episode of NaschyCast we unravel THE VENGEANCE OF THE MUMMY a.k.a. THE MUMMY'S REVENGE. Occasionally slow but packed with Egyptian lore and mystery this film is one of my favorite mummy movies and Troy (despite a lack of mummy movie love) actually feels the same way. Of course, calling it the second best mummy movie of all time is like claiming to be the leper with the most fingers but it’s still one Hell of a fun movie. Bloody, sexy and filled with murder set pieces that rival what was being done in gore films of the same vintage it’s a fun, furious ride with a few surprises along the way. Crushed heads for everyone!

In the third episode of NaschyCast Troy and  I delve into the 8th Waldemar Daninsky werewolf film NIGHT OF THE HOWLING BEAST. Afflicted with at least a half dozen alternate titles the film is a fun adventure film crossed with Naschy’s usual lycanthropic madness and some unexpectedly acrobatic fight scenes. The movie has more than a few surprises including disproving one of my earlier statements about Mr. Molina’s tendency to write only two types of female characters. Also note that with this episode we add sound clips from the movie for your entertainment and edification. Some of the lines in this one are just too good to miss.

Troy and I are proud to present the second episode of The NaschyCast! This time we run through HORROR RISES FROM THE TOMB and discover even more madness than we had thought might be there. How did we manage to link THE EXORCIST, NIGHT OF THE LIVING DEAD and DIRTY HARRY to this film? Were we able to pronounce the actor’s names any better this time out? Did we get distracted by the copious nudity on display? How much does religion play a part in the symbolism used in the film? Were we able to make sense out of the jumble of crazed ideas tossed around in this Euro-horror classic? All of these questions and more will be answered (or at least mentioned and picked at) in this show!

I've been a big fan of the films of Paul Naschy for about 20 years. I read about him and his work for years before I finally got to see any of it but, unlike many things longed for or anticipated, these movies were well worth seeking out and rewarded the attention paid to them. For the last few years my friend Troy and I have gotten together a few times a year for Naschy Nights during which we check out a couple of these cinematic efforts and, afterward, discuss them. With the recent passing of the great man we’ve decided to make a record of these little talks and let anyone who might be interested listen in as we ramble on. We’ll present these as audio PodCasts in MP3 format downloadable from right here. Our plan is to focus on a single film once a month and discuss it from stem to stern hopefully bringing some more attention to these often overlooked and still (in some cases) hard to find horror classics. With any luck we’ll be able to stick to our proposed schedule and in one year we’ll have an even dozen of these for your listening pleasure.

For the inaugural show we’ve chosen to start at the beginning with Naschy’s first monster film THE MARK OF THE WOLFMAN or, as it was known in the US, FRANKENSTEIN’S BLOODY TERROR. Next month’s episode will focus on HORROR RISES FROM THE TOMB. We hope you’ll check out our humble effort and let us know what you think, at our email address - [email protected] - grab the show at the link below or subscribe through iTunes.

Proving that there are no obstacles that we won’t overcome to bring you Naschy film discussion here is number Ocho. One of the most talked about of his non-Daninsky films COUNT DRACULA’S GREAT LOVE is an amazing mix of the clunky and the sublime. In a way, this film is a succinct summation of all that is usually praised in a Naschy film and all that is usually criticized. A mangled mess of a story with elements that don’t come together it still shines as an atmospheric horror piece with some truly brilliant moments that often distract you from a script that seems to be running in two directions at once. This film might be the perfect Rorschach test for fans- What do you remember from the film when it’s over? 

We discuss vampire tears, non-existent sequels, the variable speed of vampirism, mad voice-overs, active vs. passive film viewing and the relative merits of a script with too many contributors. 

You will find the sound quite variable as I had to cull the entire show from multiple sources. I apologize for the occasional distortion and changes in sonic quality. The uphill battle to get these shows made is often surprising for us untutored computer illiterates. Drop us a line at [email protected] if you please! 

In the 4th episode of NaschyCast we unravel THE VENGEANCE OF THE MUMMY a.k.a. THE MUMMY'S REVENGE. Occasionally slow but packed with Egyptian lore and mystery this film is one of my favorite mummy movies and Troy (despite a lack of mummy movie love) actually feels the same way. Of course, calling it the second best mummy movie of all time is like claiming to be the leper with the most fingers but it’s still one Hell of a fun movie. Bloody, sexy and filled with murder set pieces that rival what was being done in gore films of the same vintage it’s a fun, furious ride with a few surprises along the way. Crushed heads for everyone!

Back from HORROR RISES FROM THE TOMB is director Carlos Aured, lovely co-star Helga Line and Naschy his own bad self is again playing two separate roles. Hey! When you can play both the villain and his main henchman why not do it? I wonder if he got two paychecks?

Anyway- this is a great Naschy horror film and we have a lot of fun with it so enjoy!

After a Summer hiatus The Naschycast is back with a new episode! This time out we have invited fellow podcaster and author Nic Brown to stop by for a discussion of a couple of Paul Naschy's finest werewolf movies - THE MARK OF THE WOLF MAN (1968) and DR. JEKYLL AND THE WEREWOLF (1972). Nic is one of the co-hosts of the legendary B-Movie Cast and, although they have occasionally covered wolfman films over there, this is the first time he has been able to dig into a Waldemar Daninsky double feature. Of course, the fact that Nic has famously written a couple of novels centered on a lycanthrope (The Werewolf For Hire series) just adds to the fun and explains why we wanted him to talk about our favorite Spanish Hombre Lobo. Needless to say, he finds the Naschy version of werewolfery to be very different from the cinematic standard we all know and love. Although the three of us do occasionally get off topic we do dig into things pretty well. We discuss Nic's favorite werewolf films; dig into the mystery of the alternate FRANKENSTEIN'S BLOODY TERROR title for MARK OF THE WOLF MAN; delight in the fact that both of these films are monster mashes with multiple creatures going at each other and we marvel at the creativity on display to get Mr. Hyde and the werewolf into one body! Also, we chew over the bizarre dance of the seven vampires sequence in MARK with new and improved (?) ideas suggested for this most insane stalking/seduction technique. Nic makes note of the logical reasons for the wolf man's most common form of attack while I wonder if maybe neck meat is simply considered an appetizer in the lycanthrope world. After we conclude the movie portion of the show Troy and I take the time to answer a few listener emails. There are some kind words and a few suggestions for future films to cover with a strong push toward those evil knights Templar, so look for a return to that beloved series soon for the show. If you have any comments or questions for us the email address is [email protected] and we're always glad to hear from you. We can also be reached over on the FaceBook page where we post up information and cool links focused on Spanish Horror whenever we can. Thanks for downloading and listening to the show!

With this episode of the show we open things up in a new way! Although Troy and I have had the occasional guest on the NaschyCast they have been rare occurrences. Generally this was because we wanted to keep the show as focused on the films of Paul Naschy as we could. We felt that we should deviate as little as possible from covering the movies in depth so keeping the visits infrequent allowed us to drill down and (most importantly) stay on task. Longtime listeners will know that it doesn't take much to get us sidetracked and having someone else present would make the show a meandering monster! So, with this episode we take the Naschycast into new territory and talk to Cort Psyops for about two hours about his love of Naschy. We quiz him on his first exposure to the Spanish Horror icon, learn what his favorite Naschy films are and dig into the various werewolf movies in search of the best and worst. Cort describes his discovery of this strange strain of Euro-Horror and, in the process, makes both Troy and I feel really, really old. The only mitigating details are that his initial viewing involved a VHS tape and not a DVD. We are so old. Any way..... If you've not checked out Cort's excellent podcast Cinema Psyops it comes highly recommended. I can honestly say that his show has made me laugh more than almost any other film related podcast. Sometimes I laugh at them but often I am laughing with them so I'm proud to have a bit of that fun become a part of our show. The discussion here does waver all over the place with talk of several unconnected topics but one of us always drags things back to Naschy. I'm just looking forward to Cort and his co-host Matt covering more Spanish Horror on their show. I'm wondering if Matt will survive! Thank you for downloading and listening to the show. If you have any comments or suggestions please write us at [email protected] to let us know what's on your mind. If there are any Naschy subjects you'd like to have us discuss let us know. In the meantime, remember that we are in the Year of Naschy Blu-Rays so go pick up some hi-def horror for your home!

Jess Franco's long list of credits is a nearly never ending fountain of delirious delights. Even for a dedicated fan there always seems to be a new experience just around the corner waiting to be discovered. And if those new experiences are sometimes strongly reminiscent of other Franco work, that is just part of the fun. Finding common themes, similar characters and shared motivations are part of the fascination of a Franco film with each element something to be studied and contemplated like a well cut gemstone. What is 'Irina' up to in this story? Is there a Dr. Orloff lurking behind an almost closed door, listening to secrets and making plans? Is the lovely Lorna helpful or harmful in this incarnation? Is that look from the mysterious stranger one of love, lust or disgust? Only time and Uncle Jess will tell. If we're lucky! After far too long a break Troy and I slip back into our comfortable contemplative clothing and check out a bright, colorful descent into sex, murder and emotional trauma called NIGHT HAS A THOUSAND DESIRES (1984). Part of a very fertile career period but little seen outside of Spain until now, the film sports another in a long line of brave performances from Franco muse Lina Romey. She may spend most of the film nude but it's her character's dark path and sad emotional turmoil that'll keep your eyes glued to the screen. This is an exquisitely beautiful movie shot in languorous, carefully composed shots that draw you into the twisted tale of psychic visions and hidden drives. It's both delicate and vicious which is a difficult trick to pull off. This isn't an easy Franco film at times but for the initiated it's a significant addition to the cinematic portrait he painted all his life. Comments and suggestions can be sent to [email protected] in either typed or MP3 form. We'd love to hear from you! In fact, the mailbag makes a belated return to the show this time out and we even have a couple of gracious donations to thank kind listeners for. If you would like to help us out there is a donate button on the right side of the blog page - feel free to click it and send a couple of bucks our way. Thank you for checking out the show!