We look at how The Judds bring their acoustic-with-attitude vibe to the sultry, electric piano-infused "One Man Woman". Slow, dark, and bluesy is the order of the day on this late-career Judds single, but what does a sonic atmosphere like that have to do with the lyrics' insistence on monogamy?

We take a ride with a legend in his prime in this episode on Ronnie Milsap's 1980 classic "Smoky Mountain Rain". The connection to Elvis's "Kentucky Rain" is multifaceted and deep, but how does this song use theatrical drama to color its image of a country music cliche?  And what happens when you ask Ronnie Milsap to make the thunder roll?

Here a couple of videos that are referenced in the episode:
Smoky Mountain Rain on Austin City Limits: https://youtu.be/p0ZpytVUElU?si=5K88u9cBUqbjPUGl
Source of the Elvis story: https://youtu.be/0I7v2zx6ttM?si=Jyv22w9sJ34dPhwx

In this episode, we look at how Collin Raye's signature song, "Love, Me" kept it gentle sentimental. Everything contributes, from the memorable acoustic guitar intro to Raye's smooth, sweet tenor vocals. But what do stoic farmers have to do with it?  Also, who remembered that this recording had an electric piano?

Terri Clark tells her ex where he ranks in no uncertain terms, with her debut hit, "Better Things to Do".  Or does she?  There's plenty of 90s attitude here, but what details in these lyrics hint that something else may be going on?

Melton finally gets to take on the King, by way of his 1997 hit "Carrying Your Love with Me". Everything works in this perfect little country song, but how does it all work together, and what is it about George Strait's simple delivery that connects so well not only with the song but also with us?

We continue to explore the quirky side of Mary Chapin Carpenter, and of early 90s country, with her Grammy-winning 1992 hit "I Feel Lucky". So what is it besides the Dwight Yoakam and Lyle Lovett reference that makes this song so much fun, and what does the long history of country "outlaws" have to do with it?

For Christmas day, we went with the perfect song about Christmas night: Alabama's 1982 classic "Christmas in Dixie".  The joyful yuletide setting is plenty explicit in the song, but what subtly bittersweet threads have also been knit into this comfy Christmas sweater?

We plow through one of Melton's all-time favorite's, Joe Diffie's and Dennis Linde's 1993 classic: "John Deere Green". The tongue-in-cheek Mayberry tone carries over from "Bubba Shot the Jukebox", but how exactly does this one celebrate simplicity with an assertion that never flaunts its rural contentment?

They don't get much more classic than Randy Travis's major label debut single, 1985's "On the Other Hand".  We could have spent the whole episode on Travis's understated vocals (we practically do!), but what other elements of the song cause us to find ourselves rooting for a man who has already gone a few steps too far?

Mark Chesnutt balances funny and disturbing with the of-its-time 1992 hit "Bubba Shot the Jukebox".  It's a Dennis Linde composition, so we can expect a tongue-in-cheek tone, but how does this one mix peril with absurdity to stay just on this side of too far?