National Features & Documentary Series

By Meeghan Bell

Listen to Red Dirt In Bondi: The Story of Building Bridges'

"The facts are really not at all like fish on the fishmonger's slab. They are like fish swimming about in a vast and sometimes inaccessible ocean; and what the historian catches will depend, partly on chance, but mainly on what part of the ocean he chooses to fish in and what tackle he chooses to use – these two factors being, of course, determined by the Kind of fish he wants to catch. By and large, the historian will get the kind of facts he wants. History means interpretation." - E.H. Carr

I was sitting in the packed auditorium as Gary Foley presented 'Life of Struggle' at the 2015 Marxism Conference in Melbourne. He commanded the stage, held the audience in the palm of his hand and I listened fiercely and took notes. He spoke passionately about the history of Aboriginal resistance in Australia, of which he played a central role and shared iconic images of his life including photos with rock star Michael Hutchence (pictured below). Foley also spoke about an album he'd been involved with titled, Building Bridges - Australia Has A Black History.

Gary Foley & Michael Hutchence, Building Bridges 1989 Bicentenary January 26th 1988 Aboriginal Protests at Sydney Harbour

It wasn't entirely clear then of course but as I listened to Foley talk, a seed was planted and once I'd been selected to participate in the CBAA National Features and Documentary Series, the 1989 Building Bridges album and the story surrounding its creation began to absorb almost every waking moment of my life.

'Red Dirt in Bondi' is a radio feature set in Sydney around the time of the Bicentenary, 26 January 1988. The key participants in this feature are Aboriginal activist and academic Gary Foley, the Building Bridges Cultural Construction Crew featuring Jim George, Tony Duke and Denise Officer (Andrew McMillan passed away on 28 January 2012) and singer-songwriter, Kev Carmody.

For a rookie like myself there were significant challenges in bringing this radio story to life including the historical nature of the topic and the complex relationship between black and white Australia since 1788. Not to mention attempting an interesting and thought-provoking radio feature in under 27 minutes.

The story of Building Bridges, involving a small group of people with the support of the Australian Music Industry, is as relevant today as it was back in '88. It is vital to keep re-telling and sharing this piece of history so that we may move towards true reconciliation in this country and achieve justice for Australia's First People.

I would like to thank Phil Ruck, David Miller and others from 3MDR for their amazing support, the CBAA and CMTO for the wonderful opportunity but most importantly to the 'Red Dirt in Bondi' participants Jim, Gary, Tony, Denise and Kev for sharing the incredible Building Bridges story.

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By Jane Arakawa

Listen to 'Australian Radio Pioneer Wound Up the Cat and Put the Clock Out'

How and where you access your favourite radio programs is changing so rapidly that it can be challenging to keep up. It may be reassuring to hear that it was only about 100 years ago that radio was the new emerging technology, and an experimenter named Charles Maclurcan spent much of his time educating the general public on how to hear a radio broadcast signal.

My passion for radio and the immediate, intimate connection it creates between us, lead me to discover more about this dedicated Australian radio pioneer and how he faced his technical hurdles and engaged his audience over various media.

I learnt that Charles Maclurcan erected aerial masts on top of the first Wentworth Hotel located on Church Hill, Lang Street Sydney in 1911 and was communicating with incoming and outgoing ships. By early 1922 he was broadcasting an entertaining and engaging radio program each week with a program guide published in the weekly newspapers of the time. He was issued Licence No.1 in December 1922 and continued his broadcasts and experiments until 1927 when he was required to take over the management of the Wentworth Hotel until its sale in 1950.

I discovered that some of Charles Maclurcan’s equipment was held by the Powerhouse Museum in Sydney and also on display at the Radio Museum at Kurrajong, NSW. It was at Kurrajong that I first heard of an ongoing discussion among radio historians regarding which station can lay claim to holding Licence No 1 in Australia. Charles Maclurcan returned to his love of radio in his retirement and his passion and dedication resulted in the Australian Government declaring upon his death in 1957 that his call sign 2CM was never to be re-issued.

Feb 1923 Josie Melville at Strathfield copyright 1924 - Charles Maclurcan talks to England copyright

You will hear how Charles Maclurcan engaged his listeners through multi-media platforms of the time, why historians are debating who holds Licence No.1, and how his grandsons have respectfully and openly shared his story of radio with us.

I now consider Charles Maclurcan to be Australia’s first multi-platform radio producer.

If you wish to discover more about Charles Dansie Maclurcan’s radio programs, technical instructions, newspaper articles, long distance records achieved and his place in Australia’s radio history, you could start at the National Library of Australia (Trove), access reference material at the NSW State Library and Powerhouse Museum, read Ron Langhan’s book The First Twelve Months of Radio Broadcasting in Australia 1923 -1924 or Australian Radio History (5th Edition) compiled by Bruce Carty Phd and visit the Historical Radio Society of Australia.

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